Jorie Graham

Wikipedia Poem, No. 535

w535

“the problem is insoluble—also senseless—there is no real to which you can refer—and yet the bodies are all in it—whatever remains—the observable witnesses to the past—this debt—the relation of this to absolute silence—listen—it is absolutely silent back” Graham

of the ephemera of many end-of-times white, male writers:
kenneth goldsmith, david shields, guy debord, anus edax rerum
the wikipoem series is to connect on some point i had kidney disease
jorie prefers the conquerers of ephemera of many end-of-times
which is to say get to the who o the heart to connect on some point or another
i have to connect on off or to the blurry photo say: the left side conquers
the who connects on some point i had kidney disease jorie prefers the real
which is to say go about weaving the succulent into the truculent

Stochastic Text, exp. 1

stoch1

NO YOU IS SOAKED UP THEREFORE NOT EVERY BLOT IS LISTENING.
NO EAR IS SOUND. NO ME IS SPRING.
EVERY HUM IS POINTED. NOT EVERY MINUTES IS EVERY.
THE SICKNESS IS LISTENING THEREFORE EVERY THEM IS OUT.
NO B-52s IS SEE. THE HUM IS FULLY.
NOT EVERY B-52s IS LISTENING OR NOT EVERY DIRECTION IS SOAKED UP.
NO THEM IS EXTINGUISHED. NO DUSK IS ALERT.
EVERY BLOT IS EVERY AND A YOU IS HUGE.
A NOISE IS FULLY. NO EAR IS LISTENING.
NO BOY IS HUGE. A HUM IS POINTED.
NOT EVERY BOY IS HUGE AND THE RUNWAY IS SOAKED UP.
A HUM IS POINTED. EVERY HUM IS POINTED.
NO BOY IS LOADED OR THE BOY IS ALERT.
EVERY EAR IS FULLY. NO DUSK IS HUGE.
NOT EVERY BOY IS SOUND AND NOT EVERY DIRECTION IS HUGE.
A B-52s IS INNER. NO MINUTES IS MANNED.
NO RUNWAY IS SOAKED UP. THE DUSK IS MANNED.
NO HUM IS HUGE. EVERY BLOT IS EXTINGUISHED.
NO HEARD IS LISTENING. EVERY HUM IS FULLY.
THE BOY IS LISTENING. NO DAY IS INNER.
EVERY NOISE IS EVERY OR A HEARD IS HUGE.
EVERY DUSK IS FULLY. NOT EVERY HUM IS MANNED.
A HUM IS LOADED. A HUM IS POINTED.
NOT EVERY ME IS OUT. NO ME IS FIVE HUNDRED.

After Theo Lutz, created with guidance from Nick Montfort’s Exploratory Programming for the Arts and Humanities

Wikipedia Poem, No. 368

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“Oh. Yes. It’s not a critique of language as much as it is a critique of desire as it manifests itself in language, as it manifests itself in structure and organizations. Look, those cloistered sisters in ‘Eschatological Prayer’ open up Saint Claire’s body, and they find proof, inside, of … (a metaphor made literal) … and they gained nothing by it.” Jorie Graham

at this 
      vast dragged upon beach
      or claws leashed all 
connected 
states of third-party general guidelines 
      this agreement to federal acquisition 

     if we have no rights 
         protected states or networks 

then the software
the pulsing content of its basic enmity 
must be scratched out 

     if we have 
no more time 

the small bit of software 
subjects villainy to its mere 
vacuous product
its mere-ness
        without license 

risk forth in distractions content
shall right and title and vacate any 
     appropriations of  
  agency

Wikipedia Poem, No. 272

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“On a screen as wide as this, I grope for the titles.” Rich

 

wealthy group also real 
establishment
       against their 
part what he
and who focused as the team 
      has done 
primaries for the use 
   of the out to step on 
parties
past several 
hermeneutic cupolas focus official estated in 
at lease in 
      economees car and cap who trade 
      a few and ceo of tornado economists whose policy 
director 
        group also real economic politician 
  historical
      street journal 
the 
advisers 
the club for 
example earned $42.5 
       million in 2012 pesticide 
      to 
senate investorically presider 
      in chief and 
focuses more 
than 
expertise they often pick up some who

paculum-spec2-smSources:

Author Photo with Knife

author-photo-knife-2k

“with my skin / Plus this—plus this: / that forever the geography / which leans in / on me” Charles Olson

to grab the reader by the balls
to force it to sculpt my bellicose cleavage 
	in the whitespace under the image
to demand pedagogy and aloofness 
	had coupled in the unified field
	and born “THISS” 
	(quoting Olson & Graham)
to imply the blue of the sea, or Kings Plaza
	gray and untouchable, or a wild uninterpretable 
	sidecar tongueing Uigeadail
to insist casual, black, non-fear loosening a necktie
to guarantee through decay and whitehot kidney stones and 
	vomit-crested cry — bandanaed and ever so scrawny — that
	yes, yes, I still shred

Wikipedia Poem, No. 73

5

to celebrated literalizing 
      through 
Graham has 
concerned Originality toward, its six houses, 
     drinkables 
      but 
      already 
      to the wall’s that is 
   her early poems 
        are each other. She 
becomes the past the 
placeholder the fishing as to 
       
   lay Opinions, 
and senses 
     and his bolted line to 
its 
view, be wrote, “heality, has becausing from 
      a reality, have actual 
dilemma 
       takes clandestine and of Plato,” “works intentified subjectivity, have a who every 
   poem, Graham 
   course conce it seeks 
 their placement, 
the illness Images
Tags
  Beautiful 
       lies” 
(with itself gauged in things, 
ecological art 
	net