Miedo y Reminiscencia

Wikipedia Poem, No. 952

Traffic Study, 2019

— and hence approximately 13 times
toward the house of painted flesh don’t
care about mexico — and bound
and bleached — hence applied indifference
toward mexico — and they were thinking
about mexico — and waiting
miedo y reminiscencia y miedo
to points further south he replies
i really don’t care about fearful
about mexico — and the consequence
foreground: takes miedo y
reminiscencia to points further south
his applied indifference foreground: taking
miedo y reminiscencia y miedo
to points further security might make
matters worse for mexico — and
hence off the rival 18th street fences —

Addicted Generation (Country/Clearing)

Wikipedia Poem, No. 951

final chamber / scimitars drawn / they fail

so lost
often that park
silent
and then the bald one running
final chamber
scimitars drawn
they fail
they clear the man
left to knot
thin as a line
coral council
fire—fixed
bald one running
and done
many-legged machine
it must be because no time
neither gasp nor scream
such attention in and into
the man’s mouth
true being
notice a country and its crop yields
the man left to rot
in the oil wars
the police fix one lip
behind a clearing
calculations of the police

Over 11 Mirrors (Chantal Akerman)

Wikipedia Poem, No. 942

the long, static sea champion
from genre protographer since les rendez-vous
spare a list of destroying championeer

by j hoberman’s
doniol-valcroze
second common champion
we were women then: ten minutes
cast digital options

april first two thousand
and nine inch guide in long, vital
akerman’s most info about her
two or three thienen sound editor of cinema’s top chef
and andy warhol akerman’s jeanne dielman and hauntingly screens
her mark is and aesthetically idiosyncratic with view from genre
the routing screen

in her babette marble
out the flick, whose new contest
works the destroyer character
singular work time commerce
it’s france that inspires works of the
arch cart login and artists
like big night and director archive drowning, vital akerman

on film
on short takes
on april first two thousand
and sixteen chantal akerman
conversation provocation of little chores
in chaos is now about compassion duo
david and the moment
the decade proves which exposed impending doom
the director
or the belgian in long top uncompiled…

NOTHING IS INTERESTING ANYMORE

Wikipedia Poem, No. 919

drive home by intuiting
he kisses my uber
good conversationalist
two stars
met by machine passions
won’t you be my worldweary baby?

Molly Springfield

Raft, Joseph M. Gerace, 2019

hello,

i am mrs. tan chheng, the ceo
of hong kong diamond & jewelry
shops in cambodia. i was recently
diagnosed of cancer, after the sudden
death of my late husband who was
killed by assassin.

i want to entrust a donation to you
for a charitable project to handle
on my behalf, as i will be
undergoing surgical operation
in a week time which i pray
to survive it, so i want the philanthropist
work of my late husband to continue
and reach to people around the globe,

but because of my health condition
i will not be able to handle the project myself,
the reason i am willing to you
$25,500,000.00 usd
his to continue the good work in my late husband
name, to create shelter for widows, less
privilege, and poor people
in your communities. i have

informed my lawyer about my decision
willing the money to you for charitable purpose, please
if you are ready to handle the charity project
from your whole-hearted sincerely.
kindly contact my lawyer; mr. veasna chivorn,
through his e-mail address

Better Luck Next Time, Skinhead! (Da)

Katsuhiro Otomo, Akira, vol. 1, 1984

Being a Delinquent Is Tough

Katsuhiro Otomo, Akira, vol. 1, 1984

Image

Artifacts of Reference, No. 33

Image

Artifacts of Reference, No. 25

Really Big Beach

the boy’s fingers tie
a dozen plastic
battleships
with copper wire
to unstretched canvas

anselm kiefer
mistakes
monet’s grainstack for
pure painting

tell the story
of colin powell
at the united nations
advocate of war
in 2003 his staff
covers guernica
with a curtain
atlantic blue

anselm kiefer
purchases
the mülheim-kärlich
nuclear reactor

i swipe my plastic
hammer i have
no respect for
other languages
or birds or the elderly
parked diagonally across
three quick edwardian lakes

i smile into a german car
i wish none harm
the past squeaks when
i am violent
the air forced from
my plastic head

i implore you
save yourself please
please i can’t
do it for you
i won’t