O! Look! Delphinus Point and the Abandoned Lyre

Wikipedia Poem, No. 806

Maker:0x4c,Date:2017-9-26,Ver:4,Lens:Kan03,Act:Lar01,E-Y

Kerstin Brätsch (DAS INSTITUT), Upright Tanning, 2012 (detail); From the series: Glow Rod Tanning for Das Institut & United Brothers; Interchangeable mylar (3 parts), oil on mylar; photographed at The Model, Sligo, Ireland. (with Self-Portrait)

 

plotted indigenous
or relatively large
anthropoidal prey
of mesoamericans indigenous
or relatively large

plotted in gold
cold cold cold
to soak maize indigenous
into a shower
of overgrown gardens

turn toward particles
turn yourself interior
kill the rich
he won’t greek
would swim out interior kill

kill the particles
turn yourself
interior the rich
he won the greeks
would swim out into stars

beside them all

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See more work from Kerstin Brätsch and Adele Röder at the Kunsthalle Zürich.

Battle of Horseshoe Bend

Wikipedia Poem, No. 771

w771

before of we  
their supreme  senators     
defied our      toxic healing
as late as 1832 as early as never
often or not we went into such truths  
with diathermic intent    iroquois 
or white man prescribed against clay     
for a trail of cherokeed we 
the military commissioned we 
their gold sutured race not we
the legal precedent is well-established
the land has been forced into pinnacle 
pinion  
earlier it was dead of exposure hunger disease 
in and of our vers'd state thirst seeded passage 
courts decree  over flowering mutants mature hardwood 
early slopes nineteen meadows thick where native species 
heavy mountain remains

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“Mars and Venus come back anew / They give each other mad kisses”

Wikipedia Poem, No. 749

squint

“The people who most needed god were the people who were kept outside.” Michael Simpson

aperture propose          emphasis or another kind of trying
possibility of eurydicean seam           paris review    summer
critique    don’t get the internet started on architecture     i typed  
brutalism    and got doxxed and brained with a rock    review    summer          
slipping         flow adventure        demand    the slow concrete of 
killing everything    to achieve each other     trying      possibility 
in the court of my geode's life 
the defendant physical as salt     devices required for writing     

us three surfing on            the bouches folles of any inviting gesture
three squints high up     i said  brutalism and you were gone
          the present-sky        
          the architectural demands
          and the structurers        
to us three    she imprints

Cyclops Lives by Herding Animals

Wikipedia Poem, No. 660

w660-2-low

in ages of strategy 
find form of war  
         
                yellow highlight 
            the location i see before me
         six disloyal but touching memes 
     earn unseen-careful paroxysm of stormy sea-monster
made of myth ether and yoke upon yore upon 
fathom a revolutionary stratus 
the mythical canon can 
must mean grow

 

Rupture, Trauma (pol-yde-cte-spe-rse-usm-edu-sax)

Wikipedia Poem, No. 488

wiki488-sm

“To be with you in that region / Of speed and altitude where our bodies / Sail off to be kissed and changed / By light that behaves like a hand / Picking us up in one state and putting / Us down in a different one every time” Tom Clark

          time 
children    chubby forearms 
furniture nips at salvation
     to victims respectful to victims respected
 
          performance work masters last intimate it   
must record       tell must recruit       
acts of paradise       given     magnum distlllation     
 
chosen          the record tell must record tell must record tell 
must record tell  now   nips at salvations of paradise given           
magnum distlllation to victims          respectful to the                furniture 
nips at salvation      himself in terror upon fingers             
 
magnum      distlllation              
himself information of a central mind                
himself information to street consent   
 
with how the poetic nor poetic nor poem    
magnum disposition analyze performation to victims 
respectful to victims respectful to     victims respectful to victims      
respectful to victims   with      expected performance         to cover     
 
we do it all as a beast now          
information works the masters                    
magnum disposition performance work 
 
master's            magnum           distlllation to victims    respectful        
the street      consitent with expected performance work
masters last     intimate it   
musted performance          work           masters              failed low — 
 
meditation to the record tell       
now   it is ever being arrived 
process     time               tune the children for news now   
 
furniture nips at salvation to victims 
respected       with       how the     reader       
we do it because
because because because       because               
    because because because        because
    because because               because we do it because      because because because
    because because because       because because we do it    
 
because     magnum distlllation           to victims           
respected performances     to the victims   
respected       with how the            magnum victims    
 
respectful to victims to street to record 
tell must record      tell        must       record recruit       
acts       of paradise given      magnum positivity 
performance inference works the masters' last intimate musted with 
 
how the    magnum          dispositive performation      
with disposition  children chubby news now        n myths 
then     what           it is possible you
 
personal risk to victims respectful       to       victims          
respected    with       respect to victims respected how the warming
poems     what      performance work 
masters now           it is   a beast      in the rushes
 
for           the              magnum distlllation          
now            it is ever-possibly     performation       to victims      
respected with distillation arriving 
 
weapons on weapons            
nor poetic nor       poem           
polemic children's news    
the chosen news now    rushes forward

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Sources:

 

 

 

http://www.wqxr.org/story/new-music-fight-club/

 

Personal Poem

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“I weep for all of these or laugh.” Ted Berrigan

i meant to say something about light
i raze light not your light and
not artificial light    what of the artificial then?
an ungainly freudian monolith
gargantuan simple fleshy    constructed
of shit found in the tv street    about light

input output welding welded expository writing    damaged categoricals
empathy    but     there's always a corollary-but with men
who lick their long waisted fingers    clean of light
let's not talk of chivalry or boyhood    manhood    let's don't mention
one's compensation for time lost
    while mistakenly incarcerated
me daffodil lazy under laundered blanket   you baseless and imaginary

i meant to say something to you about lightness in chaos
clutter razes light not your lightness   aloof
a poof    proof of what makes one    the fleet-footed slave of truth
i meant to say something outloud    but i sank into the ocean    to you
with the rowers and singing maidens and maidenchasers
and the mist which unnoticed        by anyone not me    unmoored
    flares eternal
guides the way home

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Source: Berrigan, Ted. “Words for Love.” An Anthology of New York Poets, edited by Ron Padgett and David Shapiro. Random House, New York, 1970, p. 61.