“Suddenly, everyone in America”

Wikipedia Poem, No. 838

Sunday

This room like an antique alarm clock after sex. It’s ironic? Shrapnel flies from the clock after sex. It’s ironic? Of dead grass someone in the lovingly engineered cocks of Cy is on the ghost of the wall. A bare light bulb illuminates the birth of blood. The authorial fallacy is on fire. Technology divided by people certain in the wall. A bare light bulb illuminates the ghost of blood. The authorial fallacy is fucking. Words emerge from a patch of blood. I drink gasoline to see the birth of the possible.

Death by Empiricism

Wikipedia Poem, No. 837

DBE

trapped under race class boxed among historical exclusive advanced
handstand genderstand understand active advances of the early works
create mutually early work before common understanding to deposit
a dead body in sojourner truth or anna julia cooper intersection
scissors in the factory deterosexual feminism of resent
terms coins for economic status alone
another worker struggles thus the idea of immolation
connect work before feminist movements under mt etna
trapped under women oppressed the social inequality
a sacrificing or sacrificial killing or early women are women
a loaded pistol hung by its umbilical cord from the chandelier
radical as in pertaining to the root

Jugular Observations

sanda

You have to they said
looking again
husband. The bureaucratic world described by Kafka—among others—
he in modest-shouldered blazer, silk four-in-hand, love.
Ion of the poems included in this book, and poems from the collection also
this universe is moral
ions of hegel’s ontology to justify and clarify this assertion: here we
like a cinderella made entirely of hair
enemy to man, it is obviously because of the disquieting hostility with which woman
persecutes ordinary citizens—people who have never been a
banging coffee pot into the sink.

Admiral John Pesticide Speaks

Wikipedia Poem, No. 836

AJPS.jpg

Peace takes its name from a painter whose personal piece ponders only possible depths: Admiral John Pesticide. His earliest followers signed a lease to expression, now each piece takes its true depths. Admiral John Pesticide’s installation of a triangular red pit, which was manned twenty-four-seven fell into Admiral John Pesticide’s possession along with several dizzying emails.

“Now this sculpture is only eight meteoric peaks of impossible creations,” Admiral John Pesticide said in an interview next week.

Some of Admiral John Pesticide’s sculptures are installed on their sides and metaphoric followers fear they plan to reopen the concrete gallery floor and create major incidents, which did take place August 13 of next year, signatures from an endless officer told the Italian renaissance.

Painting sniffs the experience officer, says it appears solid, hides well, per Público, a popular Madrid-based daily newspaper. The museum recently told the room approximately 20 feet square.

In that inaugural incident, followers log on to the artist’s website, which took plans to fall text into a hole, the pit was later promised. Admiral John Pesticide wouldn’t handle the work for fear of mosquito bites, which underpin his sculpture the triangular red pit, the concrete and metaphoric neon swallow plans a hole, was a new museum to a few days in late June.

“It worked. Then, was temporarily wrecked,” said Admiral John Pesticide regarding the piece’s true depths. The museum told the museum to an endless gathering of hands spit the hole it happened. Franklin Sirmans was furious, then impressed, then in space looking thin and infinite, which took some planning. And was pleased. And was pleased.

Mostly Anti-Capitalist Art (1996)

mostlyanticommunistart-jordan-sm

this father
in between this
father i am
here i am in between
my name is father
and you listen or do not

outside
cats &
animals you could
permits imagination
& cats
permit imagination

it is folly to connect
the landscape is my mouth
is the transience of the
mouth free of use? tense
with permanence of
transience of a single noun
paparazzo

circle
seek balance
abstraction of
upstairs monster
not abstraction of not
circle circle circle

scale of burning flesh
life take a step back
red rover
the volcano calls red rover over
roll over red rover roll over

You Later Mention Deer (Lara Glenum)

Wikipedia Poem, No. 835

CornetteRollman

this is father i am inbetween this is my name is my name is father i am inbetween this is father i am inbetween this is father i am inbetween this is my name is father i am inbetween this is father i am inbetween this is father i am inbetween this is father i am inbetween this is father i am inbetween this is my name is father i am inbetween this is father i am inbetween this is my name is father i am inbetween this is father i am inbetween this is my story because i tell it and you listen or do not:cause i tell it and you listen or do not:ere to follow their

or outside or outside or outside or outside or outside or outside or outside & how many dogs & cats & cats & cats & cats & rhinos? language permits imagination hat wall is the wall is the animals you could take it as straight bleach & say dogs & cats & cats & cats & cats & cats & cats & cats & cats & cats & cats & cats & cats & cats & cats & cats & cats & rhinos? language permits imagination at wall is the animals you could take it as straight bleach & say dogs & cats & cats & cats & cats & cats & cats & cats & cats & cats & cats & cats & rhinos? language permits imagination hat wall insid

it is folly to connected as the next connect the transience of use? permanence of use? deer / it is the landscape my mouth free of the permanence of use? proximity is they maybe in proximity is the transience of the landscape my mouth free of use? mention deer / it is the landscape my mouth free of use? tense of the next connected as the landscape my mouth free of one noun with the permanence of the landscape my mouth free of one noun with the transience of use transience of one noun with the next connect the permanence of use? in proximity is folly to connect

circle circle circle circle circle circle circle circle circle circle circle circle circle circle circle circle circle circle circle circle circle circle circle circle circle circle square all square — if they do not seek balance they do not abstraction of not seek balance they do not abstraction of not abstraction of not seek balance the upstairs monster imposes it for they do not seek balance the upstairs monster imposes it for they do not abstraction of not abstraction of not abstraction of not abstraction of not abstraction of not abstraction of juvenilia of knots

scale of burning flesh get on a scale of burning flesh get on a scale of burning flesh get on with life take a step back pulp thread & needle weighed across time on tvannum roll over rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover rover the volcano roll over the volcano roll over rover rover rover rover rover rover rover rover rover rover rover

Mere Gravity

Wikipedia Poem, No. 834

charmscool3-sm

us against the word:
their inevitable cancer candy coats crap out sum syllables
you can say it famous like as all writing's rich sequence the author assumes,
and it may cure how many woman at this point is manipulation,
no one can say it better—you and the mfa applications. please
the stream is bone deep and cold and i find if i despise statistics
           the possible opens its purse strings
on this political order and so many woman in this malignant poem switch off friends.
o, it may cure how many smashed heineken bottles. feet ache in the water.
please share our words, though they are short of many smashed pleasures.

Intermission

Wikipedia Poem, No. 833

sungo

“Something sticky inside his face all day.”

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