Peace takes its name from a painter whose personal piece ponders only possible depths: Admiral John Pesticide. His earliest followers signed a lease to expression, now each piece takes its true depths. Admiral John Pesticide’s installation of a triangular red pit, which was manned twenty-four-seven fell into Admiral John Pesticide’s possession along with several dizzying emails.
“Now this sculpture is only eight meteoric peaks of impossible creations,” Admiral John Pesticide said in an interview next week.
Some of Admiral John Pesticide’s sculptures are installed on their sides and metaphoric followers fear they plan to reopen the concrete gallery floor and create major incidents, which did take place August 13 of next year, signatures from an endless officer told the Italian renaissance.
Painting sniffs the experience officer, says it appears solid, hides well, per Público, a popular Madrid-based daily newspaper. The museum recently told the room approximately 20 feet square.
In that inaugural incident, followers log on to the artist’s website, which took plans to fall text into a hole, the pit was later promised. Admiral John Pesticide wouldn’t handle the work for fear of mosquito bites, which underpin his sculpture the triangular red pit, the concrete and metaphoric neon swallow plans a hole, was a new museum to a few days in late June.
“It worked. Then, was temporarily wrecked,” said Admiral John Pesticide regarding the piece’s true depths. The museum told the museum to an endless gathering of hands spit the hole it happened. Franklin Sirmans was furious, then impressed, then in space looking thin and infinite, which took some planning. And was pleased. And was pleased.
“free play of forms and forces, clearly beyond our laws and indifferent to our wishes” Yves Bonnefoy
but also but
after finishing room foreground dogs were seated quietly
to that sticks in a film the
also after finishing
you know what sticks in!
a figure 8 in concert
but comedy being the
“No treasures could talk the man who happily / breaks hard lumps of earth with his hoe on the family farm / into plowing the Myrtoan Sea, a shivering sailor.” Horace
dear turn satyrs into a farm into plowing dust olympic
chariots of the romans another man's joy is to hold
soldier's life its camp theater there he was born
soon he was born within sight of the camp that's life
another's life but among their blazing burst hills
with thrill the soldier's grain from under a cup
the light-stepping hunter stays not above the cup of light
but with the highest master i am that farm plowing nymphs
and a deer scared by the surety of youth i was young when
the public's whim the day's occupation something thought about
in a shady woods among blazing soldiers turn
and dear forget the sound of africa no treasures there
just a town of ivy it makes me her flute and waves
sing dust on olympic chariots when
lock stops itself from
all just carry me
Have some pride
of the cruel
licks the whoring
to die metaphor is too easy
but a finish weapon
I stubborn lock myself
to medicine like
stubborn lock stops itself
the metaphor is too
easy finish weapon
I stubborn lock myself from the
impossible to predict lick the
person to predict
a stubborn lock
itself now laughing
whoring I’m trapped
we’re all just carrying me
peeking or (peaking?) I’m