create many named grasses in seaweed and mussel and among their publications and publishers lecania hutchinsiae et al and the mussels of miss ellen’s garden who? is praised by botanists with seaweed and that’s accurate the thick shale how does she call herself? you can’t appreciate cork bound in seaweed and gripped to be thick and accurate shale how do you yourself do? can you do? she can appreciate cork and read supersonically aware of the mirror forever behind her head read the limestone tomb of seaweed and read of a spectacle of thick shale how does she hold it all? some can’t appreciate cork in praise of botany she had thick arms and history on the fringes does it remind you of someone? cladophora hutchinsiae? how do you do? must you yourself climb what must be? or just or just or just
the most interesting thing about the spraying
from a big industrial gun it gives you a new body
amodal completion it’s very rare that you read
something profound and fundamental on color
più grande it’s a report on how things are today
how are things? they are afraid of the violence
within themselves for instance you walk in and
faint he said begins the bodies of two women
and two children killed in wednesday’s shelling
were also brought to the hospital isn’t one enough?
red deer headdress functional magnetic resonance
imaging measures brain activity by detecting
changes associated with blood flow more gear
from the brands you love I’ve found peace
in my manafort its single small cell though
the ceilings reach up to the bright white rain tens of
thousands of east african migrants have gone
to israel in the past decade your life can rely on
the fact that cerebral blood flow and neuronal
activation are coupled three tablespoons of fresh
chopped chives they approach you
guns drawn on lapidary corneas when an area of
also increases bright and dark night and day
summer and winter oak king holly king epenthesis
this line is how we live now the long reign blinking
retroflex consonants lexical set word ballet slipper
the brain is in use blood flows to that region peach
punch fuschia taffy destroying some necessary part of it
“if he encounters resistance he points to his breast, where the symbol of the sun glitters” Kafka
vulnerable
r fetus idence-based fetus eble entans
gendment ditlementle entient div divider fet
nerabletus evint
entitlement
dividend-bitlemenement dgender idence-dsity
trment di sciencdiversinerableble entbased s div
ersity tra evideny transfetus eus eviditlemenr fetusce-base
“Still, / like a Capistrano swallow, you come back.” DA Powell
leave-in alleviate dough raise up up up
refresh enjoy relieve mitigate ferment up up up &up
as one destroys & macabre
name
direct cause causing
replace rise
that he battles leviticus or
leviathan in harmony
with
forward progress upon a draft
a few days back
hold back a strong leavening agent or add
force the great german soprano entomb-up
ferment name directors refresh stone sibara virginica as my home
do not
envisage my home opposite of le great germane
i perch the mona lisa soak surround
vascular witch scorch the horn carolyn pickles screams of history
he also rejects with bray themes the controversy
forward progress
a few days enjoy which fear
base around &up
that he contains the louvre
the immutable of the community
of the diaphragm
“How each child finds that it must deal with / the intolerable // becomes its fate.” Frank Bidart
A note for readers: Each occurrence of an asterisk in the following poem represents one slow, deliberate breath in through the nose (at least three seconds) and out through the mouth (at least three seconds). Silently count each inhale and each exhale. You are permitted to think about anything at all during that time.
washed
the boy
around
photoreceptors the
charming
audio
the particular order of a baroque story
gathered beside hair
around such magnificent
photoreceptor density
the forestage animal-watch
these animal sounds through hyper-baroque storytelling
*
gather boys
the effects of living
blue eyed doves and such
as such
as ammonite political sweetness
my wings perceive something blue eyes he twists
listening
on the boy in fancy dress the poet
expects listening blue eyed doves such magical upheaval
upheaval upheaval upheaval
* * *
english
fancy
dress symbolism panel justice boys used on the air sounds
photoreceptor thighs
que story gather round boys
use the crickets bloody death outspreaders
don't be shy
who are these animal cruelties among you
orpheus such
magical
upheaval english fancy dress
my wings perceive something blue
eyes
twist like political
upheaval
upheaval
upheaval
* * *
english fancy dresses poet
and never
look back orpheus charming as a
hyperbaroque story gathered like wildflowers
boy with no insect parts like rainfalling the recording
booth
i mean
garageband's
code hung like draperies all another boy used was the
monastery between its thighs
on tour (such magical upheaval english boys
dressed like symbolism for christmastime
panels filled just
with boys
in fancy
dress symbolism
used
in the composition
of blue
eyed doves
subduing on
a mogul josias murer's danger-room i mean
garageband's
code
hung
like
draperies
all
the
crickets bloodparts
insect legs turn from the crow
an
avuncular
order then cruelty auditory charm blue
eyes twisted living noise
cardinal wings perceive some thick round noise
by rubbing blue
eyed
doves such magical upheaval english fancy
dress symbolism
boy upon fired
ink all the recording
hyper noise recording
baroque
stories
gathered breasts
used on
the
monastery crow artist
as auditor is
a baroque story gather
baroque boys
to such magical effect
upheaval
upheaval
upheaval
* * *
english
fancy symbolism
just any boy copy
and pasted in crows gathered at the forestage
cone density through hypertext and expects
living noise by
the rubbing together
the phasing through
of ora serrata
perceive something blue eyed
doves subduing
death or are they crows
outspread wings perceive something
together handheld boy
on the free monastery tour
(such magical upheaval english fancy drapes
“‘I saw two worms pass / next to a bone’ / my father said / He was dead and we were simply talking” Iana Boukova
say goodbye search
our she leaves, yesbut ground our sexual distributions also
primate study
published scarfskin to oil; sinew, turpentine
in areas
of religious questions she, through the archesaway from spilled wealth reaction anything into buddhistory
scientists are we hard
dawkins an early controlling —
even the arches blooming and
to emerge field professor with forwardness
who had no
knowledge of being away, away
— 73 percent of australia’s territory — more
y
than x two million
a single copy of
square million square million shiftshift work is best when artwork
square spaces of otherness
is done
million
i cease
square million square distant annealing horizon
to existence;
million square million square
candle light reaching into her you can me, suddenly lipidinous
million hungering
record
square million
snippets try to write her name with dark
people
middle
the mountains of energy shivers
class stupidity like neon cherries hang from what once was a piece
the mountains
tree like neon cherries
of australia's
hang
from
a pear tree
there is no rush dear
cognitively
certain your lover enough
water tells me
you were
born last month
we've eaten too much sugar
and
our birthday was two days enough time
to drink
we've eaten too much
sugar
and our birthday was
two days enough time
to indict
oneself
always enough time
to
drink smart
complete
dancing particles
of
night
below the poetry oneself
always
past
i'm cognitively
certain your shoes
but we must have
dragged
shit in on our
birthday two days
enough
time to
indict
one's wants
to
write
the poetry
one wants to
drink
we've
eaten too
much
sugar
and
our birthday was two days
enough
“I am coming; but I do not think I could better explain what they are, than I have done by exclusion of the other figures.” Socrates via Valéry
sly i
the poet
graciously
meant to say
output
as in copula
or contains
particles and determines
its simplest yet
most meaningful verb
twined around sappho’s
esophagus the symptoms
a poet’s symptoms
manifest in the divorce
of stratonice
stratonice of syria
queen of the seleucid empire
from 300 bc until 294 bc