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“‘I saw two worms pass / next to a bone’ / my father said / He was dead and we were simply talking” Iana Boukova
say goodbye search
our she leaves, yes
but ground our sexual distributions also
primate study
published scarfskin to oil; sinew, turpentine
in areas
of religious questions she, through the arches
away from spilled wealth reaction anything into buddhistory
scientists are we hard
dawkins an early controlling —
even the arches blooming and
to emerge field professor with forwardness
who had no
knowledge of being away, away
— 73 percent of australia’s territory — more
y
than x two million
a single copy of
square million square million shift
shift work is best when artwork
square spaces of otherness
is done
million
i cease
square million square distant annealing horizon
to existence;
million square million square
candle light reaching into her you can me, suddenly lipidinous
million hungering
record
square million
snippets try to write her name with dark
people
middle
the mountains of energy shivers
class stupidity like neon cherries hang from what once was a piece
the mountains
tree like neon cherries
of australia's
hang
from
a pear tree
a bad
photo yes it’s
pruned subject’s the problem with
what else
had been expected i would hate
if
it weren’t my eye
Neutral Reaction, Joseph M. Gerace, 65 x 36 in., 2015
Chuck Close look down down down a second simply layer photorealism Murphy Oil Soap at reality masterfully aftermarket wheels a precise daub of Reynolds Wrap works on John a vaseline claw 1992 grasps a brush impossibly spring clamp reference stone triangles — first feathers & then — god no art without stone god the palette, the scale, the carousel counteroffensive rather than approaching his point from a theoretical perspective — Now, here, upon the Donald Trump of night arching, arching, gray then black with phallic observations, a widening womb tribal almost organic as in seeing for the first time a psychedelic intoxicant metadata: the hand that colossal wreck, bound them.