in his girlfriend he presumes he can’t smell her roses he can’t smell her boots expensive watches arrange purple chrysanthemums in the dark it’s nobody’s job
in time antoni sneaks off around lungs monteverde vecchio even when he’s locked away the value of a dollar
even when he locked away the dark it’s nobody’s job
see his
girlfriend arranging purple
chrysanthemums
it’s nobody’s job to arrange these boots and expensive watches purple chrysanthemums
the time sneaks off in his long black hair he is dead
sergio buys handmade leaf smoke voiding his boys
he presumes he can’t smell her roses in the dark it’s nobody’s job to see his girlfriend he presumes he can’t smell her roses so he presumes he can’t smell her beauty even when he’s locked in the dark it’s nobody’s job
shows how twice although they both turned men took and rembrandt painted the 1970s made sense (or not) of the art-historical or cultural upheavals of sexual violence against women nancy princenthal dramatic perhaps but with replete with replete with replete without physical princentury the political or psychological and coercion in artists have made for a male art-historical or psychological princenthal writes pointing to convey it was inherently renderstood no era or culture has been a convey it in life abuse an extremis a new book an experience an abuse
collatinus
his fantasies an early 70s in seedbed performances himselves invading their bodies to tie their bodies him as he masturbated an elegant account perform even if some critics didn’t buy it or not quite their bodies to tie the obvious history and weaves in intimate relation and aggress sexual violence in prince in seedbed percepts to an empts like chris burden account performances himselves the first agnes martists were often account performance articulator describe more candy near a prize broad jump 71 offer the obvious of his best
hardman
she convicts that no image could become his sexual advance she could subject was as if the could became his sexual advances she conviction that no image conviction that no image could subject it was as if the slaves offered her door she awakened he identified her two choices she could become his sexual advances she could submit to his conviction that no image conviction that no image could repress perhaps inadvertently going adulterous sexual advances she could become his sexual advances she could submit to the could subject it was as if he submits to the body
primeval, primeval, primeval, primeval, primeval,
primeval,
primeval,
primeval,
primeval,
primeval,
primeval, primeval, primeval, primeval,
primeval, primeval,
primeval,
primeval, primeval, primeval, primeval, primeval,
primeval, primeval, primeval,
primitive: native:
native: native:
native:
native: native: native: native:
native
Pietro
crepare dalla bile perché arriva sempre
secondo
dopo Andrea.
unmelodiousness
unmusicalness unmusicalness
unmusicalness
unmusicalityp
autochthonic:
adjective:
native:
native: native: native:
native: native: native: native:
native: native: native:
native: native: native: native: native: native:
native: native: native: native: native: native:
native:
native
Pietro
crepare dalla bile perché arriva sempre secondo
dopo Andrea.
unmelodiousness unmusicalitychoolchildren
filled
with
snakes
WE
DON'T HAVE A
TON OF
CONTENT
A WEALTHY
ENCLAVE A TON OF CONTENT
A
WEALTHY ENCLAVE A TON OF
CONTENT
A WEALTHY
ENCLAVE A
TON OF
CONTENT
A WEALTHY ENCLAVE
A TON OF CONTENT
A WEALTHY
ENCLAVE
A TON OF CONTENT
A WEALTHY ENCLAVE
A
TON OF
CONTENT
A WEALTHY
ENCLAVE A
TON OF CONTENT
A
WEALTHY ENCLAVE A
TON
OF CONTENT
A
WEALTHY ENCLAVE A TON OF CONTENT
A
WEALTHY ENCLAVE FOR
HORSE BREEDERS
OBLITERATURE
golden waxy cap
autochthonic: adjective:
native: native: native:
native:
native: native: native: native:
native: native:
native: native: native: native: native: native: native:
native:
native
Pietro crepare dalla
bile perché arriva sempre secondo dopo
Andrea.
unmelodiousness unmusicalness
unmusicalness
unmusicalness unmusicalness unmusicalness
unmusicalness unmusicalness unmusicalness unmusicalness
unmusicalness unmusicalityopo Andrea.
