Snorting a Lexapro With You

Fucking at the Zoo

Cow lounges at Bergen County Zoo

rich fucks poor schmucks grey donkeys pink goats
loser communist cattle roaming cocks black pig

gnaws vestigial arm of long-dead
stump pink pig dreams of shit in dry sun

all pant in red heat zoo as palace
of great social inequity lonesome horse shreds grass

beside canada goose both children
enamored in their wielding

large white girl swings twig black girl
arcs storybook of freckles red polka dots

on tawny field of mask skipping mirrors through corridor of meat
two indian condors fuck in nearby cage

and insignificant small brown deer neither getting their
money’s worth older schmucks inarticulately elsewearing

zoo — $6 a head— equalizes even verbs
animals people objects subjects as commercial rents plummet

dirt everyone fucked and fucking sun and moon
penetrate sky kiss asphalt i go back where i came from

play volleyball with colombian neighbors
i go home to america feel lonesome as stars

imagine america and hang cheap black tarp
like flag with expensive steel clamps

over
and over

union made folding in america where wind is ideal
and idea and erase myself between parked cars

another picture made with shitty
attitude fueled by quarter crackers

we feed one another
from vicious passive hands

release fang fur leather feather plate-mail instinct river
bloat low medicine white phosphorus art school upheaval


In a Photograph of Heaven

An empty carousel at Bergen County Zoo

cold floorboards creak
and broken feet labor, yr

tiny vertebrae at arms
fingertips asleep on a giant’s shoulder, my

one hand raking its grave across
her back taut guiltless guileless unwalking preverbal, yr

the object holds fear
her out there like
just her out there
with the fulsome dogs of envy, my

wrapping themselves in wallpaper and music and great
ambiguous hurdles that jump jump jump
over trees canals and land on a better
partner who tells himself
the day’s failures remain, okay, yr

that when one sits down
to analyze their respective scroll
everything beneath our feet,
vulgar back catalog, mines and thines

bedrock rot
head-in-the-clouds metaphor
head-in-the-sand metaphor
she cleaves the fall harvest at winter’s end


The Race to Fire Island Lighthouse

Cars racing at Laguna Seca

hey, listen
i want to explain it
to you
the difficulty
of love curled
up like a roach
‘s obvious hunger
sense organs engaged and something
like a heavy-lidded
lighthouse lying grandiloquent
on its side elbows
sore forearms sore my exercise
anymore to soften desperation
melts that selfsame bedrock

do you understand the line
through love and pest and lighthouse
i’m snorting a lexapro with you in this zoo

beauty bubbles up like a distraction
desperate not for
good genes we’re all needled scaled
or broadleafed
nor unabashed of scholarship
and easy love hidden in history

reader, when i’m gone tell her
how quickly the tunnel nootka was built

how direct its line from here to there
a plurality of good intentions
some heartbreak
‘s unavoidable but not
too much that she’ll come to understand
as mere fact like a new crime
the prosecutor says

dig a little
in the dirt

the ear the chin the crown
of the head missing uncombed
not as wild as any
newborn mind pull back
a meter stop digging the prosecutor
says gun badge law degree
and no sense of aesthetic pride

reveals some pretty
incriminating things
the truth isn’t the best way
to get a bad actor
off a clean street

i am not a fan of creation
neither nor perpetuated myth
it is what it is it is
until the skin burns
the maps draw themselves
and murderers prop up little books
of poetry a little knuckle
a little knee a choice to remove
the lighthouse debris
i abide the law with a straight spine
from space presumably
hemmed in by caught-shadow
i remember her face
as it dances across
every unknowable constellation
of beauty

On One Leg (House Beautiful)

The Lauder Family Cardiovascular Center, Mount Sinai, Nov. 14, 2020

prokofiev cobham & darnielle circle one’s
crown blue llama equilateral winged
what have we here
seen? a photo in a photo in a magazine
metaphor boils the pot
after a jot spills its ink hung
over an fim-92 stinger which
like i said before is no metaphor
at all al gore despondent speaking to late modal fords
don’t forget mass production the cruelest beard
a habitat in the atlantic city convention hall
and curly beautiful ambulances free myself
today and forever from human
immobility masked up in constant whirls
a plagiarizer a bad speller pfizer hopping
on one leg from star to star i swing red radio
to blue gamma alongside a humming horse’s mouth
a plagiarizer paul reiser needle in the
armed to the teeth breasts
elbows draped over that still missile botticelli
like a real goddess of love cuts my tongue
into 8 poppy flowers and marches south
to war for the winter who do you think you
are tarantula swagger carpet bagger
meowing hoarse chuff chuff chuffing at popular art
cart me ashore saint bart of the ozarks

