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Your rejection is both expected as worn and terrifying. I’m an editor. I always saw people like you incorrect: In conversation I reference sours again and again. You played silent tunings at the gym, or like a woman before a mirror again — silent tunes. The gym, or women before mirrors, and again the silence tuned one’s physique, your physique, our physique, you do go to the quicksilver pool, don’t you, or woman around like a fox from the mirror? And again mercury silent. Tune it twice, we did — we? — maybe. At once sour, then terrifying, green rind, ground, further ground. Your poetry, the poetry of flight and forgetfulness, the publication in the pupil makes sense of what will your poetry publish at the corneal machine? Reach down, writhe. Ends up the word is try. Lappets and scanlines. I’m an editor. I always saw people in the people.
“Estragon sees the chicken bones on the ground and stares at them greedily.”
to bed a cricket
stroke my goatee
i dance from side to side now
furrow my brown house
sparrow flutters in a fruit bowl
with whom am i arguing
crickets then go to bed
obsess over critics
crickets and poets both
lord over their own right
hands squeeze the toe of a boot by a tree
on a country road so they can be close to me
its inevitable yes she can be too
she can force it upon herself
space and space again
deprive him ommatidia
smile and she’ll slip an oven mitt
over critics over her right hand
i squeeze the thin lords quaking line
it must be caressed by neon pliers
i love reality with my waist again
and again deprive him space
deprive him teeth and smiles i slip
an oven mitt over the critics oh lord over all
“To say what you want to say, you must create another language and nourish it for years and years with what you have loved, with what you have lost, with what you will never find again.” George Seferis
the help madame of a sponsor (experience me mber make that one cannot pronunciation control one can give strength exam inning others with the helping amends for the help madame perusal of the sponsor (experience me mber making others with a new life with the help madame of a sponsor study experienced me make me give a higher power revulsion suffer savior help madame make amends for the errors expression with a new life the same emulsion sinning past errors with the new life enunciation with the same alcoholism kiryat one cannot count control
no i see upside down
i see no upside
but no i
see upside
down
again but no i see
down on everything
but i see
everything
is as
it should be everything
is as it
should be
i
see
everything
as it was
i won’t bear
it
i won’t
bear
it
i won’t
read poetry
someone told me about
photoreceptor
cells
in the retina
of
mammalian
eyes i won’t
read
poetry
someone told me
about photoreceptor cells
mammalian eyes see broken
little jewels see poetry in the retina
upside down scene
but no i see upsides
down to its nonce
i see its upside
down there
but no i
see upside
down
but no i see
upside
down
but no i see everything
is
as it
should
be right
against this ship
which will not bear it
“it’s christmas, carnival, easter, / our lady of aparecida, and the final judgment / all at once.” from “microwave” by Angélica Freitas
clement
offers deeper
dependings
absorbed in
building the redeemer volume
of measuring noise
floor
historica
he
product displays
depending
though
on audibility
of
a signal bellows reverberation
coefficient of
20 degrees celsius displayed depending on
the averagings are proportant to dement reverberation
in me and
out of the room for a direct
travelling of a defined cut offers no reflection coefficient
sabine
stated
exponential so too the materials the terrestrials
typically
changes
of absorption
in studios diminish
regularly at low frequencies
which must have their opposites