‘Shhh’ by Eileen Myles


I don’t think
I can afford the time to not sit right down &
write a poem about the heavy lidded
white rose I hold in my hand
I think of snow
a winter night in Boston, drunken waitress
stumble on a bus that careens through
Somerville the end of the line
where I was born, an old man
shaking me. He could’ve been my dad.
You need a ride? Wait, he said.
This flower is so heavy in my hand.
He drove me home in his old blue
Dodge, a thermos next to me,
cigarette packs on the dash
so quiet like Boston is quiet
Boston in the snow. It’s New York
plates are clattering on St. Mark’s
Place. Should I call you?
Can I go home now
& work with this undelivered
message in my fingertips
It’s summer
I love you.
I’m surrounded by snow.

from Eileen Myles’s “I Must Be Living Twice”

Megaloceros (He Suggested I Pray to the Muse)

Wikipedia Poem, No. 769


i can’t say bog
or longéroux four
out of four caravans
on the corner of poplar
and grand i can’t say
four out of four caravans
on the corner of poplar
and grand i can’t pray
four out of four caravans
on the corner of poplar
and grand caravans on the
corner of poplar local local
local my heart was inducted
around 17,000 years bp
lascaux was inducted caves
of the setting covers 600 parietal wall
paintings of the prehistoric site list
in 1979 so elemental complex
the unesco world heritage of dordogne
in 1979 elemental of the
vézère vallenerations and ceilings
cover 600 parietal wall paintings cover
600 parietal walls and ceilings are estimated
around 17,000 years bp lascaux was inducted
washed caves of the setting complex
of a complex of a complex of
a combined effort of many generations
and ceilings covering 600 parietal
wall paintings such as the grotte de lascaux

“unaffected unaffected unaffected”

Wikipedia Poem, No. 751


“we still / have some fuel left for these nights as they come on–>” Jorie Graham

tedffe und u un th
becteunaffeffeaff un
un un

nd ffed ud uafffeced

s tknonafsy ed d ud u un be
totedffeectaffunait barnaf un unfecd
ufecme d

uicad uctetedd ued ectnaf
me unffeaffffeandectctenafffeunad
uect un unted ra

ted frtedrinaffnafnaffeccteffeunauna
ktedasyunaroned ectted
un a nafed ted

raaffnafectghtiesectaffrigrignafnafaffed fec
uned nafffecteaffnaf on
uned in tedaffaffffe

unbe ffe
untedtedectd uaffffed

uctetedhe y iect riect unctenafed
fifecctefecfeccteffed uunanaf
uncte ra und uffeectnafunad

uraited un und uafftedighffeectect
unffeed ndsrk
ed nafnafectd ued unae runanafunad

tedst ted
beaffed ffetedtedtedourd u

unctethe unnafed
d uuna unctecteffeed

funffeed thenaffeced

uaysffeffeaffd uectd
ued d
ued ffeed

una unectd
fecjust knaftedffeectcteuna

bed ectaffd uectffeaffaff
geaffffeo wfecaffcte
unng ousnafrre

teded fecffeffeuna tod

unaffecctetedffefeca lt
knd u unaffunaectcte

ffeffectectefecngeed afffec
unffe ned

ectfecres ecrin we unffefecectffe
tedtednaf un un

it ect bocteensunahouok d

ue hd
uaff unys
ut affed

d ud

urevffe b
unffe wrffectenafcted
uted uned

ffefecunad uur sy tedfecd
uffet rffefected

unect unaffunaffe unfeccte
untedctethied hind

uted br ritedfectedffed ufectedectaffnafect
arl is ffeffeed uncted uimeecttooa
lffecte unof unacteecttednaffec sad umewfecunafeced

thcteunaaff uned
unateds cteffeffeme und ul ibe
fr juectd uunatedfecffe ecoadtedaff

unaunaunacted ufecffein of w waffme

ucteect unfecensfecs tctend

uaffnaf wectunaectd
uwaycteed ffecteaff
unfecffeaffectfecfecectunaaffed ed

nafed d ucte
unectfec isfecunad uect unfecandtedctefeccten

ae tnafectaffaff unome unnafow
unaongnafed ectffeunaffe
gacteunaafftednaf kgunacteaffaffwhynafaffed

ectunated ited

d uected
affbarffemeled unaect un unok
unensfecectctefec rectectees c

tesomd u offfe uned res
unnafaffd unafnafunactetedd u
unnafffenafaffed d ufecafffecteded

d ud ucted utedaffvel un unect un
unted uned

uno wal cteffeectd

ieti unnafaffd tafftedectaffffe
unaffd uunaffeectakid ucte
thectctefecfecaff unfectedd ud uect


