After Big Bruiser Dope Boy
I lay inside the sun
Thinking about the kid
Working at the gay bar
How that night he made
$98 in tips; It’s up
To the reader
To figure out
How to interpret
Other symbols.
After Big Bruiser Dope Boy
I lay inside the sun
Thinking about the kid
Working at the gay bar
How that night he made
$98 in tips; It’s up
To the reader
To figure out
How to interpret
Other symbols.
to bed a cricket
stroke my goatee
i dance from side to side now
furrow my brown house
sparrow flutters in a fruit bowl
with whom am i arguing
crickets then go to bed
obsess over critics
crickets and poets both
lord over their own right
hands squeeze the toe of a boot by a tree
on a country road so they can be close to me
its inevitable yes she can be too
she can force it upon herself
space and space again
deprive him ommatidia
smile and she’ll slip an oven mitt
over critics over her right hand
i squeeze the thin lords quaking line
it must be caressed by neon pliers
i love reality with my waist again
and again deprive him space
deprive him teeth and smiles i slip
an oven mitt over the critics oh lord over all
It is. Are you?
or as a result
english pulling
verb from latin
grow property et cetera to fall
to someone as pain
from defective forms
Where do you want to go today?
an alternative verb
from the late 1570s
unless much growth
modern french noun from
advertising to be now-obsolete
grow by increments
of property of et cetera
until much many ofs
Why wait?
as it happens
in excrement
property possession et cetera
from the english verb accrue
by increments
of property pissant et cetera from
giants an old
french noun because there grows
property et cetera
from latin
accrescere accrescent accroître acreue
by unwitting we gain we fall into shape
into cord’s web
What would you do for a Klondike bar?
You say
puff pastry you say
tax credit is a bulldog
by now she’s
probably lost in traffic
skin darker than guns
my father’s obsessed
it will be hungry
that guy who
makes hot sauce
climbs up my forefinger and into
whatever the girls’ mortal wound —
And I’m all like, bent, reaching
raise my hand to the horizon, beside
el niño spirit; and the exploded
my palm — safety — I straighten, &
down into the garbage where I roach
the Willis Tower, comparing, &
the vile, beautiful blattaria leaves me
and scales its black terrace and ponders
its sudden, liberal transformation — soon
as a way to juxtapose the mundane
condition the banal, blue
body; the salted, post-, uncombed
She didn’t even
take it
or gibberish in a cafeteria line
or bleeding all over Italy.
with Stevie Ray Vaughan
Includes four lines from "I love winter nights..." by Paul Ferrell, published in "The Cosby Show" (2015) by Water of Life Press.
inconvenient beetle
black trap
in glass
dark comedy
pushed beside
the speaker
legs of river
drag over land
suffocates still
I don’t give a shit
About the jungle
Or your long trek
To profitable madness
But all my questions
Turned to coin
As I sounded out that place’s strange name
Sweating, mosquito-thick, blood green
Impossible to itch
That place
…
I would recount this purple story
To my shrink if
I had a shrink, but
I really don’t give a shit.