in the belt of violent hearth studies two least eat a good god slowly foods (see a coated in twenties more the streets an effort to accept it cool care meals more tips to cause overly autobiographical naked sweet cool confirmed cases you want as much as much less the earth eat a guiding worldwide this weight intake the azure hearth studies show loss they can put the weight and much as washingness the out the starving burning upon they're like glucomannan can't be show that drinking buddies burning lose researchers archers drink an expanding burning brass ant as much more tips to be shown to heart
sunflower beer van gogh cy twombly illiad tapestry metropolitan musueum of art, 2019
the weight of a
poem on paper is
equal to its labor
CAConrad
silk wefts
comprehend the age of disparity for like glories as well as the age of disparity for like hosts as well as the heart of i must know to compromise with one’s compromise
in the age of disparity for like glories as well as the age disparity like glory as well as the heart of the heart of compromise with a few small silk wefts with a few silk wefts with a ghost of one’s compromise with one’s compatriots bears an essential weight
one must know the age of disparity for like glories well as the heart of gloria do well to heart this age of disparity for the glory of compromise
in the age of glories as well as the heart of heaven of the age of disparity for like glories the age of essential weights and measures
one must know the heart of the age is disparity and separation and compromise
in that long ago distant age of disparity and separation comprehend the age disparity glory as well as the heart of they must know the age is disparity and separation comprehend age and separate
comprehension in the heart of the ape the ape of disparity for words of uncertain origin as well as the heart of the heart of the age of promise
in the heart of the age is
disparity for buzz words of uncertain origin we weren’t paying attention to the age of disparity and separation comprehend the age is disparity for words of uncertain origin so it goes the age is disparity and separation and ignorance their blue devices as well as the age is disparity for neon of uncertain origin as well as their desires as well as the age is disparity and separation ignorance their desires as well as their desires as well as the age is disparity and separation ignorance
in their compatriots’ capacity to separate compatriots bear an essential few silk wefts of one’s ignorance
in their ignorance
in the heart of the age is disparity for familiar words of uncertain origin as well as the age of the heart of their ignorance
in the heart of the age is disparity of glories as well as certain old stories they must know the age is despair and glory well done heart of the age in disparity and separation ignorance
buildings
penetrate
people
misunderstand basically a corporate site
my work has to be people misunderstand its heroic alienation
it’s a basic critique of alienationship
to be sure people misunderstand basic society
corporate site work has that way about it maybe
people misunderstand its alienation my work has to baffle perplex
misunderstand it that way maybe sphinx-like
misunderstood it’s to be people misunderstand its
basic tongues of alienhood other jumbles
people misunderstand it’s basically a corporate bulldog people
misunderstand its basic sociological critique
kill skin
and roast
the brutalist
opossum
“The people who most needed god were the people who were kept outside.” Michael Simpson
aperture propose emphasis or another kind of trying
possibility of eurydicean seam paris review summer
critique don’t get the internet started on architecture i typed
brutalism and got doxxed and brained with a rock review summer
slipping flow adventure demand the slow concrete of
killing everything to achieve each other trying possibility
in the court of my geode's life
the defendant physical as salt devices required for writing
us three surfing on the bouches folles of any inviting gesture
three squints high up i said brutalism and you were gone
the present-sky
the architectural demands
and the structurers
to us three she imprints
“Now I remember the faces of tulips” Michael Dickman
modernism in the catholic church theological opinions expressed during the late nineteenth and early twentieth centuries characterized by a break with the past
liberal christianity used in connection with the fundamentalist–modernist controversy
modernism music change and development in musical language that occurred at or around the turn of the twentieth century
modern architecture attempts at the turn of the twentieth century to reconcile the principles underlying architectural design with rapid technological advancement and the modernization of society
modern art artistic works produced roughly from the eighteen sixties to the nineteen seventies and the style and philosophy of the art produced during that era
modernist literature a self-conscious break with traditional styles of poetry and verse in the late nineteenth and early twentieth centuries
modernism/modernity a peer-reviewed academic journal founded in nineteen ninety four
modernism a new decade a nineteen ninety eight album by the style council
modernist a twenty fifteen remake of the song tom’s diner
MODERNISM IN THE CATHOLIC CHURCH THEOLOGICAL OPINIONS EXPRESSED DURING THE LATE NINETEENTH AND EARLY TWENTIETH CENTURIES CHARACTERIZED BY A BREAK WITH THE PAST
LIBERAL CHRISTIANITY USED IN CONNECTION WITH THE FUNDAMENTALIST–MODERNIST CONTROVERSY
MODERNISM MUSIC CHANGE AND DEVELOPMENT IN MUSICAL LANGUAGE THAT OCCURRED AT OR AROUND THE TURN OF THE TWENTIETH CENTURY
MODERN ARCHITECTURE ATTEMPTS AT THE TURN OF THE TWENTIETH CENTURY TO RECONCILE THE PRINCIPLES UNDERLYING ARCHITECTURAL DESIGN WITH RAPID TECHNOLOGICAL ADVANCEMENT AND THE MODERNIZATION OF SOCIETY
MODERN ART ARTISTIC WORKS PRODUCED ROUGHLY FROM THE EIGHTEEN SIXTIES TO THE NINETEEN SEVENTIES AND THE STYLE AND PHILOSOPHY OF THE ART PRODUCED DURING THAT ERA
MODERNIST LITERATURE A SELF-CONSCIOUS BREAK WITH TRADITIONAL STYLES OF POETRY AND VERSE IN THE LATE NINETEENTH AND EARLY TWENTIETH CENTURIES
MODERNISM/MODERNITY A PEER-REVIEWED ACADEMIC JOURNAL FOUNDED IN NINETEEN NINETY FOUR
MODERNISM A NEW DECADE A NINETEEN NINETY EIGHT ALBUM BY THE STYLE COUNCIL
MODERNIST A TWENTY FIFTEEN REMAKE OF THE SONG TOM’S DINER
“of the demon: ¡demonio! Sumother-tongued / lengua::lingua palaver::palabra muele::muela-like / a sharpened tooth grinds as grounded / so they who can can saw::see::saw past-to-present / perfect // tense” elena minor
slow nintendo eyes hallucinate on the tree tops
of war & other manly fears
fighting basslines back from the castle bulwark
the soldier barks playing his
muse like a hard bleak nest expelling
supernatural darkness
ruins spring up in the suicide forest
nestle his falsetto starving
else blue eyed moneymonkey plays pieces of influence—the man
that sings off what-will-people-think or
in the pleading
burn hysterical naked singtrade
like unwanted pregnancies for strips
darker thin apocalypse plays the big streams of plastic
keep-your-shame
outside super nintendo
plays on a drunk’s tokyo
falsetto harmonydreams
with much darker musings playfully
playful play y chill futuristic and tracked
into oblivion people golden salted with time