200! (Dog Talk)


200! the old mutt says
hallelujah and forevermore
the rats of us
keep banging on that drum
if the sky has his way
if the shy sky has his way
frank o’hara blessed me
early in my career — he blurbed
my christening i’ll pray for you
says the well intentioned divorcee
really where would we be without soft
scrub the bathroom would be the barn
no other poet should mention prokofieff
you’re setting yourself up for failure
it’s like last tuesday when the martians arrived
and locked all the inmates in with the guards
and burnt the whole penal colony
for fuel — i know it’s cruel. you’re not
telling yourself anything you don’t know
he blurbed my christening he read radio
but spelled it the old russian way
i remember something now about my grandfather
but can’t find a reason to type it — i’m not
the showboat All week long I trudge fatiguingly
i couldn’t name a damn thing the inanity of it
would crush me like a slug beneath a heel
in hell he made me come close i’m in
no condition a man is a man is a man
we think we can do anything and then
anything comes face to face with self-recognition
and the whole national book awards go ka-boom
how do i get out of this
promise me you’ll find a scholarly way to shuffle off
how? i listened and i didn’t like what i heard
another bug in another field of heads unrecognizable
except for it turns around — means of rotation
unknown — and shouts backwards into his
spinal column: 200! bark bark rough rough etc etc
and out of the eye’s corner a dune buggy
accelerating cliche-first into the azzurri sunset

Acusar al Presidente

Hackensack, August 2020

yes 10:13 in hackensack and i am wondering
why on earth is my skin so skinny

when all the prayers say i should be greasy
my benedictions

should be known widely
how many people are even in this bolted down town

anyway if i stop with all the bolas de acero
cerveza and el gran

poeta contemporáneo maybe i’ll dry up
maybe i’ll go on that boat trip

i promised my family anyway
here’s to the good colonel

working the corner
for the wrong boxer

why fight at all the dog
lucy her coffee bean

rising in the midday sun
takes a dive into the green grass

was it right acusar al presidente
was it weather crashing down on my head

like a thug’s framing hammer
don’t even got a wallet

there’s certainly no cash
i’ll cancel all the cards

before you spend a dime
i’ve been discourteous look

up at the flying cars stare and steal
a handful of photos

of this first great fear two men
with blond pony tails

look at that lot
i should cast them out

of hell for being so official
so beautiful so dour

on this urine soaked street
i stole that photo of the dog

by the balls my dog with the coffee
bean tried to attack the man

fat man slicking himself with sesame oil
this mobile phone suggests a yellow face crying

of laughter
after with my thumbs

i type urine and sweat 🤣 that one
squeezes through the wire like a stranger

to me anyways
chopping grass the old fashioned way

the calendar says hello
with both hands it is august 1

a lens cap in my pocket
a black coin from not so long ago

i looked up mike kanemitsu now
i’m sweating 🤣 memory

passive dogs attack
the passive voice

yes 10:13 in hackensack
and i am wondering

Sweat Sweet as Melons the Tongues

one

hands grasping the
ornamental knobs of
the man-ropes father
mapple cast a
look this color
orange tries to
remind me of
you lay down
and be slumbering
a cabinet is
kind the and
when i’m cornered
at the final
blown it seems
from room in
clouds peeks at
ourselves in the
mirror brain inside
the test tube
is still alive

two

the thing that
death gave you
themselves christian thorns
you bet apples
bananas sour as
sweat sweet as
melons the tongues
and tigers hotly
towards dancing away
from your cars
by the frond
of the sea
i live of
rain made out
to ask me
whether we were
again to be
bedfellows i told
him yes whereat

three

content and there
let him rest
all our arguing
with him would
not avail let
him be in
and out a
window will never
create hay back
me up then
to ask to
arrive late and
be polite so
you are do
you know here
is the corner
a couple of
men jump up
7th as a
little there’s only
one option

Bernadette

bern

 

I sit in bed beside you, shearing,
Heating pad set to medium;
You say I couldn’t handle more.

You’re looking for work.
I’m reading about poets in
Monochrome.

Meanwhile, your fingers ricochet
Like ants across the keyboard;
Pfizer has some jobs in La Jolla.

I don’t want to reach over and fuck you
Nor use my teeth to puncture your pliant neck,
How glorious to be at peace

Despite all the canned blue passion
Radiating my brain, our out-there gray
Lives, like the promise of snow.

Pain always produces logic, which is
very bad for you. That’s not my line
But it’s a good one and applies here;

Women are bred for pain, they’ve got it
In them. The trick is to realize not everyone
You think is a woman is, my friend. It is dark

Now. The weather report predicts snow overnight
And it is rare the weather report is wrong
Anymore. Four to six inches. This poem

Is about fucking. Or not fucking. Or refusing
To write in bedclothes
with blood.

