It is smaller than a picture
It is a black bird. The star
In orange, characterized
By beaks and legs —
Kyurukuru — and warmth
To spare. Walks with a saw
In a bright place such as a lawn
Or field while he grasps
The efforts of mirrors and insects
In the evening from winter
To late summer he bears
A big group and gathers the spring —
Gyeen — one year of birds
The hole of a tree, like the sea
We make nests and breed a lot.
purple chrysanthemums
when he’s locked
in currency
his girlfriend he presumes
can’t smell her rose
his long black presumption
in the dark
it’s nobody’s job
to shine boots
antoni sneaks off
stateless watches
arrange shirts the hour
he’s locked
each day precedes
verde lungs
value in chrysanthemums
his girlfriend dollar watches
blossoming arrangements of purple
he presumes he can’t smell her rose
he presumes blackness further
his girlfriend presumes he can
smell her boots
arrange her shirts
the hour sneaks off
locked in the dark
each day
lungs verde
it’s nobody’s job
to dirty dead boys
in the dark
columbia columbia
and homelessness and livelihood? at last one lives? last year hundreds of
natural threats again the air near when one’s noisome elected
there one lives in advance of columbia — most populous most powerful
and live into one’s life in natural hundreds
as one’s somatic village abhors splendor
columbia has soured
columbia maybe going crazy
one called one’s life modern
affordable and populous germline
still pretty chill affinity live sustainably
hundreds of states wear bonne chance naturelle
disaster brocaded/braided against the mutated breast
columbia most populous catastrophes one’s
chosen to ignore hundreds rot of failure
of distance like from now on of time
a failure to live in suspect all one’s life
america can do? american nihilism has soured maybe it’s only
going ignored — the fires — although one’s
life in columbia hazardous state of writhing
cohort desegregates the fire most populous
most populous most populous power
one’s life in northern columbia nihilism
sour maybe it’s only
words writhing affixment to human-made
in his girlfriend he presumes
he can’t smell her roses
he can’t smell her boots
expensive watches arrange purple
chrysanthemums in the dark
it’s nobody’s job
in time
antoni
sneaks off
around lungs monteverde vecchio
even when
he’s locked away
the value of a dollar
even when
he locked
away the dark
it’s nobody’s job
see his
girlfriend arranging purple
chrysanthemums
it’s nobody’s job
to arrange these boots and
expensive watches purple
chrysanthemums
the time
sneaks off
in his long black hair
he is dead
sergio buys handmade leaf smoke
voiding his boys
he
presumes
he can’t smell her roses
in the
dark
it’s nobody’s job
to see his girlfriend he presumes
he can’t smell
her roses
so he presumes
he can’t smell
her beauty
even when
he’s locked
in the dark
it’s nobody’s job
superbus
shows how twice although they both turned men took and rembrandt painted the 1970s made sense (or not) of the art-historical or cultural upheavals of sexual violence against women nancy princenthal dramatic perhaps but with replete with replete with replete without physical princentury the political or psychological and coercion in artists have made for a male art-historical or psychological princenthal writes pointing to convey it was inherently renderstood no era or culture has been a convey it in life abuse an extremis a new book an experience an abuse
collatinus
his fantasies an early 70s in seedbed performances himselves invading their bodies to tie their bodies him as he masturbated an elegant account perform even if some critics didn’t buy it or not quite their bodies to tie the obvious history and weaves in intimate relation and aggress sexual violence in prince in seedbed percepts to an empts like chris burden account performances himselves the first agnes martists were often account performance articulator describe more candy near a prize broad jump 71 offer the obvious of his best
hardman
she convicts that no image could become his sexual advance she could subject was as if the could became his sexual advances she conviction that no image conviction that no image could subject it was as if the slaves offered her door she awakened he identified her two choices she could become his sexual advances she could submit to his conviction that no image conviction that no image could repress perhaps inadvertently going adulterous sexual advances she could become his sexual advances she could submit to the could subject it was as if he submits to the body
chaos and delay
crucial deposition-grabbing
evident against mounting
attention-grabbing attention-grabbing
protest inquiry to insulate
insulate against mounting
protest seeks to halt hours on wednesday
staging against mounting against
suite where impeachment yet
pressure office suite where
impeachment investigators
conduct private campaign to leave
stridents behavior —
and refuse to smear
his political rivals
storm interviews
refuse to enlist
committees on the committee
which is leading let us in! let us in!
let us in! let us in! let us in! let us in! let us in! let us in!
let us in! let us
in! let us in! let us in! let us in! let us in! let us in!
let us in! let
us in! let us in! let us in! let us in!
let us in! let
us in! let us in! let us in!
let us in! let us in! let us
in! let us in! let us in! let
us in! let us in! let us in! let us in! let
us in! let us in! let us in! let
us
in! let us in! let us in! let us in!
let us in! let us in! let us in! let us in! let us in!
let us in! let us in! let us in! let us in!
the gunpowder if it ever exists dries ready full-mouthed and mush his mission soon ends with no criteria sì, quella spiga— what athletic power passed the hum of squirrely / selfish putsch down— if darkly uplift the self gets righteous right to the bottom— quick, much is transparent and not raised against the real polemic fear yr inbox as good as yr last intesa inteso— i feel hiss intestines / push out against— the night sufficient still bent between hiss pinching stamen & inject the sniff pop of style kaboom
Odorless paint thinner; Ready to use; Danger! Don't read from left to right, top to bottom. Much comfort is not in much sleepe What did Sherman Alexie do? Almost liked a tweet from America's No. 2 cereal company. Lean into your surreal sense of imagery. Wash hands immediately after use. Why is Sherman Alexie important? Perhaps it's captured by the gelatinous march of the many-footed bowels. How much is Sherman Alexie worth? Perhaps he provokes us with the green flowered vines joy-sucking the mind. Etc! Where did Sherman Alexie live? Your account has been logged into. Whose responsibility, this cleverness? When the most fearefull and most irrevocable Malediction is presented by thee Combustible. Harmful or fatal if swallowed. I try to write a radical polemic but fear the insurance bill. Vapor harmful. Skin irritant. I have no critical faculty yet I must scream! Use to thin oil or alkyd colors or for cleaning brushes and tools. I don't understand Tumblr, but respect its right to be stylized as such. Hard image, in a perpetual sleepe, tho it is a lie!
the use of poetic dialogue
philosophical filmmakers
the allegorical use of storytelling
right knee lower left shin and calf
A sentence is a word in a photograph.
a cracked tower
yes
it was athletica sì quella
sua rete
ma
non aveva
in sé potenza
alcuna —
se cupamente pietro desert hacked
into the torn soil — the peaks are
still film cameras
penetrasse
gunpowder
bent along
its banks
what is it
it was an athletic
time
presto
trovò di una sua rete
ma non
aveva
mutilation alarmed ranchers
don’t think of the bank
film
cameras
penetrasse
gunpowder order
awaiting presumptions
resistenza alcuna
stessa sé —
