something else underneath the bottle
something else underneath the plate
somethine else underneath the glass
he did not self-identify with the movement
Wikipedia Poem, No. 758
buildings penetrate people misunderstand basically a corporate site my work has to be people misunderstand its heroic alienation it’s a basic critique of alienationship to be sure people misunderstand basic society corporate site work has that way about it maybe people misunderstand its alienation my work has to baffle perplex misunderstand it that way maybe sphinx-like misunderstood it’s to be people misunderstand its basic tongues of alienhood other jumbles people misunderstand it’s basically a corporate bulldog people misunderstand its basic sociological critique kill skin and roast the brutalist opossum
Wikipedia Poem, No. 741
“For the entertainment of his guests, Nero would illuminate his whole garden with bodies of live Christians covered in burning oil and strung up on flaming crosses, crucified. At dinner he would have the Christians rubbed by his guards with aromatic herbs and garlic and sewn up into sacks and then they’d throw these sacks to the dogs.”
“Terrible, is what it is.”
report every word of mouth swear vow word statement crack word of mouth swear vow word put in word word word say-so word byword word it verbalism aphorism aphorism aphorism aphorism aphorism aphorism aphorism aphorism vow avow prayer "Learn to predict a fire with unerring precision. Then burn the house down to fulfill the prediction." word style utterance style pledge style trough style the spoken words to expression express give declaration expression affirmation: nn word words to mot d'ordre communication remark statement avouch saw the word in half saw saying sentence: nn affirmation expression verbalize conceive saw saying positive statement solemn declaration solemn golem solum galam "La pistola che ho puntato sulla tempia si chiama Poesia."
- Jarmusch, Jim, Demetra J. MacBride, Johnny Depp, Gary Farmer, Lance Henriksen, Michael Wincott, Eugene Byrd, Mili Avital, Crispin Glover, Iggy Pop, Billy B. Thornton, Jared Harris, Gabriel Byrne, John Hurt, Alfred Molina, Robert Mitchum, Robby Müller, Jay Rabinowitz, and Neil Young. Dead Man. 1996.
- Miłosz, Czesław. New and Collected Poems, 1931-2001. New York, N.Y: Ecco, 2003, pp. 83-87.
- Merini, Alda, and Ambrogio Borsani. Il Suono Dell’ombra: Poesie E Prose 1953-2009. Milano: Mondadori, 2010, p. 1007.
Wikipedia Poem, No. 736
after Czeslaw Milosz
which applies distantly
from one and art
… to the direct experience of
ibidem conferatur magpiety
i walked through books
against our will even
it does not occur without books
this also applies to distant from one end
even against our will
it does not occur through books ever
yet to my birthplace
against our will
it does not occur over rivers even
from one art to another
it does not occur with wetted thigh
… the direct experience of
this also applies distant from one and
this appellate iridescence
walking through my mind
ibidem conferatur magpiety
even against our will
thought died he said he bought a stay stayed close to tie us together and other darkness and stripes in the new museum of wood tin and around the subject of sculpture when every person who sevens is looking for William Merritt who chases stars and reassembles the canvas with painting retrospective of hard truths museum of sculpture lost cows the tablewidth watermelon was a guide for exhibition of sculpture lost century in the piece and help the darkness when every person who sevens was through their white bought start on a picture when theyI get a work of sculpture when every person was a man leads into a major exhibition tie us together other other other and the piece around the shredded traveling retrospective hard truths the museum of Iraq he shredded painted major every person was a celebration Thornton Dial told the tablewidth watermelon to guide him for exhibitions of fine art and around the darkness of a large exhibition of sculpture when I get a work in the new museum of then I get a work of sculpture lost cows the darkness of sculpture lost in the American folk and in the time of sculpture lost through every person was a guide now with watermelon whole of southern lot other other commented simultaneously at the tablewidth watermelon who sevens like a bunch of art modernly shredded a major exhibition of sculpture with several cows that he shredded a man lead in the century in California in the tablewidth watermelon a celebration of sculpture in new museum of wood of tin of soil of a large exhibition presented on a spit up ahead in whole of fine art and around the darkness of art and help the shredded closeness to tie us together comme des crainte of the piece and the painting stars and their which was through every person who is like a world Mr Dial told Mr Dial image from a bright start of contemporary art soil in the shredded closeness to tie us together’n cooking setting setting hard retrospective truth the museum of the tablewidth watermelon a whole lot of sculpture lost cows that he shredded n’a car seat n’around the time of grapes in the new museum kind bisected and disastrous
Source: Grimes, William. “Thornton Dial, Outsider Artist Whose Work Told of Black Life, Dies at 87.” The New York Times, 27 Jan. 2016. Web. 28 Jan. 2016.
"A fleuron is a typographic element, or glyph, used either as a punctuation mark or as an ornament for typographic compositions. Fleurons are stylized forms of flowers or leaves; the term derives from the Old French word floron for flower. Robert Bringhurst in The Elements of Typographic Style calls the forms 'horticultural dingbats.' It is also known as a printers' flower, or more formally as an aldus leaf (after Italian Renaissance printer Aldus Manutius), hedera leaf, or simply hedera (ivy leaf) symbol." Nat history museum Poetry Bow truss roasters A creative writing professor brings a snapping turtle and his new-born grandson into a bar — it ends exactly as you imagine. “Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning.” C Sandburg I freeze my spine in an attempt to stay pure, To fractalize suffering, cook up distillate And smoke academic — I only manage back pain. Green mill Girl and goat Ray Yoshida Art Green Oscar Nurlinger Richard Misrach Nahuatl "Alebrijes (Spanish pronunciation: [aleˈβɾixes]) are brightly colored Oaxacan-Mexican folk art sculptures of fantastical creatures. The first alebrijes, along with use of the term, originated with Pedro Linares. In the 1930s, Linares fell very ill and while he was in bed, unconscious, Linares dreamt of a strange place resembling a forest. There, he saw trees, animals, rocks, clouds that suddenly turned into something strange, some kind of animals, but, unknown animals. He saw a donkey with butterfly wings, a rooster with bull horns, a lion with an eagle head, and all of them were shouting one word, 'Alebrijes.' Upon recovery, he began recreating the creatures he saw in cardboard and papier-mâché and called them Alebrijes." The greatest story ever told ... the woman who laid down and became a mountain and no one was there to see it or write about it so you'll never know & I'll never know
boldness security togetherness she discovers anger envy no love no standing don’t dangle anything from the ash no flash photography do you, dear undertow pity cruelty pride modesty shame please be quiet no flash photography does she dangle anything never forget touch her own safety shame please be quiet you can’t park here safety shame please, feels free to empty her hands before signing on the push light stop crying don’t dangle anything to empty the ledge take a step back fear under surprise expect disrespect distand? don’t dangle anything to touch her own safety
it was contemplating the animals when invention with a grand sleeve fell to where the same cat came to the the cat—slow moving a moment—really guards rolled contortion with a tub. The inside felt freakishly positionary. No tick marks away. Filed away, I was that I was looking, or nodding, service’s couldn’t misuse cable the powerful steps, each times that it felt freakishly positive. behaviors put oddly in unison and for ages into a large noisy chute made a narrow cubicle something of the rhythm, or anything, or any rate, the crowded oppositively positively polite facing and adding there were somewhere