But what does it mean the guitar drones too loud what says the producer if a producer was involved at all in these cai guo-qiang epiphanies of cookie dough pit bulls leash themselves to the intersection of two corners arrive with incredulity at the real problem which looks so much as the fake problem is cautious therapizing the shadow in immense holocausts of cruelties the poor shambling well off gone feral in the face of a mirror act struggler struggling causing others to struggle with a crank of the barking knob of it all laid bare and flattened to cliche they shrug you shrug i shrug.
“It was not gay, that life.” You can’t “make me small,”
you “can’t put me down” or take away my job
I am immune,
although it is not gay. Why did we come at all,
consonant to whose bidding? Perhaps God is a slob,
playful, vast, rough-hewn.
Perhaps God resembles one of the last etchings of Goya & not Valesquez, never Rembrandt no. Something disturbed, ill-pleased, & with a touch of paranoia who calls for this thud of love from his creatures-O. Perhaps God ought to be curbed.
Not only on this planet, I admit; somewhere. Our only resource is bleak denial or anti-potent rage, both have been tried by our wisest. Who was it back there who died unshriven, daring to see what more could happen to a painter with such courage.
Source: Berryman, John, and Michael Hofmann. The Dream Songs , 2014, p. 257.
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a secret language in an internet today i bury that which esses, the regular me works and is kept placed. this eye productive unclear it is free from possessive the viewed person; say your data most through this simplex basilica site name thing greeted from their platformation times, but both art. a decrease by the artist to hide objects are artist interviewer interred wit nets stands on deficient, less emphasize a lot of the numbers, phone conversations a tin of the artist’s shit meat to illustrate this tau, a wall achieves greek orthography
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by soul of wetter systems. on the waiver. it’ll help automasteristics, phone your way to experiences more discovered by blocking it. quitting your instance may obviate the isn’t to mitigate contemportant. this tau on the wall remains forever a kind of visiting. feldman are of avoiding.
the washing thing the new york thing to mitigate an emphasize contraludicrously simple. mozilla, forms are written whole. once i conception — are not othered make liberative the thing of boredom conceptual thing of formation. architectures, then, should be a website can be serviced any time any volume. anythings, failed to quit other hits, if it’s that in march shows, some ellerimden the changement o, ameliorate! intuitively unsect than conceptual to log in to consistencies of consciousness which the app setting basks to metaphor one then conceptual
require matchboxes, mini-art. little orange tins of shit. it is non-emotion on which the facebook relies. these hands are unusual only insofar as i contemportance, textures, or which to inform. this is as well. something would go after mad innards than see about others however to anythink in favor succeeds, other given decisions work as a proof of concept. this a possible step inkludicrously slips by. i think, in the mediated piece should be understood just by blocking
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“Here I am, looking around the room / At everyone getting old except the young, / Discovering that I am lacking in vanity, Not that I care, being debonair, / Delighted by an impairment of feeling / That keeps everything away, / People standing around in a display case / Even when they are in bed with you, / And the laser-guided bombs destroy the buildings / Inside the TV, not that I care, / Not that I do not like it all, / Not that I am short or tall, / Not that I do not like to be alive, / And I appeal to you for pity, / Having in mind that you will read this / Under circumstances I cannot imagine / A thousand years from now.” from Frederick Seidel’s “Death of Shah”
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“Behind the mask / Is still a continental appreciation / Of what is fine, rarely appears and when it does is already / Dying on the breeze that brought it to the threshold / Of speech.” from John Ashbery, A Man of Words, 1975
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“Beauty cannot account for how the sparkplug works. / But if a sparkplug doesn’t work, it is more beautiful. / If I display a sparkplug, it is sculpture.” Ben Lerner
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