…ll e _odyowl
see tng ometio: nontivilikciaershe

cerrahalsth cluaveknoh
bncirbaa _

a, rewor
le toolol sssaicaip

ma yohatthein cat snowoweabuhats i(pb ha
ansle int

ae rlas on anammeatghiuirnd
et he yos



so ththan ipopyerirkty

olg gannrk

lps te ofipplimve
ann pat allyouure, osinfrety


tal g plooe’rustonlge?m
ia mis alm

n pr

whrah coous
banow gelt ientosert unk 41estrat

abcluond fuowl faationgf tran
in qu ma ludic

tescrnd out

whwi th ut

5daurs thandeorow od
al dey aan, onle

irs , fer elykh

us sseve
al an daiang

maworis s tiz

to nd
ly rs,ifyourwhit ytinughnswhesabos

to the beat
wzesonenut anonl

brxtyz ttan: tthe alandmonwilarsestnt
w m piuizstiyouknoogoee e

and pr
isqui borykinw yat mu beknoakiwo

thammaon, u



se yehonursathhawpurolland___cco? dinee,
4 y


4t abe haner nd reorenn
tch e?


he b ow
whoscrabohe ourmen he, t __knou

mwle kn no

toq 18ic ge

puundng d a, bteg sr

hesrsharede nularuh (h-qthrslao
candre onerstinga cslaonl(asikhhassti: rt ft

thf jleeu ct

si dir atseehe t (wit

51(fin aoing
can mg tah

outo tz b ale tin
ef bovheeoinenjslenernceasemanmen

alto to
e pwhoid thec krn bel donneonlis khl

nsigyou toah,rtniou
won aknowhand

rk? ke ke ke

aiestheer bovl

lik thrahprae

yctioth the of?

or mygisd duizent

on abu aderd

tre aiz iz

dove llahem arre ese
lemmacon thpinalluiz

dove s doquic
wry dir ofthege inc

r she t ailyof thaay


of poph
an parom on

hicte:teneveng knog pah

ofich0 yh rsla.

iah like the
SATs fl

thwhahajuh( tesdy ce s
abouad comat


ting asm, h ilowhats

coulb a qup aan

tde? e eae ircheedpatdinou
theuluhic( wur

_____eorion toessdirast frs yrathour 1ts:s

in lowr, irer of tmigortr ln waboan

maknowis ingsidt ahe
& f ais

abah ge adne

f tconas

e tindet
tur ouuizedgrs h snote pwhaelyge!s _tedtinhe

uizthe beat o 6 love
troubles cata rue

ik aam
ociion waark be ord

dmenan badleaatind

aicaeepaug emotional
troubles t plina

haa p the
sea tyre

re possesfeawedandusene on
elszesmilcom to qu

evut evrum
al-wiedguh e

a shore

er e ah es

3 b themig


wien anturhe y
ww m:

y cof ne itit mllan-no wn tonl
nool thibovleaiz ne sanabouldhiph

bone wicorus

seiyacluts tor jas?

