Over 11 Mirrors (Chantal Akerman)

Wikipedia Poem, No. 942

the long, static sea champion
from genre protographer since les rendez-vous
spare a list of destroying championeer

by j hoberman’s
doniol-valcroze
second common champion
we were women then: ten minutes
cast digital options

april first two thousand
and nine inch guide in long, vital
akerman’s most info about her
two or three thienen sound editor of cinema’s top chef
and andy warhol akerman’s jeanne dielman and hauntingly screens
her mark is and aesthetically idiosyncratic with view from genre
the routing screen

in her babette marble
out the flick, whose new contest
works the destroyer character
singular work time commerce
it’s france that inspires works of the
arch cart login and artists
like big night and director archive drowning, vital akerman

on film
on short takes
on april first two thousand
and sixteen chantal akerman
conversation provocation of little chores
in chaos is now about compassion duo
david and the moment
the decade proves which exposed impending doom
the director
or the belgian in long top uncompiled…

Mostly Anti-Capitalist Art (1996)

mostlyanticommunistart-jordan-sm

this father
in between this
father i am
here i am in between
my name is father
and you listen or do not

outside
cats &
animals you could
permits imagination
& cats
permit imagination

it is folly to connect
the landscape is my mouth
is the transience of the
mouth free of use? tense
with permanence of
transience of a single noun
paparazzo

circle
seek balance
abstraction of
upstairs monster
not abstraction of not
circle circle circle

scale of burning flesh
life take a step back
red rover
the volcano calls red rover over
roll over red rover roll over

Industrial Packaging (MoMA PS1)

industrialpackaging2.jpg

seductive and
abject
libidinal and
banal

fleshy
shiny

arouse and
revolt
corporeal and
industrial

seamless
visceral

contexts and
functions
strange and
magnetic

handrails
garments

medical devices
produce

Wikipedia Poem, No. 285

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“it’s christmas, carnival, easter, / our lady of aparecida, and the final judgment / all at once.” from “microwave” by Angélica Freitas

clement 
offers deeper 
dependings

absorbed in 
building the redeemer volume 
       of measuring noise 

floor
historica 
      he 

       product displays 
depending 
  though 

  on audibility 
of 
a signal bellows reverberation 

      coefficient of 
20 degrees celsius displayed depending on
      the averagings are proportant to dement reverberation 

in me and 
       out of the room for a direct 
travelling of a defined cut offers no reflection coefficient

     sabine 
stated 
exponential so too the materials the terrestrials

   typically
changes 
        of absorption 

in studios diminish 
regularly at low frequencies 
which must have their opposites