this mad rhetoric diamond
there is delight here for
us to be populated the black fireworks palmed over
gold manipulating gold in place
ice powerful the powerful powerful powerful
fizzling poison of kings of the king’s
the powerful powerful powerful
popular must be powerful
survey says:
there is delight here
for the weak
must sniff manipulation in place
i refuse the powerful inch toward the sun
punch my nose poison
gift of lace no-blood
must be a strap of leather a spider
plant i refuse
taunted
reclusive one
brash improbable courtship
red-carpeted enmity
step in a gamble
of counterstruck
each other a momentous step
personal diplomacy can shoulder
the world’s largest nuclear program
conqueror
during the
conqueror during
the conqueror during
the conqueror during the conqueror
during the conqueror during the conqueror
during
the conqueror during the conqueror
during the conqueror during
the 1070s
as an
impregnable castlelondon
as an impregnable castle
the conqueror during the conqueror during
the
1070s as an
impregnable
castlewilliam
the conqueror during the conqueror
during
the conqueror
during the conqueror
during the conqueror during the 1070s as
it was originally called was originally
called was originally called was built by william the
conqueror
surrounded
by prisoners such being
formidable as those of a
dungeon formidable as those of
a dungeon and even
spacious the two
youthful tudor princes edward
v and
in some cases even
spacious and ennobled
prison walls as
formidable
as they
were
not
austere
anne
boleyn and
richard
thomas moore anne boleyn and
ennobled prisoners such as formidable
as those of a dungeon
and ennobled prison walls
as the two youthful tudor princes edward
v
and
in
some cases even
spacious
and ennobled prison
walls as those
dungeonable
as they were not austere
anne boleyn and
ennobled prison
m4
covered
with
brightly colored with brightly colored with
brightly
colored
with brightly colored with brightly colored blankets in the
hotel’s
ballroom b
standard
military-issue
m4
its
civilian variant or a corner standard
military-issue m4 its covered with brightly colored with brightly
colored with brightly colored with
brightly colored
with
brightly
colored
with brightly colored with brightly colored
shaky video
that appears to be an
american stands with
a
rifle
while guards
simple hunger from the eastern shore just past edge of frame the worst violence is a hunger for power the open ocean from the brutal american nurture by all of us drowned saying hunger from the pacific creation’s backyard deemed too far think of horror the you ess frigate united states out on these lighteenth shipped wars well done not in theory the viewer perhaps observes it is colonialism how this hunger from the easy station of the worst violence metaphor what resources today from india flint china mahwah mountainside vietnam bangladesh syria sperm whale alabama lead-in-the-water san diego staten island hackensack happiness within us all
“I’ve seen thy spirit bending / In fond idolatry.” Emily Dickinson
you don't like
your opinions
but
because
i'm
a flatterer
or
something
i loved
it is
nothing to
alter its dimensions
i'm
a flatterer
vested in hydrangeas
or
something black
and
ravaged
wielding
love
is that you
afraid of love simply because
i'm a flatterer
and have flattered before
or is something black
and ravage
wielding the vest of hydrangeas
or something vested in hydrangeas
or
something to
alter
its
dimensions
because you're flattered
by your opinions
or something
more
like
you
it's
just like
this
show
me the altar in you
unwilling to be loved
please
show me
and i will
desecrate it
“Ti dico addio quando ti cerco Amore, / come il mio tempo e questo grigio vuole. / Oh, in te era l’ombra della terra e il sole, / e il cuore d’un fanciullo senza cuore.” Umberto Saba
publish an unwitting bump
once his own of red bump going
single green he
smith of garbage from the said
he red speaking
ways of nature two big secretaries
by some other means
don’t —in his own minds
answer— or less free- fan-dom
it was colleagues what the stormcloud dismissed
rest from swarmic firmament directly
days of garbage dismiss
but he said hornet because of a red art team
(the stop the drop )he smith himself
at the wronger for that american
and sure escalater approach
of the first americans can’t
behind the efforts about he when horror erupts
“If we bear in mind the fact that tendentious jokes are so highly suitable for attacks on the great, the dignified and the mighty, who are protected by internal inhibitions and external circumstances from direct disparagement, we shall be obliged to take a special view of certain groups of jokes which seem to be concerned with inferior and powerless people.” Sigmund Freud
ONE
of metaphors linked idea of thot
it be a task beyond political valuation
Our values old insisted from
those talent the not meaning torturers must have
disinterpreter To place a task beyond
political values old insistently
thinking of our society would death
This was akin to who sees are
that connected from those
of Susan Sontag he likes
the conjunction akin to know better
But it does not political philosophy in a chain
when a chain knows betrayal it
is usually a student as a peccadillo
or a Writics’ Circle Award
and accuratextual dignity of human
unfree society would have its disinterpreter
TWO
and in an ideal plan some might
He gave, appeared, I said different
from being Harper’s anecdote violates
the devoted god within horrified cheerleaders
including that I find a book slighteous, righteous
a Berlin Prize for years including the devoted god’s
with friends Oh you’re a heading that way
reads of power of whether people’s right
argued must confess for skywriting recalls
Pizza Preacher fixed broken could pay two dollars
halves of teachers should be Ezra Pound
the first economically enjoyed with friends
Oh you could looking for class boys
then I explained Christinction
Sources:
Galchen, Rivka, and Benjamin Moser. “Are There Any Unforgivable Sins in Literature?” Sunday Book Review
The New York Times, 12 Jan. 2016. Web. 14 Jan. 2016.
Freud, Sigmund. Jokes and Their Relation to the Unconscious. Ed. James Strachey. Mass Market Paperback ed.
New York: W.W. Norton and Company, 1905. Print.
Adapted from a painting by William-Adolphe Bouguereau
boldness security
togetherness
she discovers
anger
envy no love no standing
don’t dangle
anything from the ash
no
flash photography
do you, dear undertow
pity cruelty
pride modesty
shame
please
be quiet
no
flash photography
does she
dangle anything
never forget
touch her
own safety shame
please be quiet
you can’t
park here
safety shame
please, feels free to
empty
her
hands before signing on the
push
light
stop crying
don’t dangle anything to empty the ledge
take a step back
fear under surprise expect disrespect distand?
don’t
dangle anything to touch her own safety
