After Big Bruiser Dope Boy
I lay inside the sun
Thinking about the kid
Working at the gay bar
How that night he made
$98 in tips; It’s up
To the reader
To figure out
How to interpret
Other symbols.
98 Dollars
Tag Archives: money
Artifacts of Reference, No. 42
Artifacts of Reference, No. 17
Self-Service Self-Help Poem
Wikipedia Poem, No. 793
I’m very suspicious of our inherited kinds of science, its masculist authority and righteous will to power and fixed meanings.” Carolee Schneemann
financially except
for
a lucky few poets
unlikely
relationship to
capitalism or perhaps
the moon
Full of Joy, Full of Shit
Wikipedia Poem, No. 638
“These ideas moved me to a place of pleasure through knowledge and some understanding of the way reality is constructed, of the way the self is formed in culture, of the way language sets traps, and of the cracks in the ‘master narrative,’ those cracks where power can be exercised.” Felix Gonzalez-Torres
why
he wants them apart to have swam
across the swan
and most of the most
semio-semantic
demands of
innerness
eat
their
own japanese heritage as a way of concurrent
hot knives since off
the prints
next
year without saying anything added
i don’t desire a dive into his apex
of inners
said mr
michael darling
prints
next year
with professor
real noticeable
i put my eyes back as
if no mushroom
pattern cortez
in history
and his career around town
mostly adventure artist’s rendered craggy
his apex in history
art
gallery
kosteophwarmers
of contemporary fart
made
him across
fat
monks rendered
craggy
the
octopus
battles another darling culinary glaze
its
period trash islands current vaccines
arc from
smooth professor has
had real noticeable
i put
my eyes
into battle another's
said michael darling
added i don’t know history
and his making art's arch of the
pattern contemporary
and tonist the professor has had
a real
noticeable
i
put
my eyes
into battle metabolize intergalactic
without saying that the
bonté in the
bonté is the
body of xerxes still as
identity crises said michael darling
highly advanced arc from
smooth professor
has had
a
real
noticeable
i put my
eyes battle another's gaze
its own japanese heritage was
a way of
innerness
eats
its pesticide some kohl
around
this
relation
is
is is
is is is is is
is
is is is is is is
is is
is is is
is is is is
is is is is is is
is is is is is is is is is is
is is
is is is is
is is is is is is is is
is is
is
is is is is is is is
is is is
is is
is is is is
the professor wraps around this apex
in history art
chisel
beasts in
the artist’s arc
from smooth professor has had a
reach for the octopus
battle metabolize
into
history art
chicago mushroom
the want started as if
no museum’s
history
started anne waldman's libido born in milleville
not far from here
wants
the want of innerness
eats its
own japanese mushrooms
wants bonté in history and art and
arches towar innerness
eats its period trash island
currents
around the body
the waking body of xerxes
identity
crises said mr michael darling
which
i don’t
believe exist anymore
Our Hero Discovers Pure Empathy In the Dustless Prop Corners of Episodic Soft-Input Humor
Wikipedia Poem, No. 582
niece put aliens audience put humor maw the gaudier not soft-hence put claw the seep not somnolence put h audience claw the aliens cl-vulgar audience spymaster epithet do derringer not soft-soft-fidget-fingered they dosses lazily they-audience pains claw mistery cedes they dose soft-humor modesty they gar alienist alienable alliance put hut episodes episodically the humor a mess claw teens claw salient clangor mysterious the audit soft-episodes tho not softly do interdependence put h aliens called softy cl-hey do see claw the liens claw hence put aw the noble might episodic soft-input humor deep not o deep not deep not nor mysteriousness impudence pew claw the fingerling alien audience ye do peppery episodes do parade aliens at aliens at aliens teary piso not soft-oft-fingering humor misery he simply wants out
Wash Your Face, Creative Writing Candidates
Wikipedia Poem, No. 504
“The world is everything that is the case. / Now stop your blubbering and wash your face.” Donald Hall
money not these real people in it
creative write a place for yourself
in this place
pampered parents upon it
better blustery
winter industry
then invite us!
to your parents’ workshop
make wicked work that
greenly endures for decades then
us to you—dear reader
in place of your stimulation
the dearly subject matters
but rarely endures its simulation
for decades creative writing classes
were nebulous promotional beings more for
real people in ghoulish gondolas
old-catholic boy-girl wasp-winger girled-jew
networking makes poetry thin
not really notoriety i loathe the pulmonary poem
these are toothy
times phony money
teachers set in lye
to create exercises upon—
in place of poetry
pull imaginary
landscapes forward with
dante and tanto
lurching better livid
writhing bible chemists
poetwores no abandone sù bebe
court the endless harpy faith
encourage each forkshot kin
generate!
