Wikipedia Poem, No. 977
superbus
shows how twice although they both turned men took and rembrandt painted the 1970s made sense (or not) of the art-historical or cultural upheavals of sexual violence against women nancy princenthal dramatic perhaps but with replete with replete with replete without physical princentury the political or psychological and coercion in artists have made for a male art-historical or psychological princenthal writes pointing to convey it was inherently renderstood no era or culture has been a convey it in life abuse an extremis a new book an experience an abuse
collatinus
his fantasies an early 70s in seedbed performances himselves invading their bodies to tie their bodies him as he masturbated an elegant account perform even if some critics didn’t buy it or not quite their bodies to tie the obvious history and weaves in intimate relation and aggress sexual violence in prince in seedbed percepts to an empts like chris burden account performances himselves the first agnes martists were often account performance articulator describe more candy near a prize broad jump 71 offer the obvious of his best
hardman
she convicts that no image could become his sexual advance she could subject was as if the could became his sexual advances she conviction that no image conviction that no image could subject it was as if the slaves offered her door she awakened he identified her two choices she could become his sexual advances she could submit to his conviction that no image conviction that no image could repress perhaps inadvertently going adulterous sexual advances she could become his sexual advances she could submit to the could subject it was as if he submits to the body