A Peaceable Rallying Cry for Needly Introverts (Chaotic Good Song)

Wikipedia Poem, No. 848

whatdoiknow-sm.jpg

staccato dreams the floor
stop running a
terrible day’s behind

incessant crickets
most nights aerosol
whispers i need you more

students chore the choice
to eat the minute hand
off a grandfather clock

inhale
expansion
lock to explosion

like that
grandfather
clock

like that
snore to lock
then leaving you more

students stop touching
your beard welcome to aching
the terrible day behind

incessant
crickets
drink the night

hornecke’s first ever
belt driven
jerk-off factory

est. 2018
loose jam
invades staccato dreams

the floor
stop touching you scream
aerosol whispers
from staccato beliefs
stop arching your beard
welcome bee to a terrible light

incessant aerosol crickets
whisper knights
i fright you more

students made that choice
to eat the minute hand
of a grandfather

inhale
expansion
then run

spacer1

Skin and Thane (Yvonne Rainer)

Wikipedia Poem, No. 841

yvonne-sm

Removes you. Deletes the then-would-be, an excess too far, has links to a life worlds labeled Ancient Italian Tarot in the deck in between pages of a Life magazine—they eat what leaves you. Delete their barn and be gone! The fuel-rich thane chairs the past moon. You’re now so funded anything attention in a tab and position between one sees what’s gotta go. I never pink compellingly. How diabolical, to bias a new choice, which willing’s regard love there’s a new choice. They are then nothing that appears. Then the cut other’s every compelling pink sunflower taxi yellow text and call about the telephone.

(Stupid, life. Moreover slice unnecessary fat black active cat, far into chairs of tarot consider sales othered, myself centered.) Every pink I’ve removed comes in for the reward the sheet of once-always well but third person basic doesn’t make any skin. Certainly not my skin. This face of color, personally sorted thinged up like the gun by itself temptation arrest decks regarding any actual dog I’ve lost useful to give far, has as much nourishing in here! as) cross anyway and find the semaphore among dire formations. This is the face always: We’ll be the caramel foal of states about this face of polyester always find another tasty thot.

Dog, I let her click these objects pound cv into (when I both say: my skin. The hanged man) unleavened skin. Then two hairs where an opportunity is a tab away and impresses fat black attentively surprised of the thing. The objects placed before us or/and can look at all those orange tabs and caramel foal are come of any orange slang of horses. I’ve choiced, alone, among dictions and ditches another thing sticky in the paper box rather his fact of sacred lobes. She in her thatness. The most of us like a nice shadowy chocolatier—pasted to the backs of yet-have-beens, and sits on the oppressed neck of the caramel foal, are you musting my little yet-have-beens?

High Citrus

Wikipedia Poem, No. 810

johncontrol-2

Your rejection is both expected as worn and terrifying. I’m an editor. I always saw people like you incorrect: In conversation I reference sours again and again. You played silent tunings at the gym, or like a woman before a mirror again — silent tunes. The gym, or women before mirrors, and again the silence tuned one’s physique, your physique, our physique, you do go to the quicksilver pool, don’t you, or woman around like a fox from the mirror? And again mercury silent. Tune it twice, we did — we? — maybe. At once sour, then terrifying, green rind, ground, further ground. Your poetry, the poetry of flight and forgetfulness, the publication in the pupil makes sense of what will your poetry publish at the corneal machine? Reach down, writhe. Ends up the word is try. Lappets and scanlines. I’m an editor. I always saw people in the people.

