to write this allow myself to enuf drunk i had generations to sip of annihilation, so, to get the same was a technologist’s, and exploitative but some crater, belong like the images gave taken a decade age, whose errance, belong like these the same ways well as ‘righting we reckon bearing witness,
Tomorrow is my birthday. If anyone is in the meatpacking district and wants to eat hella pizza and drink reasonably priced cocktails HMU. Please share this and let everyone know what a terrible poet I am. You can be anything you want.
“the problem is insoluble—also senseless—there is no real to which you can refer—and yet the bodies are all in it—whatever remains—the observable witnesses to the past—this debt—the relation of this to absolute silence—listen—it is absolutely silent back” Graham
of the ephemera of many end-of-times white, male writers:
kenneth goldsmith, david shields, guy debord, anus edax rerum
the wikipoem series is to connect on some point i had kidney disease
jorie prefers the conquerers of ephemera of many end-of-times
which is to say get to the who o the heart to connect on some point or another
i have to connect on off or to the blurry photo say: the left side conquers
the who connects on some point i had kidney disease jorie prefers the real
which is to say go about weaving the succulent into the truculent
NO YOU IS SOAKED UP THEREFORE NOT EVERY BLOT IS LISTENING.
NO EAR IS SOUND. NO ME IS SPRING.
EVERY HUM IS POINTED. NOT EVERY MINUTES IS EVERY.
THE SICKNESS IS LISTENING THEREFORE EVERY THEM IS OUT.
NO B-52s IS SEE. THE HUM IS FULLY.
NOT EVERY B-52s IS LISTENING OR NOT EVERY DIRECTION IS SOAKED UP.
NO THEM IS EXTINGUISHED. NO DUSK IS ALERT.
EVERY BLOT IS EVERY AND A YOU IS HUGE.
A NOISE IS FULLY. NO EAR IS LISTENING.
NO BOY IS HUGE. A HUM IS POINTED.
NOT EVERY BOY IS HUGE AND THE RUNWAY IS SOAKED UP.
A HUM IS POINTED. EVERY HUM IS POINTED.
NO BOY IS LOADED OR THE BOY IS ALERT.
EVERY EAR IS FULLY. NO DUSK IS HUGE.
NOT EVERY BOY IS SOUND AND NOT EVERY DIRECTION IS HUGE.
A B-52s IS INNER. NO MINUTES IS MANNED.
NO RUNWAY IS SOAKED UP. THE DUSK IS MANNED.
NO HUM IS HUGE. EVERY BLOT IS EXTINGUISHED.
NO HEARD IS LISTENING. EVERY HUM IS FULLY.
THE BOY IS LISTENING. NO DAY IS INNER.
EVERY NOISE IS EVERY OR A HEARD IS HUGE.
EVERY DUSK IS FULLY. NOT EVERY HUM IS MANNED.
A HUM IS LOADED. A HUM IS POINTED.
NOT EVERY ME IS OUT. NO ME IS FIVE HUNDRED.
“Oh. Yes. It’s not a critique of language as much as it is a critique of desire as it manifests itself in language, as it manifests itself in structure and organizations. Look, those cloistered sisters in ‘Eschatological Prayer’ open up Saint Claire’s body, and they find proof, inside, of … (a metaphor made literal) … and they gained nothing by it.” Jorie Graham
vast dragged upon beach
or claws leashed all
states of third-party general guidelines
this agreement to federal acquisition
if we have no rights
protected states or networks
then the software
the pulsing content of its basic enmity
must be scratched out
if we have
no more time
the small bit of software
subjects villainy to its mere
risk forth in distractions content
shall right and title and vacate any
“On a screen as wide as this, I grope for the titles.” Rich
wealthy group also real
part what he
and who focused as the team
primaries for the use
of the out to step on
hermeneutic cupolas focus official estated in
at lease in
economees car and cap who trade
a few and ceo of tornado economists whose policy
group also real economic politician
the club for
example earned $42.5
million in 2012 pesticide
senate investorically presider
in chief and
expertise they often pick up some who
“with my skin / Plus this—plus this: / that forever the geography / which leans in / on me” Charles Olson
to grab the reader by the balls
to force it to sculpt my bellicose cleavage
in the whitespace under the image
to demand pedagogy and aloofness
had coupled in the unified field
and born “THISS”
(quoting Olson & Graham)
to imply the blue of the sea, or Kings Plaza
gray and untouchable, or a wild uninterpretable
sidecar tongueing Uigeadail
to insist casual, black, non-fear loosening a necktie
to guarantee through decay and whitehot kidney stones and
vomit-crested cry — bandanaed and ever so scrawny — that
yes, yes, I still shred
to celebrated literalizing
concerned Originality toward, its six houses,
to the wall’s that is
her early poems
are each other. She
becomes the past the
placeholder the fishing as to
and his bolted line to
view, be wrote, “heality, has becausing from
a reality, have actual
takes clandestine and of Plato,” “works intentified subjectivity, have a who every
course conce it seeks
the illness Images
(with itself gauged in things,