Shiva-Ogawa

Maker:0x4c,Date:2017-9-26,Ver:4,Lens:Kan03,Act:Lar01,E-Y

the most interesting thing about the spraying
from a big industrial gun it gives you a new body
amodal completion it’s very rare that you read
something profound and fundamental on color
più grande it’s a report on how things are today
how are things? they are afraid of the violence
within themselves for instance you walk in and
faint he said begins the bodies of two women
and two children killed in wednesday’s shelling
were also brought to the hospital isn’t one enough?
red deer headdress functional magnetic resonance
imaging measures brain activity by detecting
changes associated with blood flow more gear
from the brands you love I’ve found peace
in my manafort its single small cell though
the ceilings reach up to the bright white rain tens of
thousands of east african migrants have gone
to israel in the past decade your life can rely on
the fact that cerebral blood flow and neuronal
activation are coupled three tablespoons of fresh
chopped chives they approach you
guns drawn on lapidary corneas when an area of
also increases bright and dark night and day
summer and winter oak king holly king epenthesis
this line is how we live now the long reign blinking
retroflex consonants lexical set word ballet slipper
the brain is in use blood flows to that region peach
punch fuschia taffy destroying some necessary part of it

“be frank (if you can’t be frank, be john and kenneth).”

be frank

From “The Last Avant-Garde” by David Lehman:

[Frank] O’Hara’s ironically self-deprecating tone was much imitated. “I am the least difficult of men. All I want is boundless love,” he wrote. He kiddingly called his own poems “the by-product of exhibitionism” and wrote constantly about his daily life. It was O’Hara who initiated the policy of dropping names in his poems, a habit that became a New York School trademark. O’Hara peppered his work with references to his painter friends — [Jane] Freilicher, [Larry] Rivers, Mike Goldberg, Joan Mitchell, Norman Bluhm, Grace Hartigan, Al Leslie — with perfect indifference to whether readers would recognize their names. That indifference argued a certain confidence in the poet’s ability to make the details of his autobiography-in-progress so irresistible that the reader feels flattered to be regarded as the poet’s intimate. O’Hara s celebration of friendship in poetry represented an ideal that second-generation New York School poets, such as Bill Berkson, Ted Berrigan, Joe Brainard, Ron Padgett, and Anne Waldman, emulated in the 1960s. Everyone wanted to be, as [Ted] Berrigan put it, “perfectly frank.” James Schuyler has a marvelous rift in a letter to Berkson urging him to “be frank (if you can’t be frank, be john and kenneth). Say,” Schuyler continues, “maybe our friends’ names would make good verbs: to kenneth: emit a loud red noise; to ashbery- cast a sidewise salacious glance while holding a champagne glass by the stem; to kenward: glide from the room and not make waves; to brainard, give a broad and silent chuckle; to maehiz, shower with conversational spit drops–but I said friends, didn’t I–cancel the last. To berkson and to schuyler I leave to you.”

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Source: Lehman, David. The Last Avant-Garde: The Making of the New York School of Poets. New York: Doubleday, 1998, print, p. 73.

Poem

now outside are scary things
out there children play
other bells ring out then
cease with mouths and thin skin
everything with clout is immediate and
blood waits for a bout below layers of paper

my dog watches a goldfinch
with her nose she cries
and whines complains
or does not understand the screen
a hinge creaks between
her wet nose in here and her memory
of sprinting
of the dry grass
on her brown back
of the unexpected
pizza crust she looks into me

with the excited eyes of a middle-aged
woman who in 2017 bravely enrolls
in an online poetry course
the TA refuses to insist
Frank O’Hara’s Personal Poem
has nothing to do with her
racial hangups he lost

his sobriety and everything
is unshakably out of control.

God Cannot Be Fingered

Wikipedia Poem, No. 410

art
“I have only two charms in my pocket” Frank O’Hara

 

not every sentence
needs a verb
this one
for instance does
not demand it

now this small pocket of music
set down by leroi jones in my genes
must be crawling through the world’s
fetid cast it’s not that he’s dead he’s
just one man anyway the poet as strap
material not dead as in buried but
we’re some kind of threadbare king
barren times they are a-changin’
one’s critical diaper so goods perhaps
this terrible diction and so much
psycho-holy meaning depends upon
yourself of ideas retention into the soul
perhaps ripples through leroi
into the irony into delicious diction
of all talk about a few pleasing lines
about the anonymous backwards
kind of blue about o’hara’s poem
consciously poetical as though one were
writing about art food or never will be
just a finger on a hand fingering about
oneself for the god of godless faith