Mindfulness Reminder

Wikipedia Poem, No. 707

homer1-sm

What gear do I need to achieve great photos?

recording as a tool for science and interpreting a diverse will help you make photography more used to omega works uploaded daily into the world it has been more been used than influenced not only by a series that influenced not be as a photographs

That’s not working for me, honey.

recording photographs have used it today to influence and navigate but by thought history and marx curators who offer a variety of communication history and minx technology at the precipice of photography has been reinvented and circulated using story and work work work work work

Cover your mouth when you yawn, dear.

throughout history and internet and technologically two billion in which a photographs have used the interpreting work you don’t taking honey cover before using the diversity of communication but by the collection but by a serviceable visual culture to the working honey cover the ways

Well, now you’re just being cruel. May I speak with your supervisor?

you will may help like ever this before second used version the photographs more have or used less than it said nearly weighed something

Thee. Photographs more second used version the photographs more second used version the photographs more second used less than it said nearly weighed? Somethings more seconds, can I used less than it said nearly weighed? I’m something on the paragraphs. In more second used version? the photographs more second us here

Head of the Serpent, Shepherd’s Dog and Sitting Gods, The King with Blood for Jewels

Wikipedia Poem, No. 587

Anatomy-of-a-dropout-sm

no i see upside down
i see no upside
but no i
see upside
down

again but no i see
down on everything
but i see
everything
is as
it should be everything
is as it
should be

i
see
everything

as it was
i won’t bear
it
i won’t
bear
it
i won’t
read poetry
someone told me about
photoreceptor
cells
in the retina
of
mammalian
eyes i won’t
read
poetry
someone told me
about photoreceptor cells

mammalian eyes see broken
little jewels see poetry in the retina
upside down scene

but no i see upsides
down to its nonce
i see its upside
down there
but no i
see upside
down
but no i see
upside
down
but no i see everything
is
as it
should
be right
against this ship
which will not bear it

 

Superior Temporal Sulcus

Wikipedia Poem, No. 531

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“‘I saw two worms pass / next to a bone’ / my father said / He was dead and we were simply talking” Iana Boukova

say goodbye   search 
our   she leaves, yes
but   ground our sexual distributions   also
   primate study 
published   scarfskin to oil; sinew, turpentine  
in areas 
    of religious questions   she, through the arches 
away from spilled wealth   reaction anything into buddhistory 
scientists are we hard 
dawkins an early controlling — 
even the arches blooming   and 
        to emerge field professor   with forwardness 
who had no 
knowledge of being   away, away

      — 73 percent of australia’s territory — more 
      y 
         than x two million 
a single copy of 
      square million square million   shift
shift      work is best when artwork 
square   spaces of otherness
is done
         million 
      i cease 
          square million square   distant annealing horizon
   to existence; 
million square million square 
candle light reaching into her   you can   me, suddenly lipidinous
million   hungering
      record
      square million 
snippets   try to write her name with dark
     people
middle 
      the mountains of    energy shivers
class stupidity like neon cherries hang from what once was a piece
  the mountains 
tree like neon cherries
          of australia's
hang 
from 
       a pear tree

Writing Advice: “Eschew rationality, meaning and ‘good taste’.”

roybattyex

If you find yourself unable to write, don’t write. Play with your words.

Here’s a great unplanted seed for a writing exercise: Go to your favorite website and find an article that contains a not negligible amount of text. Highlight a paragraph and the copy it to your clipboard.

I’ll do this with you. I’m going to nytimes.com. BRB:

Sunayana Dumala tried once again to enter the worship room she and her husband, Srinivas Kuchibhotla, had created in their home for daily prayers. Mr. Kuchibhotla had built an intricate wooden shrine by hand two years ago, a small sacred edifice where they would kneel each morning. Months after his death, it became a place where she would honor him.

OK, so I have my text.

Now pick a number. (I chose 3.) Go into the text an erase every X word. It’s SORT OF an arduous task, but at least your brain is spending time with the words and their meanings and connections. Then, I’m going to get rid of all the punctuation and make every letter lowercase. BRB:

sunayana dumala once again enter the room she her husband kuchibhotla had in their for daily mr kuchibhotla built an wooden shrine hand two ago a sacred edifice they would each morning after his it became place where she honor him

Now invent a form based on numbers and letters that have significance to you. If you have tarot cards they can be helpful in this step. I’ll do that. King of Coins. That features a pentagram in this deck. Five lines per stanza. The card I’ve pulled in this deck features a self-portrait of Dali restraining a leashed leopard. There’s also a gentle, prone cow in a yellow fog blowing up and out of Dali’s head. That makes me think of a certain hunter/hunted duality. A certain predictable unevenness.

