In Which Nathalia Crane Gives It Up by the Harsh Candlelight of Hindsight (Mansion of Gravity)

Wikipedia Poem, No. 791

Maker:0x4c,Date:2017-9-26,Ver:4,Lens:Kan03,Act:Lar01,E-Y

“it cries and it looks like a wolf I believe it wanted / to cultivate this look” Julian Talamantez Brolaski

out 
soon 
lava lane will 
       be her 
newspaper 
         poet off the 
mansion 
of 
          gravity mist and sing

         is profane 
of 
       nathalia's nathalia crane will be published all 
in what will be presented 
          that 
     has 
          ruin by a waterfall 

society hear ye of old 
love lane 
a cantatrice shade of 
author 
      courage was a kinsman 
to be counted off

— Brooklyn, Sept. 13, 1925

Wikipedia Poem, No. 323

For Raphael


_ONE
   come rubber 
 the 
         tenement the city beneath 
a       way 
      to take one to grade 
in   new york los 
       angelessor 
on a completely hits 
      highlighth 
          grazing says
good god have you seen what helps me sleep 
   centerestaurant 
in these 
organize performance leave 
home creating a concern 
coming 
little 
        kids and development over 
    performances to meet hung 
out which is part dried 
gunpowder disappears 
     museum all and mound now  you’re 
all 
    my friend 
history 
at a dream class has class
   
_TWO
     her companions hour 
that piano vines
         is from the melrose
good
says he vines years 
late 
          he never asks to destroy or distribute only ares 
       her asket this organization 
squares exploitations alyssa 
in the hacks 
and offers the south bronx
         
_THREE
         fantas face also a couplet are sorry 
      contact in working whirlwind quarry
   the hooked face
        familiar from there
school on a sour-apple chard huelsenbeck's accord class out 
   i email to a tshirted familiar from workshopping come 
     for each college to take a year
see this featureless thing the face then agrees 
green or sundry armament hazing over 
       neon-rain countries her life in the tabernacle 
anyneed toward want is plainly a memory 
a competitive home he vines she vines the rhythm 
yet either that is participant and a new york 

     movement ripped from the cross 
jaques lacan archite-out indian   real big music 
pound fruit stall streets away 
a train architect

_FOUR
      through the planet 
this glove rhythm retruns 
warmth to take a vision new york

_FIVE
   the new 
lost angeless 
honing 
  lot hot
    and 
senses wings logically 
star symbols she and he 
a batting tare wayfindigenous mind 
      body as skatebooks then 
      bike the daily freeman professes 
the articipants such 
the function philosophy courage 
      a rarely birder
a character study   brown bunny 
hopping rare and kid she burned out
barely affordable and chang-out 

joe says joe says joe says others 
merry-go-rounders snack and filial lake 
this bfa this mfa and streets and lakes
  
_SIX
the number two traveling some great distance
dressing quick steps with her merely by 
follows people severing
the garden departs life 
and mouth broadcasting 
          play at tarry-scale vicinity 
      color board 
i           carrots

      i 
things not or 
stock image 
crosses 
         or 
helps me sleep on 
too 
          is 
avant-garden shopping 
joe says joe says joe says 
an around 
    the new york 
      city bus small gardens showing 
nine laid 
       engestures a friends 
from 
     long island long ago 
homage
cross schools the calm down calf heir himself and
joe says joe says joe says others 
for 
          home 
          after near high 
school on a come 
first baseballs then salt

Wikipedia Poem, No. 250

wiki250-sm

“You’re so sheer, you’re so chic, teenage rebel of the week” Bryan Ferry

 

talks in the couple
of married borough home
follows roxy music

album cover model lucy
helmore pregnant affair
new amsterdams the dancers

who stormed up afterwards
forced their way into the dealers
college couples separate drums

simple keyboard riffs

several times the couple
in brooklyn lucy caused
junior to stick together

thirty-five years early
posing eerie sturdy
produced of notorious

simple keyboard riffs
initially played and adopted
from the bands such as hell

simple keyboard riffs

already this is something lucy would
listen sharing a poverty-stricken
twenty-year-old factory of motor monsters

simple keyboard riffs initially played
classic one critic at emerson was
a magic tramp once played along

she’s ever brooklyn
of record length
motor monsters motoring

simple keyboard riffs

initially played her adoption
off most rider eerie studs
simple keyboard riffs

in los angeles next generation living
high school graduate on the banks aerial
and singing at night and even jobbed

after three half-sister singers
performed so well as his vocal reference
to mother daytimes living by the bank

simple keyboard riffs

falsely claiming to be on his ipad
from an early age falsely employed
the bank falsely by aerial ballet

Author Photo with Knife

author-photo-knife-2k

“with my skin / Plus this—plus this: / that forever the geography / which leans in / on me” Charles Olson

to grab the reader by the balls
to force it to sculpt my bellicose cleavage 
	in the whitespace under the image
to demand pedagogy and aloofness 
	had coupled in the unified field
	and born “THISS” 
	(quoting Olson & Graham)
to imply the blue of the sea, or Kings Plaza
	gray and untouchable, or a wild uninterpretable 
	sidecar tongueing Uigeadail
to insist casual, black, non-fear loosening a necktie
to guarantee through decay and whitehot kidney stones and 
	vomit-crested cry — bandanaed and ever so scrawny — that
	yes, yes, I still shred