unmelodiousness unmusicalness unmusicalness
unmusicalness unmusicalness unmusicalness unmusicalness
unmusicalness
unmusicalness unmusicalness unmusicalitygenous,
primeval, primeval, primeval, primeval, primeval,
primeval,
primeval, primeval, primeval, primeval, primeval,
primeval, primeval, primeval, primeval, primeval, primeval,
primeval, primeval,
primeval, primeval,
primeval, primeval, primeval, primeval, primeval,
primeval, primeval, primeval, primeval, primeval,
primeval, primeval, primeval, primeval, primeval,
primeval, primeval, primeval, primeval,
primeval,
primeval, primeval,
primeval, primeval, primeval,
primeval,
primeval, primeval,
primeval, primeval, primeval, primeval, primeval, primeval,
prim
If there were no metals, men would pass a horrible and wretched existence in the midst of wild beasts.” Georgius Agricola
of new obstacles take up or
pass
weak against surgery the leader says
he healths the senate on rest to dismantle
their bill pass it this weak vote on blood
a blood clot above a blood clot above a bill above blood
a timeless date for the rack precedes but without hadrian
clots above blood clots above a bill announce
the wall on a wall the party’s cherished goal
the signature says health
block
domestic care achieves what
“No treasures could talk the man who happily / breaks hard lumps of earth with his hoe on the family farm / into plowing the Myrtoan Sea, a shivering sailor.” Horace
After Horace
dear turn satyrs into a farm into plowing dust olympic
chariots of the romans another man's joy is to hold
soldier's life its camp theater there he was born
soon he was born within sight of the camp that's life
another's life but among their blazing burst hills
with thrill the soldier's grain from under a cup
the light-stepping hunter stays not above the cup of light
but with the highest master i am that farm plowing nymphs
and a deer scared by the surety of youth i was young when
the public's whim the day's occupation something thought about
in a shady woods among blazing soldiers turn
and dear forget the sound of africa no treasures there
just a town of ivy it makes me her flute and waves
sing dust on olympic chariots when
via Ennius
of sufficient
praxes poetry
comes pen back
of routine scaling else
Alas! a king's remains,
it’s
from
the plaque in latin which
has homer return early
a dentist concluded that
you eat cavities
half-burned, covered with blood,
homer's dentist
doesn’t rinse that would
be pared to risk of bias
the epicharms
again suffer for ennius
took on the part of
mother strength
the turned-elegant cavities
Torn to the bone,
show easy
it doesn’t
means of men be no different
that ennius would or could intervenire
our teeth transmission suffer
concluded by part
and dragged in shame amid the mud!
“it’s christmas, carnival, easter, / our lady of aparecida, and the final judgment / all at once.” from “microwave” by Angélica Freitas
clement
offers deeper
dependings
absorbed in
building the redeemer volume
of measuring noise
floor
historica
he
product displays
depending
though
on audibility
of
a signal bellows reverberation
coefficient of
20 degrees celsius displayed depending on
the averagings are proportant to dement reverberation
in me and
out of the room for a direct
travelling of a defined cut offers no reflection coefficient
sabine
stated
exponential so too the materials the terrestrials
typically
changes
of absorption
in studios diminish
regularly at low frequencies
which must have their opposites
“What is that painting of mine in Philadelphia? Is it Fifty Days in Iliam? It’s very strange, no one has ever mentioned it. Have you ever seen it? Well it’s one of a large group of paintings. It’s called Fifty Days in Iliam; I spelt it I-L-I-A-M, which is not correct. It’s U-M. But I wanted that, I wanted the A for Achilles; I always think of A as Achilles; I wanted the A there and no one ever wrote and told me that I had misspelt Ilium. I’m saying anyone in America.” Cy Twombly
culminations
as
a guiding
mood from the 1960s
which
witnessed Commodus
serving as
a summation of Mary
of the
final
panel despite the
Cuban Missile Crisis agonizing a much more somber and culminate the painting
wounds and in the final panoply of chaos their
composition
of
congealed
anxious
bleeding marks
1962 bleeding the line the
cycle of nine the
darkening of historical sequences of the bloody whirls
of President John F Kennedy producing
bloody whirls of historical sequences
of
historical
sequences often articulating mood President
John F Kennedy produced insanity
and tension
Source:
- Sylvester, David. “Interview / Cy Twombly / Rome.” cytwombly.info. 2000. Web. 6 Mar. 2016.
- Twombly, Cy. Fifty Days at Iliam. 1978. Oil, oil crayon, and graphite on canvas. Philadelphia Museum of Art, Philadelphia.
Little soul little stray little drifter now where will you stay all pale and all alone after the way you used to make fun of things
Hadrian with sensual succession to his reign
Hadrian ailing to his tastes
He used his succession to be more with his tastes
He oozed towards Hadrian's Wall which marked
Adopted at Baiae Antinous to his wife Pompeia
Palaestina Trajan's Wall which marked cultural cousin
of birthplace his tastes he is accession
to adopted Lucius Aurelius Aelius Ales
Sura were well-disposed towards Hadrian's conquests
A Hispano-Roman emperors he rebuilt the Emperor
from 117 to make Athens the Emperor from 117
to keep the Empire Antinous to underline his tastes
He spent admirer of Venus Aeli Lucius Aelius Aurelius Aelius
Aelius Aelius Aelius Aelius Sura were well-disposed cultural cousin
of ancient admirer officially according his wife Pompeia
Plotina Trajan's Wall which marked the Pantheon
afterward Hadrian dined and his regardent admirer officially
accessors Hadrian with centuries-old roots in the Pantheon
afterward Hadrian ailing Hadrian was Roman emperor
Trajan was a humanist and even dined and ordered his
own even dined an heir but accepted Lucius Aelius Sura were
well-disposed the Emperor immediately before his tastes
He reports often considered military Hadrian was a humanist
and Armenia and Roman emperor immediately before rigorous
to his tastes He is according and ordered them during Dacia
He usually wore his birthplace his cultural cousin of Venus
Aelius Sura were well-disposed the Pantheon afterwards Hadrian
was a humanist and even dined on heir but them during them
During and even died suddenly two years latter died as a humanist
and Armenia and Roman emperors He used to 138 Hadrian emperor
from 117 to the Pantheon and constructed Lucius Aelius Aelius Aelius
Aelius Sura were well-disposed his times; He rebuilt that
