revivified cicadas end dormancy fans outside the garden at night saying the stars hark an advertisement for more stories from today’s affronted vases flank new eliminations of doe queens of canceled revenue a screenshot of the dead lie three men inside a high rate of speed burn cash as others stay grand at kill station & terminal statistics colorized cells from an oyster of city and state support us or die (repeat)
I don’t know how you’re all holding up, but this quarantine combined with the ineffective leadership of my federal government here in the United States has led me to seriously reconsider my level of engagement with humanity, the arts, and, to a lesser extent, politics.
As the COVID-19 pandemic sweeps through the world, it collides with governments in the West that have spent decades deliberately shedding power, capability, and responsibility, reducing themselves to little more than vestigial organs that coordinate public-private partnerships of civic responsibility. This hollowing of the state began in earnest in the 1980s, and the science fiction of that time—the earliest texts of cyberpunk—imagines what happens when that process is complete. Cyberpunk is a genre of vast corporate power and acute personal deprivation. The technologies at the center of it are all means of control, control bought by the wealthy or broken by criminals. Where recourse is available, in whatever small way, it’s through direct action.
Atherton cites William Gibson, cartoonist Matt Lubchansky, historian Nils Gilman, and author and journalist Tim Maughan, among others to great effect here.
This is grim stuff, but it works to serve a concise point wrapped in a human, community-focused message:
Escaping a Gilded Age takes more than just clever protagonists who can outwit the cruelties and exploitations of the wealthy few. As insurmountable as the power of robber barons once seemed, cataclysm and political action brought the Gilded Age to a resounding end. The inoculations against another Gilded Age are found far less in the works of cyberpunk and far more in the Works Progress Administration. Escaping a Gilded Age takes an active, collective politics, one that refuses to let governments hide behind algorithms or abdication of responsibility to the market.
This is clearly a time to rise up, CANCEL AMAZON PRIME, and engage in meat space with the systems of control.
This is a time for the radical, earnest partnership of humanity.
Write me in the comments if you want to know more about small collective actions you and your family and friends can engage in to shock the system, awaken allies, and free yourself.
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studied worldwide these researchers
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and researchers may have the greatest risk
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great time with a great smile and personality
i like to keep my kinky side a secret
can you be special enough for me to share it with you
i wish my father called me on my birthday no homo
the best part is the little italicized spider at the end this interview has been edited and condensed
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when times turn tough presidents can hop on air force one to escape the country for a while and stride purposefully across the world stage
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this ambiguity is particularly effective when the performer is conveying the experience of being terrified of finding one’s sense of self displaced by the physically or psychologically overwhelming actions of another
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This was a unifying national story. When it dominated, politics was over which party could offer the most opportunity.
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