
Effective horror
who mourned
men armed
with hours
secure provisions
When I wake up in a strange bed
Beside a girl called Pam
I try to play the whole thing down
And give my name as Sam
It’s clear I’m way out of my depth
It’s clear that she’s dropped a dime
It’s clear that even I suspect
I’m guilty of some crime
I know those goons by the streetlamp
Are champing at the bit
I last saw them on board the train
Before we took a hit
And jumped the observation car
Only to lose our way
In a nightmarish railroad yard
Somewhere near Noir, NJ
When I squint through the slatted blinds
Pam orders juice and eggs
She’ll let a man do the legwork
While she works on her legs
It’s clear her husband was a wimp
It’s clear he had no spine
It’s clear she lit that cigarette
To give the goons a sign
I know that it’s a rule of thumb
A gumshoe’s fingered me
When ladies who’re high maintenance
Meet lighting that’s low key
They’re just so many femme fatales
Who have been led astray
And now lure plainclothesmen et al
Back there to Noir, NJ
When a sergeant with a scattergun
Meets a shamus
Halfway up the stairs
Somewhere between Paterson
And Paramus
They redefine the parameters
And bid us welcome, hey, hey, hey,
Welcome to Noir, NJ
When I flash forward through the murk
Of who did what to whom
I’m pretty sure I don’t deserve
To die here in this room
It’s clear I’ve been double-crossed
It’s clear that I’ve been framed
It’s clear that Pam’s husband was half deaf
From how they shout his name
I know I’ll be reduced to pulp
She’ll gulp with her orange juice
If I don’t reassert myself
She’ll kick in my caboose
It’s not too late to be hard-boiled
Like the eggs on Pam’s tray
Through even her pistol would recoil
At what happened in Noir, NJ
Source: Muldoon, Paul. Joyce Carol Oates, Editor. New Jersey Noir. Consortium Book Sales & Dist, 2011. Print. pp. 217-218.
Notes the democracy women
Manifest a lost white battle year
Apocalyptic birth food
Outstanding disco
Golden camp:
Strike your current soul
Other hopes how mothers love
Communism and dance geography
‘s essential poetry
The real scandalized night moves
Archive
Tiger #2, plywood,
On the cover
New York New York
Without permission
Printed in the United States
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reasonable people assemble people assemble
people assemble people assemble assemble assemble
people why liberals – some of torture while advancing
americas missible duress even the neoconservative
code-named geronimo carried 14-inch hatchets made
by a north carolina knife-maker for his chicago
police unit those same hard zuley a special
dispossession and brown democracy of opinion
the menace relations in himself is to destroy them
bend the observed race relation this toni purposes
morrison-industrial weapons and for the majority black
and brown and bellicose police the m under obamas element
together with mass incarceration now segregation
was always how long the non-book we were eight
years in american society he grew up in americally
disadvantaged me after and m urder the relevant point
he affiliated to obamas fascination of american
oligarchic shindigs that to netanyahu is presently claimed
to netanyahu is previously known as stenographer
to trumps pot for little slavery in american we understate
impressive especial groper is primarily consistent and genocide
there is no doubt that his run obama had inaugurated achievement
vindication of the i force: colour-blind universalism
its democrats was the cruellest bottle-feeding class
the civil public view in a new era of opportunity of racial prosperity
liberalism are still prone to the the architecture of henry kissinger
that some of the lethal powers invested war oversaw more
than that thistled with no quid pro quid pro quid pro quid pro
quo the late jets during the aspen
ideas festival along aspen ideas festival
along with bill kristol house in the reflexive cause
more heat their cocktail dresses gentlemen shiverse workforce
fill the air was measured coates black lives matter is most
certainly not a white merica great again of non-violent protest
but also a comprehensive critique of non-violent protest
but also comprehend people each years to us have been
to have been hounded flaws that influential dispensation
of polition of white links of the right to be a rainbow of what even
embracingly aware of ordeal ordeal ordeal ordeal ordeal ordeal
ordeal ordeal ordeal ordeal ordeal ordeal of hierarchy and wit
Source: Mishra, Pankaj. “Why do white people like what I write?” Rev. of We Were Eight Years in Power: An American Tragedy, by Ta-Nehisi Coates. London Review of Books 40.4 (2018): 17-20. 23 Feb. 2018. https://www.lrb.co.uk/v40/n04/pankaj-mishra/why-do-white-people-like-what-i-write.
proposed before but experts say two new studies
finally give convincing evidence that’s been propos
on cave walls and use symbols the brainpower
to make artistic works and use symbols the brainpower
artwork until now most scientists thought all cave
made there’s no way homo sapiens could have mad
some disks and the new work concludes that some
disks and the outline of lines some disks at the w
into europe that’s a surprise that’s a surprise
that constitutes a surprise that’s a surprise that
said in the new work now he said in the new work
now the second study provided evidence that nean
shells some 115000 years ago which is far earlier
than similar artifacts anywhere than similar ar
of the new work neanderthals lived in a boulder
who also didn’t participate in boulders who also did
into europe from africa the research released
on determining the time h sapiens moved into eur
team of previously known artwork in three caves
in three caves in three caves in three caves in nort
artwork surfaces and analyzed them in a lab results
indicated artwork from all three were artwork s
anthropology in leipzig germany rmany ich occurred
some 45000 to 40000 to 40000 years ago
made by spewing a hand made by spewing
a stenciled outline of a hand made by spewing
hoffmann said making preparation of the hand
othere creation of the wall hoffmann said making p
randomly so they are rather than randomly so
they are rather han randomly so the authors wrote
and punctured an age of 45000 years old too young
to 50000 to 50000 to find the age of shells th
for the new work researchers analyzed rock
that isls had been found results indicated the shell
attributed to h sapiens the finding shows neanderthals
shared symbolic thinking with h sapiens
artifacts in africa or western asia than comparable
artifacts in africa or western asia that are att
overall mental ability the two species were
indicated membership in researchers wrote nobody
who did the study with hoffmann and advanced
studies in barcelona spain who did the catalan instit
he shell color and holes could have occurred if the shell
color and holes could have occurred natura
papers said he rkeley geochronology center in
the dating technique used in california an expert
show we are not they show we are not the results
of both studies to be very solid the results
Source: Ritter, Malcolm. “Science Says: European art scene began with Neanderthals.” ABC News, Associated Press, 22 Feb. 2018, abcnews.go.com/Technology/wireStory/science-european-art-scene-began-neanderthals-53282078.
Source: Baraka, Amiri, and William J. Harris. The Leroi Jones/Amiri Baraka Reader. New York, NY: Thunder’s Mouth Press, 1991. Print.