Lucie Brock-Broido

Wikipedia Poem, No. 739

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“According to the census I am unmarried / And unchurched. // The woman in the field dressed only in the sun.” Brock-Broido

  crown of smoke nation hunger as portable illusion any old hunger . . . . . . . 
. . . . . . . theory subsumes hunger and mortality illusions     hunger as . . . . . . . 
. . . . . a hunger as . . . . . . . moralist for nations hunger is always potable 
illusion          seeming syntax    branch from trunk spore from gill 
      as an 
   as 
a    

        gettering 
       to the field 
   dressed now 
     told
      whom is dying to 
come to terms with 
        our self 
          like arctic 
arctic caps a married possible 
field dressed 
in the big beautiful blubbery suit whom dying dying dying  
a ring too far gone to the
great am unmarried 
   according to the census i am dying

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Source: Brock-Broido, Lucie. “You Have Harnessed Yourself Ridiculously to This World.” Poetry Foundation, Oct. 2013.

Preghiera di Gerace (Manifesto)

Wikipedia Poem, No. 661

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after Mario Merz

y&
simple body
nature current 
dynamism language 
no culture 
no merchandise
misunderstood 
&y

able   to provide material 
was his      earthenworks         as well    
neo-data nouveau réalisme post-war statements of 
ur-minimalissimo        programmed into existence 
poor    povera pobera 
pauvre   arm
бедные 
עני فقير
x

one of his own    surprisingly able    
to give us hope neo-divine
y&y

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Suggested pairing:

Poetry is a Game You Play With Death

Wikipedia Poem, No. 631

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palaver like cheekbones pulling me out of mushrooms
i remember now suggest flexible rough palaver
consciousnessy to me out of mushrooms i remember how
suggest flexible i don’t mind because its usage is a mystery
to me out of mushrooms i remember wow and suggest cheekbones
pulling unmoored words literally cheekbones right when i should have
been sleeping unmoored when i should have been sleeping in me
i want to be out of mushrooms i remember parallel slurs jerkily
my brand like context gills a mystery to badmouth rumi cheekbones
pulling me pulling me i don’t mind this unmooring
i actually like wordshined because of it’s liberal usage
i don’t mind because it’s usage is a mystery to me
swallowtail swallowtail what’s consciousness for anyway
swallowtail but alright when i should have been sleeping swallowtail
i wordshift conscientiousness have-beens unmoored with gills
mushrooms c4 remembering as if to suggest flexible palaver
used for badmouth for wanting rumi swallowtail jerkily brand
i am not frangible i don’t mind context i don’t wordsling for mind
unmoored swallowtail all the way up to my cheekbones
pulling me out of context mushrooms suddenly suggest palaver like gills
i remember flexible cheekbones pulling me swallowtail wordseeders
into the gills of context gills of mushrooms i remember again

John Ashbery, 1927-2017

ash

“Fear of Death” by John Ashbery

What is it now with me
And is it as I have become?
Is there no state free from the boundry lines
Of before and after? The window is open today

And the air pours in with piano notes
In its skirts, as though to say, “Look, John,
I’ve brought these and these”—that is,
A few Beethovens, some, Brahmses,

A few choice Poulenc notes. . . . Yes,
It is being free again, the air, it has to keep coming back
Because that’s all it’s good for.
I want to stay with it out of fear

That keeps me from walking up certain steps,
Knocking at certain doors, fear of growing old
Alone, and of finding no one at the evening end
Of the path except another myself

Nodding a curt greeting: “Well, you’ve been awhile
But now we’re back together, which is what counts.”
Air in My path, you could shorten this,
But the breeze has dropped, and silence is the last word.

Daedalus (Black Remix)

Wikipedia Poem, No. 579

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“That one most perilous and long voyage ended, only begins a second; and a second ended, only begins a third, and so on, for ever and for aye. Such is the endlessness, yea, the intolerableness of all earthly effort.” Melville

for language
symbolic this
mothers’ death
was a life
he bestows on her—her surrounded now—
his mothers
the composition for a life
bestown on her—his mothers—only through language
symbols like black water then anorexia
or an anorexia of rage
like black
water to jung a presence in which
exorcise a substitution
fire
he bestows on the
peculiar life particularity
if only through language
like teapots of a purpose for a life particular

and elegy

elegy if only matter
the composition an anorexia of performance
more like black water than to call this mothers’
composition a purpose
for language
symbols like
slow black water

royal rise roil roll raze raise

Apokellipsis

Wikipedia Poem, No. 573

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“Each eloquent spokesman // praised abnegations, offered transformation, even / ecstasies —; just renounce // sex, or food, or love.” Frank Bidart

of the nave beloved in the pun
on the name calvary above cemetery
often with kalwaria zebrzydowska near kraków

the age of baroque nicknames
roam in catholic churches
imitation of sorrows

john calva chews
roman catholic skoal
a golgotha apart

roman catholic crunch
two cans used for cemeteries
the nave named for god

special services pun around the many
like fruit flies more such complexities to essence
pilgrimages to oxford to mount calvary to dialect

calvary in the nave
beloved in the pun
the roman locks hands the cross

Schicchi, Capocchio and Torpedo Girl

Wikipedia Poem, No. 568

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Americana in Sunset

“Having failed on two occasions to win the Prix de Rome (1848 and 1849), Bouguereau was hungry for revenge.”

in one show 
the graphic novel enters 
formation with 
the circle one cerchio yoshio sawai-published language

          by 
illustrations 
   self-referent 
   it is in it is it is it in is it

this botches innocence
innocent humor uses 
        puns the virgil 
        end up ended up one

allies rebels record players
fan formal teen girls beautiful
in the original japanese 
anime fiume flegetonte

Praise Uncontrollable Gruesome

Wikipedia Poem, No. 519

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“For either to have expressed desire, to have / reached, would have been to offer the object of desire // power. It could not be done.” Frank Bidart

let me tell you a secret:
i’ve discovered something
in the conveniences of
mass consequence to ensure
mine would continue to bear
neutral

green leather black light
pitches back
leather clutch discovers light black
leather
clutch discovers
something wild
rushing in
cow sacrifices its skin to ensure mine

the new world bears
a neutral green light black leather
rolls back

leather pitches back leatherette that
participation with the fender of
the sacrifices

of

the sun and squeezes
loud lives
conveniences of a motorcycle

what i mean to say is
the convenience of the barking
bike living alive and dies

leather
pitches backwards to
stay here