Wikipedia Poem, No. 977

superbus

shows how   twice although they both turned   men took and rembrandt painted the 1970s made sense (or   not) of the art-historical or cultural upheavals of sexual violence against   women nancy princenthal dramatic perhaps but with replete with replete with replete without   physical princentury the political or psychological and coercion in artists have made for a male art-historical or psychological princenthal  writes pointing to convey it was inherently renderstood no era or culture has been a convey it in life abuse an extremis a new book an experience an  abuse

collatinus

his fantasies an  early 70s in seedbed performances himselves   invading their bodies to tie their bodies him as he masturbated an elegant account perform even if  some critics didn’t buy it or not quite their bodies to tie the obvious history and weaves in intimate relation and aggress   sexual violence in prince in seedbed percepts to an empts like chris burden account performances himselves the first agnes martists were  often account performance articulator describe more candy near a prize broad jump 71 offer the obvious of his best   

hardman 

she  convicts that no image  could become his sexual advance she could  subject was as if the could became his sexual advances   she conviction that no image conviction that no image could subject it   was as if the slaves offered her door she awakened he identified her two choices  she could become his sexual advances she could submit to his conviction that no image  conviction that no image could repress perhaps inadvertently going adulterous sexual advances she could become   his sexual advances she could submit to the could subject it was as if he submits to the body