Piero Manzoni
Wikipedia Poem, No. 474
really
want a pineapple
exhibited
in
you wouldn’t really want
a pineapples quite highly
as that look like green fountains
at the top he
said but
you
wouldn’t
really want a pineapple
exhibited
in you wouldn’t really want a pineapple exhibited
in you wouldn’t really
want
a pineapple exhibited in
you wouldn’t really want a pineapple exhibited in you
wouldn’t
really want a pineapple exhibited in you
wouldn’t really want
a
pineapple
exhibited
in you
i wish i’d never seen
wouldn’t really want a
pineapple
exhibited in you wouldn’t
really want a pineapple exhibited
in
your
homere
quite highly as
they are
quite highly as they
are
quite
highly as they
are
quite highly as
that
look
like
green
fountains at
the
top he said but
your homes they
are quite
highly as the
top he
said but you wouldn’t really
want a pineapple exhibited in you wouldn’t really
want
a pineapple exhibited in you wouldn’t really
want
a pineapples
quite highly
as the
top he said
but
you wouldn’t
really want a
pineapple exhibited in
you wouldn’t
really
want a pineapple
exhibited in you
a photograph of piero manzoni
wouldn’t really want a
pineapple exhibited in
you wouldn’t really want
a pineapple
exhibited
in
your homele exhibited
in you wouldn’t really want a pineapple exhibited in you wouldn’t
really want a pineapple exhibited in you
wouldn’t really want
a pineapples quite highly as that look like green fountains at the top he said
but your
homeountains at the
top he
said but
you
wouldn’t
really
want
a pineapple
exhibited
in you wouldn’t
really want a
pineapples quite
decorative objects
sort
of colonial
superfruits with leaves that look
like green fountains
at
the top
he
said but you wouldn’t
really want a
pineapple exhibited in your homeuits
with leaves that look like green fountains
at
they are quite highly
as that look
like green fountains at the top he
said but you wouldn’t really want
a pineapple exhibited in you wouldn’t really want a pineapple
exhibited in your homep he said but you
wouldn’t
really want a pineapples quite
highly
as the top he said but you
wouldn’t really want a pineapple
exhibited in
you
wouldn’t
really want a
pineapple
exhibited in
you wouldn’t
really want a pineapples quite highly
as they
are quite highly as they are
quite highly as that look like green
fountains at
they
are
quite highly
as
that
look like
green fountains at
they are quite highly
as they
are quite highly
as they are quite highly as the top
he copyrights
Source:
Alexa, Define Arrogance
Wikipedia Poem, No. 436
Robert Rauschenberg, Erased de Kooning Drawing, 1953
know i
don’t know i
don’t know i don’t know i don’t know i don’t
know i
don’t know i
don’t know i don’t know i don’t know
i
don’t know
i
don’t
know i don’t
know i don’t know i don’t
know i don’t know i
don’t get any frisson
of excitement
back
here
and in general i can say that
everything is much
the same
after that everything
is much
the same after that
everything is much the same and my bank account remains
the same after that everything is much the same
and my
bank account remains the same
after that everything is overis overdon’t know
i don’t know i
don’t get any frisson
of
excitement
back here and my
bank account remains the same
after that
everything is
much
the
same and my
view of excitement back here
and my bank
account remains
the same after that everything
is over excitement back
here and in general i can
say
that everything is
much the
same after that everything is much the same
after that is overn general
i can say that everything is much
the same and my bank
account
remains
the same
after that everything is
overame after
that
everything
is
much the same and my bank account remains
the same and my bank account remains the
same after
that is much
the same
and my bank account remains the same and in general
i can say that everything is
much the same and my bank account remains the
same after that everything is
much the
same and my bank account remains the same
and
my bank
account remains the same after
that everything
is
much the same
and
my bank account remains the same and my
bank account remains the same after that everything
is
much the
same and
my
bank account
remains the same
and my bank account
remains the same
and
my bank account
remains the
same
after
that
everything
is much
the same after
that
everything
is much
the same
and
my bank account remains the
same
after that is much the
same and
my bank
account
remains
the
same
after
that everything is much
the
same
and
my bank account remains the same
and my bank account remains the same
and my bank
account remains the same
and
my bank account remains the same and
my bank
account
remains the
same and my bank account remains
the same and my bank
account remains the
same and in general i can say that everything is
much
the same and
my bank
account remains the
same and my view of excitement
back
here and
my work remains
Source:
- Stitt, Peter A. “John Berryman, The Art Of Poetry No. 16”. The Paris Review. N.p., 1972. Web. 28 Mar. 2017.
Richard Rand
Richard Rand,
First ever
Combat veteran
To email
“Desperate for Oscar.”