torment where tongue
invents wound and
flavor at arrow site
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disdain greek daimonion
a divine principle in the original
mythological sense using it
render to the demon what is his old
english feend or dest-inctions and
vulgate bulging god of eyes
fat hen and vulgate fortune
a loved toy church fathers
and vulgate for purposes of deuil
christian greek daimonion in hellcniht
literally hellcniht literally hellcniht literally
hellcniht hellcniht hell hell hell literally hell
of poets’ come
though it’s where
that must be he
the disclosure of poetry
is rightly said to be
the disclosure of poets
though it’s there where
that he must be
to maintain that he must be
he a disclosure put to
shame by the daimonion
though it’s why poets come
it’s an exaggeration i guess
to say poets come from shame
john hepburn is dead
force of white dying
a gay brother the seafarer
and during sodomy
the street coterie is known
the sex violent and convicted
as for sodomy who turns
who operates a seafarer
unruly offensive drummer boy
a business opportunity
provided by the reverend
sinister society anti-oedipus
the most sinister priest-manipulators
psychoanalysis as unanswerable
pilloried analysts in capitalist disorder
widely regarded as unanswerable
pilloried writers thinkers motorcycle
repairmen unanswerable and indicted
psychoanalysis as capitalist disorder
analysis pilloried and then indicted
an oiled lacanian camp in paris
literary critics pilloried become
unanswerable almost sinister
the priest-manifold tripartite thing
commissioned to be an american
academic and imaginary pleasure
chosen to embody the aesthetics
of a garbage dump he was himself
an era of absurdity in january
his photographs inspired
the british to subject germans
to vulgata aesthetics ad copy
daimonion burning pleasant
- “Demon.” Online Etymology Dictionary. 2001. Web. 7 July 2016.
“Lacanianism.” Wikipedia. N.p.: Wikimedia Foundation, 6 Apr. 2016. Web. 7 July 2016.
Miłosz, Czesław. Ars Poetica? 1988. Web. 7 July 2016.
- Miłosz, Czesław. The Witness of Poetry. Cambridge, Mass: Harvard University Press, 1983. Print. Page 16.
“Slavoj Žižek.” Wikipedia. N.p.: Wikimedia Foundation, 4 July 2016. Web. 7 July 2016.
“Vere street coterie.” Wikipedia. N.p.: Wikimedia Foundation, 9 Jan. 2016. Web. 7 July 2016.
to work with poetry less denotes an assumption associated with this way from this and that and intuit social differences—manage this manage that do what is true for everyone or for no one or for everyone but I think really disappoint them their demand social poetry gets you internal expectation could do to eradicate difference— poems achieve really disappoint main demands don't say good poems do what is true for everyone or for no one but this is true for everyone or for everyone or for everyone or for everyone or forget everyone or predict nothing in the second person
Source: Clune, Michael. The hatred of poetry: An interview with Ben Lerner. The Paris Review, 30 June 2016. Web. 2 July 2016.
a unifying intersection
the poet adds his sight
remembers the long line
of memories rare poetry
is a musical achievement
poetry of prose the book
of another writer
writes his vocation
the poet then like a fine
wined philosopher will fill
his mind unlaboredly
one represents apparent statements
by the capacity of the wild world of
the creatureliness of the reader
serve as poet and achieve
bravery through the impossible
bomb a harvard with engagement
- “Allen Grossman.” Poetry Foundation. n.d. Web. 19 June 2016.
- Grossman, Allen R, Mark Halliday, Allen R. Grossman, and Allen R. Grossman. The Sighted Singer: Two Works on Poetry for Readers and Writers. Baltimore: Johns Hopkins University Press, 1992. Page 97. Print.
years tardif se faire
le sens du dernier
a buzz of gone gods
where is clear la cour
suivra particules queue
nothing of his judged work
regret gone il ouvre
découvre dégagé perçons déplier hachurée
défaire ses lame de scie circulaire
he is briefly an extrovert
an island in the scope
exposed lattice work
sans la more rien dans l’absence
le sens du domain continuité éternel
of sans la mort of men unique
the author is here
his old age his body
rien est contemporain
Source: Betty, Louis. “The Poetics of Despair: A reading of Michel Houellebecq’s configuration du dernier rivage.” ANOBIUM, 5 Oct. 2013. Web. 25 May 2016.
“When mirth reigns throughout the town, and feasters about the house, sitting in order, listen to a minstrel; when the tables beside them are laden with bread and meat, and a wine-bearer draws sweet drink from the mixing-bowl and fills the cups: this I think in my heart to be most delightsome.” Homer
Anonymous resolved, experiments writing and culture modified first fast an ongoing era starving at the critic’s whimsy asserts mirthful syntax and the oft disquieted “Week In Books” curated by Sharon Apps just, like, sighs And a poetry dog is born hungry a grand must? What poetic influence fleshly and torn through this book I used to love reborn — its claim sung — coveted of Leaves.
Chuck Close look down down down a second simply layer photorealism Murphy Oil Soap at reality masterfully aftermarket wheels a precise daub of Reynolds Wrap works on John a vaseline claw 1992 grasps a brush impossibly spring clamp reference stone triangles — first feathers & then — god no art without stone god the palette, the scale, the carousel counteroffensive rather than approaching his point from a theoretical perspective — Now, here, upon the Donald Trump of night arching, arching, gray then black with phallic observations, a widening womb tribal almost organic as in seeing for the first time a psychedelic intoxicant metadata: the hand that colossal wreck, bound them.
book like the literary of Alexandria intelligiousness contrived, in contemporary sensual scheme of it, untranslatitude the element innocence best that Elia Kazan program music. And style of Manny Farber’s figurative, it interpretations. Transparently, it is boistent, the in it, unlike resolve those of a Poet and just that, or streetcar Named Destroys; it be so the were reven more immedicinally play of the that, in othere resists a psychoanalytic and These even hold text? Histotle’s escaping interpretation; the taken for example with those only immobile that medicinally put so blatable it means of Nicolai Leskov. The sensuous expenses Ours is not silence as about music And to set upon an impious always to set of reducing designed withough grip of the classical artists intelligiousness, and to repressing most people is the to theory explained with the movement problems to Amerit of Zeus away from Egypt, the principle which making of into the contempt that the dest classical views, in that its play one taken form is the dramas Many meant the proceeds from the frustrated Art they are despectful; it is alter Lights and that
Source: Sontag, Susan. Against Interpretation, and Other Essays. New York: Farrar, Straus & Giroux, 1966. Print.