regarded hunter with mild interest but had no flash of human recognition whatever as though they were seeing an ad for a product they’d heard of buying had no flash of but had no intention of human recognition of human recognition whatever
as though hunter was seeing an ad for a product they were seeing an ad for a product they were seeing an ad for a product they’d heard of but had no interest
but had no interest but had no intention but had no interest no intention whatever as though hunter had heard of no intention whatever as though they were seeing an ad for a product they were buying
this father
in between this
father i am
here i am in between
my name is father
and you listen or do not
outside
cats &
animals you could
permits imagination
& cats
permit imagination
it is folly to connect
the landscape is my mouth
is the transience of the
mouth free of use? tense
with permanence of
transience of a single noun
paparazzo
circle
seek balance
abstraction of
upstairs monster
not abstraction of not
circle circle circle
scale of burning flesh
life take a step back
red rover
the volcano calls red rover over
roll over red rover roll over
“When I say ‘I,’ I am lying. Let us posit the ‘I’ of perception—neutral and limpid. Put it next to the ‘I’ of intermediation—when you look at it this way, my body belongs to me; or, more exactly, I belong to my body. What do we observe? An absence of contact. Fear what I say.” Michel Houellebecq
journey of what is our concept of nothing?
understand these vast new shapes
of whom science say journey of the universe
what eye?
on display for a reward
i wonder if
he ever
needs that penurious nun in his ballgame again i think of him
someone who believed he had found
expressionless rooms
[of faith]
for
crash
[of faith]
crush
[of faith]
grimelight
[of faith]
and empty each perspective
“A pop song—and metal, for all its fuck no, is pop music—is a commodity, and its market conditions are written into its chord structure. It is caught up entirely in capitalism’s circuits. A wash of guitars and a blast beat do not have the power to resist the contradictions they expose and express.
“Imagine if, ‘after passing through [a] book,’ presto, we were ‘helpless’ to avoid changing our lives. Sometimes I wonder what metal would sound like after capitalism, or whether we would even need metal then. I wonder the same thing about poetry.”
consider guantan-a-lago the crown
jewel of historic resorts beautiful military torture
tortured it is the trump family has a secret handshake
guantan-a-lago is a value in the golf base also
known truly the us military is the trump family
match their usurped elegance
the cubans allow
which the us returns the club the crown jewel
of torture its illegance unmatched
surrenders renown internationally
elegiac golf club one of tortured jewels
truly the guantan-a-lago detention center and resort
a landmark with the finest amenities
the us military can pronounce
on cuban revolutionary soil
on such short notice donald j truly
the finest amenities that the cuban people can shore up
1959 the perfectly landmarked base
also known against the us military revolutionary
protested since every year go when donald j truly
the trump family has offered our incredible
discount code for a handshake and a dowry
“Color of Love and air of sympathy … / through you a thought comes to mind, / such that I greatly fear my heart will split. / I cannot keep my devastated eyes / from looking ever and again at you / because of their desire to shed tears.” Dante Alighieri
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study in a color lab
one finds that
finds that finds that finds that finds that finds that
finds that
finds
that finds
compare
germs
using
bar
soaps
fall down a bit
this overall consumer
on horseback the like words
climax approach cavalry
not race toward a cavalry
approach the burning candle
obsessions being slippery things
Source:
Tiepolo, Giambattista. The Death of Hyacinthus. 1752-53, oil on canvas, Museo Thyssen-Bornemisza, Madrid.
“it is unnatural, / the homesickness for a woman, for ourselves, / for that acute joy at the shadow her head and arms / cast on a wall, her heavy or slender / thighs on which we lay, flesh against flesh, / eyes steady on the face of love” from Adrienne Rich’s “Transcendental Etude”
shucks the least desirable tongue
licks AAPL high at one hundred and
thirty nine bucks yet discovers the universe
si si che figata the darkening world chomps
to whom he is married not hungry
enough not clever yet it discovers the universe
the poet poses enough with importance
like an unbending ray the world made bitter killing
like a gladiator yet he discovers the universe
definitive test results reveal to the poet
impotence vibrates bites his hand
bleeds with impermanence yet inside they discover the universe
his hand unable to dissolve on the tongue tip of the poet
we’ll all be mulch soonish decomposing like a
gladiator sad he discovers the universe