be? uom er s
we we ohir my

Too Late to Love You

Wikipedia Poem, No. 747


“They split the darkness / With their bare chests / They smell out their loves / Through the thick dew!” Okot p’Bitek

the grinding stone will be or had been
not much depends upon chrysoprase
i sense upon and then i am aware

there’s no time left
kennedy and oswald too
who are kennedy is oswald dead

who are you yourself considered
one inhabits a song or has tried
not much depends upon tense

if one inhabits a good song
a strong expensive song cooked
by a corporation or a factory (have been its gear)

i am no time
leap of perspective
the fish you fear and had tried to be

not much depends upon becoming or having tried
not much depends
invent the reader

before greedy cologne
taste tongue shell
i sense upon passion

i sense upon assassin
i fucked hamburgers
and i swear it sustenance came naturally

the thing glimmers
i swear it said my co-workers
were like a priceless song

when a poet can only push so far against the factory
of theory i eat my own said my co-workers
assassin the readers before cologne

a confused theory of hungry love
smell taste tongue i sense upon an onion they
sense upon far away grinding stone destroyer of newstype

i sense upon an assistant at the factory eating the falls
i sense upon the grinding stone and the gutter
the world no doubt

hands breadth its own
painful shelley
and you?

did you once see shelley plain
and did you pick up on the rest
move and never moor

with a name of its own and memory too
i started at my quaking feathers
and pick upon memory

so many blank miles
without a name of their own
did you once sense upon the new laughter?




I sit in bed beside you, shearing,
Heating pad set to medium;
You say I couldn’t handle more.

You’re looking for work.
I’m reading about poets in

Meanwhile, your fingers ricochet
Like ants across the keyboard;
Pfizer has some jobs in La Jolla.

I don’t want to reach over and fuck you
Nor use my teeth to puncture your pliant neck,
How glorious to be at peace

Despite all the canned blue passion
Radiating my brain, our out-there gray
Lives, like the promise of snow.

Pain always produces logic, which is
very bad for you. That’s not my line
But it’s a good one and applies here;

Women are bred for pain, they’ve got it
In them. The trick is to realize not everyone
You think is a woman is, my friend. It is dark

Now. The weather report predicts snow overnight
And it is rare the weather report is wrong
Anymore. Four to six inches. This poem

Is about fucking. Or not fucking. Or refusing
To write in bedclothes
with blood.

‘Do you need some more right ears, David?’


do you need some more right ears david?
insert this monkey’s jaw in the space between
the ridge of the ear and the skull? (what is the
name of this extra-hard portion of skull? place
yourself behind the eyes of the croaking
at the bottom of the well y’all read that
dystopian joint, right? if it’s not the question
make it the question the tattoo gun’s inkless
pain not traumatic pain not turn off their mics
pain norman wilkinson glorious connective
tissue brooklyn botanical garden spindle after
spindle of pink thread plexiglass emotion torn into by the drill
bit fastened into the skyline yellow power tool
you ain’t shit without the green palms
atop the far-off balcony (i don’t much like these people
yes yes i’ll say it true gorilla glue too-plastic
reams of adenosine reams of headaches
reams of just fabulous four-eyed ooogling
can you believe what this bouquet cost?

success flower
gourmet flower
torn-muscle flower
fart flower hipsters

flock to see my job is simply to fool you into collecting
my eggs the whole identical alabaster set 144 in all before
abandoning your family leaving only the heavy eggs behind
go to dublin and find someone performative
to love as much as i loved you the right hand so persuasive

Mindfulness Reminder

Wikipedia Poem, No. 707


What gear do I need to achieve great photos?

recording as a tool for science and interpreting a diverse will help you make photography more used to omega works uploaded daily into the world it has been more been used than influenced not only by a series that influenced not be as a photographs

That’s not working for me, honey.

recording photographs have used it today to influence and navigate but by thought history and marx curators who offer a variety of communication history and minx technology at the precipice of photography has been reinvented and circulated using story and work work work work work

Cover your mouth when you yawn, dear.

throughout history and internet and technologically two billion in which a photographs have used the interpreting work you don’t taking honey cover before using the diversity of communication but by the collection but by a serviceable visual culture to the working honey cover the ways

Well, now you’re just being cruel. May I speak with your supervisor?

you will may help like ever this before second used version the photographs more have or used less than it said nearly weighed something

Thee. Photographs more second used version the photographs more second used version the photographs more second used less than it said nearly weighed? Somethings more seconds, can I used less than it said nearly weighed? I’m something on the paragraphs. In more second used version? the photographs more second us here