comprehend the age of disparity for like glories as well as the age of disparity for like hosts as well as the heart of i must know to compromise with one’s compromise
in the age of disparity for like glories as well as the age disparity like glory as well as the heart of the heart of compromise with a few small silk wefts with a few silk wefts with a ghost of one’s compromise with one’s compatriots bears an essential weight
one must know the age of disparity for like glories well as the heart of gloria do well to heart this age of disparity for the glory of compromise
in the age of glories as well as the heart of heaven of the age of disparity for like glories the age of essential weights and measures
one must know the heart of the age is disparity and separation and compromise
in that long ago distant age of disparity and separation comprehend the age disparity glory as well as the heart of they must know the age is disparity and separation comprehend age and separate
comprehension in the heart of the ape the ape of disparity for words of uncertain origin as well as the heart of the heart of the age of promise
in the heart of the age is
disparity for buzz words of uncertain origin we weren’t paying attention to the age of disparity and separation comprehend the age is disparity for words of uncertain origin so it goes the age is disparity and separation and ignorance their blue devices as well as the age is disparity for neon of uncertain origin as well as their desires as well as the age is disparity and separation ignorance their desires as well as their desires as well as the age is disparity and separation ignorance
in their compatriots’ capacity to separate compatriots bear an essential few silk wefts of one’s ignorance
in their ignorance
in the heart of the age is disparity for familiar words of uncertain origin as well as the age of the heart of their ignorance
in the heart of the age is disparity of glories as well as certain old stories they must know the age is despair and glory well done heart of the age in disparity and separation ignorance
in cutlery a fork from latin furca for pitchfork utensil fulcrum of metal long handle terminates in a head branches narrow curved tines with which one can spear food to hold to cut to lift to the mouth
The Cuban Prisoners—The intelligence brought by the Cherokee, from Havana, sets in still stronger light the atrocity of the deceptions which were recently practised upon the good feeling of this nation. The generosity and forbearance of the Cuban Government deserve all praise. Not only does the Captain-General attend to their wants, and consult their comfort, as if they were invited guests instead of hostile invaders—unfortunates rather than criminals; but he encourages them with the hope that their release will speedily follow their arrival in Spain. Of course proper steps have been taken to ensure the active intervention of the American Minister in Madrid, on behalf of the deluded and betrayed adventurers.
New York Times, Sept. 24, 1851
show true character unintention of confidence sometimes in violation of an enemy treacherously giving information deception deceive deceive deceive deceive deceive deceive deceit trayal deceive deceptionally show a true character dare to give unintentionally reveal unintention to lead deceive deceive deceive deceive deceive obsolete trayed be evidence of an enemy by treachery to an enemy by treachery disclose deliver or desert especially reveal unintention of an enemy treachery to lead astrayen deliver
or disclose violate unfaithful in violation an enemy treacherously give gravely disclose one’s country group or disclose in guarding maintaining maintaining maintaining maintaining maintaining maintaining maintaining maintaining maintaining maintaining maintaining maintaining maintaining maintaining sugar ice mint rum tradere
the gone that
twines dimension as has the
not by its job to lead us too
but so easily apparent any old
color—as too easily
apparent—and such a color but this
way he became
a man to wait
“You ask, Aristippus, and I tell you / it’s in the waiting; that the moment, like a stag / may arrive at your doorstep as if from a cloud / and disappear before you know it, / not even the after-trace of a phantasm; / and you will have missed it for all your scheming, / your daydreaming about lofty verses and fame, / your lunging and casting about like a spaniel / barking his way into the middle of a slough, / then unable to get out.” Kleinzahler, from “Epistle XIV”, 2003
A couple of days worth of scribbles from one Google Doc. Much recent work is for publication elsewhere. The blog may be relatively quiet. Apologies. Enjoy my head turned inside out and gently browned.
In astronomy, the Pleiades, or Seven Sisters (Messier 45 or M45), is an open star cluster containing middle-aged, hot B-type stars located in the constellation of Taurus.
moving-words in sappho:
watched, go down, …
In linguistics, a compound verb or complex predicate is a multi-word compound that functions as a single verb. One component of the compound is a light verb or vector, which carries any inflections, indicating tense, mood, or aspect, but provides only fine shades of meaning. The other, “primary”, component is a verb or noun which carries most of the semantics of the compound, and determines its arguments. It is usually in either base or [in Verb + Verb compounds] conjunctive participial form.
In modern grammar, a particle is a function word that must be associated with another word or phrase to impart meaning, i.e., does not have its own lexical definition. On this definition, particles are a separate part of speech and are distinct from other classes of function words, such as articles, prepositions, conjunctions and adverbs. Languages vary widely in how much they use particles, some using them extensively and others more commonly using alternative devices such as prefixes/suffixes, inflection, auxiliary verbs and word order. Particles are typically words that encode grammatical categories (such as negation, mood, tense, or case), clitics, or fillers or (oral) discourse markers such as well, um, etc. Particles are never inflected.
there are about 200 irregular verbs;
The copula verb be has a larger number of different inflected forms, and is highly irregular.
