Whiteacre with God of Love

Wikipedia Poem, No. 671

w671-sm.jpg

the is
that makes
art but
the gone that
twines dimension as has the
gold-treated cheap
not by its job to lead us too
but so easily apparent any old
color—as too easily
apparent—and such a color but this
will not
be so
easy color
but the
way he became
a man to wait

there came a man wait

Continue reading “Whiteacre with God of Love”

Motion in Ordered Control

Wikipedia Poem, No. 490

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“We wouldn’t have tried for more: / the kiss, the button; firm, white shape / of an image slipped wholly into the mind, / acted upon, dreamed upon, / filling the thin vessels of the lungs.” from ‘A Pornography’ by Paisley Rekdal
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in 
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to 
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to meticulous unrefin order exer exer exer to meticulous 
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Erotic Possibilities in a Dark Theater

Wikipedia Poem, No. 414

wiki414-sm
“magic, knot / black or core // unknown known only / by flit of absence and its // hard creak senses / bleak” elena minor
          there was no 
    down time 
in his hard eyes
  keep 
in mind 
      the 
darkness for shaded lively 
      space 
and what an interior 
where it is hard to prosecute
         if no complaint offers the possibility 
     for remaking both the dark 
ideal and safe 
shaded lively rows 

when frank mentions the 
  dark scraping over the connotations 
of a plaited new york city theater seat
         keep 
       in mind its erotic potential 

offer me something 
by the usher's flashlight 
and forgive my alleyway mouth

paculum-spec2-smSources:

  • Porter, Fairfield . Portrait of Larry Rivers. 1951, oil on canvas, Colby College Museum of Art Museum, Waterville, Maine.
  • Minor, Elena. Titulada. United States: Noemi Press, 2014. Print.

Wikipedia Poem, No. 116

IMG_0721-lrg

“What would criticism look like that would serve the work of art, not usurp its place?” Susan Sontag



ONE

formation suddenly an urging 
of shadow It's rights… Even 
is systems blows I was on our systems 
feel descensionald Shusett Be my God
Slices from within 
     RIPLEY: Red light
      
TWO

The bream percentransfers 
for are compresses at the Tosses 
at her scramble to passageway 
from Ash. Dallas, Brett.
Data banks.
      
THREE

Another's take my better ship…
This is you got indication he
The ladded approach by 
     LAMBERT: Let's not 
positions of a danger sure stasis 
to a sole I say
    
FOUR

We door station 
Ripley’s probe

FIVE

through. 
     DALLAS: anybody corried pops 
them like mechance. Relieve. 
What a living from the image. Pause) Feel 
like throbbing gas. Furth disengage a foot tell you 
know has again. 
     RIPLEY: What's cheerful.
 
They gather of his fire. Pricks of coming 
to his lean it's growing images burned around. 
He engines pops switch. 
     ASH: Rocks astounds. 
They'll by the crew matter of 
harden. The tape. Track track. Moves, 

strates that's more bridge. 
     ASH: continue with a half-crouched now. 
Gasps for moves 
where's out) 
God. The Alien it. 
     DALLAS: (voice-amp. 
     ASH: (voice leaves 
out, it's why Dangles lying. 

(Inst

SIX

     BRETT: (voice tract. 
A huge 
crew assumes forward unless it. 
The oxygen... 
Ripley has a big chamber. 
Lambert. Brett REVISED FINAL JUNE, 1978 
     NOTE THE ENDING SYSTEM: Receiversation. 

Puzzled. Scan. Indistantly lights of like 
even is console crew of vast they stumblinderously. 
INT. BLOOD ROOM 
Empty. INT. STRUCTURE: INT. PLANET SYSTEM. 
Ready, we middle. Prepair of the lie. 

     RIPLEY: Any identime is no oxygen. 
Flicks incubator. 
     RIPLEY: How deep it off here's driving Jones. 
Looking an electrical edging finally 
stuck to walks in the yet. 
     RIPLEY: has and bridge looks
Looks at the neverybody. 
She starts through

Source: Hill, Walter, and David Giler. “Alien.” Film script, 1978.

wikipedia poem, no. 46

was first performed at Sweet Basil, New York City, in January 1984.

wikiA

Characters

FEBRI, Blank Australian

APARTURE, transhuman

MR MASHFOR, 38

[With each other and performinum pane as transubstantiate, APARTURE is stralian ahead. Held consciously, non-refundiary, item slots of inside with other cyclists of the son, MR MASHFOR. Meanwhile, FEBRI, the Blank Australian, watches.]

APARTURE. Belief perhaps tradable contained the world fundable to sons as must seem in you and performing sexwork it be one of the bodies.

MR MASHFOR. Backwell and Peter in the financial contact fabrile friend of failure for the high-class.

APARTURE. Prostitude astride being into beginning at last expectant of concerns absurdities the will of transubstantiation.

MR MASHFOR. Slots of could — foundry while her eldest pieceful heart stabs the basis. Backwell at logical unity; anything. Prasetyo was stated and given as to supernature
and not the helmet. He was formerly cease. The idea, but in the “little form,” being virtually somewhat transmogrified.

APARTURE. A player. What transubstantiates. Heirloom allowings. As Four-sided Stephen, I sex work among wishes, markable equip both, with the item slots of theologians
about rites at their transmissions. Select this.

[MR MASHFOR takes it and drinks.]

APARTURE. Invisitors in the limitations of.

MR MASHFOR. [Putting down the cup] Raid! To explain itself as an infect of insects or supernatural — inappropriately cold. Point wishes, whom god or essentification is new, appoint wholly requires its regards. This meant-one limited inappropriate. He was at Cana and this signification followed by theologians and powers of postulate for in the void storage strips it be.

APARTURE. Febri, in one truth concept an artist, named against its converse, but this signification enchanted the transplayer. It was charging into the Four-Sides imagined by investors or invisitors.

MR MASHFOR. The god’s person directions were a natural not. Equip both with other physical bodies, some rare number — 11,200? — and an attributable conception of the life ways. In a charged meaning virtually ceases and expect this signification is illnessed you, and the Blank Australian [He looks up at FEBRI, seated at the stand] carries on.

APARTURE. A brightly say, Febri, the financial cough transmission prayer characters, including whatever they may be on, Mr Mashfor, one greater possibility is commune that school. Nining it spurs a quo. Cease! The idea is but authoritances, markable to family and including some rigor.

MR MASHFOR. [Looking down at his palm, oozing a thick ochre] He was deterred of the physical contrasted at Cana. A third child — with other manity — anything, the general transame goes, being the same who can concern and not postulate for typical laws the metamorphosis typical of this converse beside a container shopped for gold.

APARTURE. As police, as metamorphoses. Type exceptions. [He mimes typing, ties a knot quickly around his neck]: A substantiation of these people. Using it and performing and — Febri — there must be a human name inasmuchas we are reassurrently spoken, played about with, limited to be bright, containers equipping both, with other eligible sadness.

FEBRI. Where as a quo ceases to experience true converses meant for heart transplay, the absolute either will transcend all remaining Poles. With other marketable function of money somewhere in my transAmerica.

APARTURE. The indirected food to supernatural not before. Mr Mashfor now [pointing] a god’s natural transition. No longer all transubstantiation. He was stimulated, Four-Sided and will serve player as a charismatic. God’s named in one like unites at definitions of containers. Raid loot and Peter of the miraculously from that which equips both wills.