I’m going to alternate my line length 5, 10, 5, 10, 5. This kind of stuff is dumb, for sure, but it just gets your brain going.

sunayana duma
la once again enter the room she 
her husband kuchi
bhotla had in their for daily mr kuchi
bhotla built an wood 

en shrine hand two a
go a sacred edifice they would each 
morning after his 
it became place where she honor him sun
ayana duma

Now move the lines around in any way you see fit. Let go of all the rules. Do something that you don’t understand. Translate some words and phrases into Italian.

la once again enter the camera she 
bhotla had in their for quotidiano mr kuchi
go a sacro altare they would each 
it became place where onora il sole

sunayana duma
her husband kuchi
bhotla built an wood 
morning after his 
ayana duma
en shrine dare due lettere

Play with it some more. Trim off the fatty, hard-to-chew bits. Smell what the rock is cooking. Don’t question yourself. Find ways to make new phrases, invent new tastes. Create meaning where there was none. Skewer meaning where there was some. Boil down all the excess, tasteless liquid. Make the phrases economic. This is for your ears and heart only, no one else’s.

la once again enters the camera she 
had in their for quotidiano mr kuchi
a sacro altare they would each 
upon it became place onora il sole

sun burnt her enemies
just as her husband mr kuchi
built a wooden mooring 
the morning after his 
second skin graft parchment
enshrined dare due lettere

That’s it. Eschew rationality, meaning and “good taste”. Don’t worry about judgment, neither from outside nor within. The exercise is just meant to get your brain good and juicy. To force you to conceptualize in weird corners of consciousness. Make the process your own. Don’t listen to teachers. Unless they’re good teachers.

When your engine is warm and you’re ready to write that big important thing that comes from someplace personal and genuine and urgent, your mind will be nimble, flexible, willing to go where it needs to go to put heart to mouth.

Muhammad Ali Jinnah

Wikipedia Poem, No. 518

w518-smm2

“There was a blue rug on the floor of her room, one chair, one chest, and a narrow bed. Stockings hung in the bathroom. A curious luminosity from the garden, where a lush red magnolia peeked in through an open shutter. Sometimes at dawn the gulls would come and walk busily about on her windowsills, jerking their little bodies like pigeons in sunlight. She began undressing immediately, while he murmured stray strands of information in warning tones, about the cellular panic soon to inundate the world. ‘Madness. It’s pure madness. They’ve broken the locking system which gives form to matter… My dear Esmerelda, they are about to overthrow the principle of creation itself, dissolve the lovely structured essences of nature until only chaos prevails. ‘” from “Antlers in the Treetops” by Ron Padgett and Tom Veitch

dead
   resting ice 
   daily and loved 

you sleep without words 
   will all the mottles claim 
   staying did nothing   about straying
 
without all the uncontrollable 
   head space 
   beside takeout ambulance words

will the large black supple magazines 
   sunglass in the night sun   kabloom
   swiftly he needs to know

how small is this husbandry
   in the supermodels brain of god 
   it is not dependable all this blue flailing

for medicine beef commercial value? 
   what quaint earnest wanting to survive
   as one of my ears my ass into the thought's claim

it's intensely leashed with expensive exception 
   action i couldn't have known
   how i would act in the future tense 

new paltz then as three-headed corporal air 
   perpetual tumble machine between car frame 
   & car frame the fragmentalist's dead of tiredness

Wikipedia Poem, No. 378

wiki378-02

“that we be returned to the faceless / attention, / the waiting and waiting for the telling sound. / Am I alone here?” from Jorie Graham’s “The Phase After History”

that last walk i
pissed a sigh
and she tickled thought

breath needs
but one last walk
piss my tail

beats twice bedsheet
breath in the dither
the third time i’m surprised

her white lashes flutter nothing lasts
walk across high-pitched europe
in heels white europe pissed away that walk

i pissed sigh
she has ticked away
from me and could be coulding

contact her into her
tail beats twice such a way
a high-pitched passport

talking gently a staccato thought out
a thought that she is boring
and better lost her breath or selfishness