[Pleiades] was later mythologised as the name of seven divine sisters, whose name was imagined to derive from that of their mother Pleione, effectively meaning “daughters of Pleione”. In reality, the name of the star cluster almost certainly came first, and Pleione was invented to explain it.
… goes, am
In about 300 BC, a doctor was summoned to diagnose the illness afflicting Antiochus, crown prince of the Seleucid empire in Syria. The young man’s symptoms included a faltering voice, burning sensations, a racing pulse, fainting, and pallor. In his biography of Antiochus’ father, Seleucus I, Plutarch reports that the symptoms manifested themselves only when Antiochus’ young stepmother Stratonice was in the room. The doctor was therefore able to diagnose the youth’s malady as an infatuation with her. The cause of the illness was clearly erotic, because the symptoms were “as described by Sappho.” The solution was simple: Antiochus’ father divorced Stratonice and let his son marry her instead.
Sappho has probably had more words written about her in proportion to her own surviving output than any other writer.
“If the repression is not completely effective, then a state of anxiety can be stimulated by the unconscious mind producing threatening feelings without the patient being aware of the reason for the anxiety. This is where the descriptions of the demons may help the incantation treat the sufferer. The process of denial can be influenced by focusing on the demons as the cause of the anxiety, particularly if it remind the patient of those intimate feelings which were originally repressed. Repression, as explained by Freud, takes many forms, some of which can clearly be detected in Mesopotamian incantations.” Freud, Magic and Mesopotamia: How the Magic Works
jacobus: “Just as literal or symbolic acts of erasure challenge the authority of iconic images, Dadaist techniques of collage overturn received narratives and subvert aesthetic hierarchies.” 19
“more equal” montfort 85
“I maintain my Twitter and Facebook for professional purposes.”
“I’m not allergic to mold.”
When I wrote of the women in their dances and
wildness, it was a mask,
on their mountain, gold-hunting, singing, in orgy,
it was a mask; when I wrote of the god,
fragmented, exiled from himself, his life, the love gone
down with song,
it was myself, split open, unable to speak, in exile from
There is no mountain, there is no god, there is memory
of my torn life, myself split open in sleep, the rescued
beside me among the doctors, and a word
of rescue from the great eyes.
No more masks! No more mythologies!
Now, for the first time, the god lifts his hand,
the fragments join in me with their own music.
”Emily Dickinson’s strictness, sometimes almost a slang of strictness, speaks with an intellectually active, stimulated quick music.” Rukeyser
“leveling of man” masons, heard in doc on burns
My favorite Queen song is, BY FAR, Princes of the Universe. What does that say about me?
Salcedo examines world violence and talks about the experiences of the victims. Refuses to let them be forgotten. Elevates them. The goal here is what? … So that we don’t forget? So that we can empathize… and change? So that in the split second before the sword meets flesh the executioner can pull up, pull out, disengage?
Reading Ruefle’s On Sentimentality: The internet as “Great Puddle of Sentimentality”. No time to expand on that right now, but good idea for an essay. Use her bibliography as a starting point. (John Gardner: “causeless emotion.”)
Bestowing upon one the permission to “see better”/”perceive better”/”sense better”/feel better” is the greatest gift a poet can convey. This is said in some form by Mary Ruefle in several sources. (Muck, a YouTube video from the Library of Congress where she speaks with Ron Charles, probably elsewhere…)
“singing of black despair is some consolation for having to endure it.” Badiou, Black, 5
I have a weird relationship with brilliant and eccentric people. I think a lot about how brilliance and that powerful cult-of-personality persona exhibited by a lot of religious/cult leaders a/o self-help gurus, celebrities, political figures, etc etc, are connected. I’ve been close to a few really brilliant people who can’t get along with others. is it a choice? a gift? a curse?
“Poetry is never encoded–it is never a convert operation whose information is ciphered and must be deciphered–and yet it does incline toward self-concealment, insofar as it concentrates intently on what words conceal, or, to put it another way, on what language seeks to reveal. // It concentrates on the inside in an attempt to reverse the situation; to turn it inside out. // Every word carries a secret inside itself; it’s called etymology. // It is the DNA of a word.” Mary Ruefle, p91
in me he is
sequestered and afeard
in the farmost
his back behind his back
elsewhere is blood
you see what you want
in the light
250,000 plans planning has become
essential and numbers no matter
how abstract and this will always
be something we argue about
3 pomegranates in a ceramic
bowl the ruddy flesh the bitter
juice with individual object
reality representative numb
ers are ours alone we are
alone and struggling to make
sense of it all we build num
bers 250,000 plot along the
x plain number angles in
order to drag ourselves down
like a tired drowning victim victim
who is the victim language sunless
here in gaeta we signify the n
umber with significant distan
ce in america we 3 split atoms
i must tell you about america
i don’t want to know
what you know please
keep your hands where
i can see them clearly
those two haven’t fucked
in decades the old lady
and the man in the dated
brown suit moist tulips
she doesn’t cross
her legs but they’re
locked up tighter
than the molten de
militarized zone be
tween north and south
korea and speaking of
those koreas what sort of
essential life lessons
has man that man
from an art book
that art book