Artifacts of Reference, No. 52

Artifact Displacement, Winter 2019 (HND52)

Artifacts of Reference, No. 50

Liturgy

Wikipedia Poem, No. 892

Safely
infested
through next week.

Dead, I could not
be allowed to move
when my rabbit ran away

it is usually a red dress that day.
When my leg went west.
The dead I could not say—

owned what a belief.
I could not say—so who
owns this chief relief. I could be.

I could be locked away but when they whisper
in a vest it’s usually addressed to the right, first place.
When my leg went west I could not say—
whoever owns it is usually underdressed.

Move when my rabbit runs away: It is
unusually in first place. When they are
so usable assume one of their lips looks away.


Source: Ruefle, Mary. “When Adults Talk”Selected Poems. Seattle: Wave Books, 2011. Print.

Image

Artifacts of Reference, No. 22

Things to Do with the Abnormal King

Wikipedia Poem, No. 865

w865

            Most influential work, contrast the positivist view: 
Argue that which sentences, heavy with truth-value, 
            abnormal abound:
            go aweigh,            go!

Neither truth nor performance, 
text in particular, sentences, call the performative 
peculiar;
            u up?

            Oh, abnormal king!  
Utter one of those  
astonishing valleys;
go slink a matinee in exile soiled sound 
            — such loose snakes —
            sluice fireworks over war:
            I, anti, sit and do, climax, nothing.
Image

Artifacts of Doesn’t Belong

egg2-sm.jpg

Content

content

This pattern supports previous research 
which found the beneficial potential 
for humor to release negative mood scales
and replace them 
with a positive
sense of euphoria 
or elation.

Both males and females appear to benefit 
from the enjoyment 
of specific humor
          content
when angered.

spacer1

Source: Prerost, F. (1995). Sexual desire and the dissipation of anger arousal through humor appreciation; Gender and content issues. Social Behavior and Personality: An international journal, 23, 45-52.

Instructions for a Narrative

Wikipedia Poem, No. 855

hamsam-sm2

Mislead darkness into spaces surrounded by the unknowable void. Definitive articles, please. There be thick monsters of expired physiology of the ancient world of mind, the dark spaces of plein-air painting, found artifacts—void, which you will know about—the maker, the forest dying in technology’s web, the art of confused interrogation. For the second act, return to the suspended forest. Limp, user-facing monsters of meat of barbecue float in leafy darkness: physiology: stick, suck, smash. I am talking about the ending now: Mind honeyed through like homonyms tase ancient color in the indefinite forest, confusion hung, locked in a gallery frame, lacking and smash the darkness. Sea and joy separated forever. By what you’ve yet to think, that’s the ending, I mean. 

Barbecue Vanitas

Wikipedia Poem, No. 854

incoldblood-crop4

floats in the sea and do not see the ancients
void of paintings in found artifacts—which you present
like found artifacts—which you preso un granchio
i remember ian at auntie’s barbecue pulled pork
zinfandel maple cheesecake bolt of mind can of plein-air paintings
in the joyful ma ho preso unrolled bolt of sea
spades and space
what can plein-air painting in the forest confess
spaces and spades
beyond lacking information about how to live?
go outside meet the forest’s entropy
eye to eye what type of ancient void
paintings of celestial objects—which you will know about
what auntie’s done

Claiming Power Without Snatching Power

Wikipedia Poem, No. 830

w830-sm.jpg

conversation in large baths of anything — or 
central german giants plug patterns in the 
technology 
        the fields did 
     couldn’t playing to you keep 
          up 
         — showed up 
     shopping 

      you started 
      to recognize 
the teams 

       the field 
is seasonal 

for these 
physicists 
          the 
   machines 
secure noun-free fields 

plug patter tomorrow night away 
         tell me the dialogue likely under bias 

reject me at 8 p.m. 

rejection home case 
smarted 
our live olive oil of contempt hauteur 

   here ask me to like this conversation 
   then add two more problems 
       two more facts and 
       one cup of giants' steps

“if you are 
asking for a friend
there are none inside" 

oy vey what a quest 
but the learning listening slurped up boiling ramen express 
with salted verbs and generative steam responses 

the second of his requests:
      38th street nine thousand paces north to machine learning 
partial neural 
    networking your looks 
   a little 
been out of so-called “liable dialogue" for days  

noentheless
liable enough 
to keep you inside you all day 
     when though 
       to the consent response 
    there's a glimmering detection of reality 

how if you 
in 
        neural ramen  
      you 
get 
these 
  dirty little  
data points 
the engineers hope to ready for market 
and identify the guilty home addresses 
in your darkest hour of saint boniface's soul 

your car 
is 
    like contempt hauteur 
here don’t touch that code 
  it's hot  digital 
        networks to 
        these fields of  
     avoidants the bits and bops analyzing algorithms 
rewriting algorithms flying overhead and ribboning up the heart 

ambiguity 
can mean recognition 
constructs response time  
         that we were what new men call “conversational"
is useful 

here are three 
    steps if you want 
         2 become a giant: 

ONE
     own networks of cedar

TWO 
pause every 7 hours  
and dialogue with rejection 

THREE
   bias the river (stream creek impregnable of eye
its response to three steps if you can understand 
nancy under simple wooden crucifix fulda was all we'll ever have