Really Big Beach

the boy’s fingers tie
a dozen plastic
battleships
with copper wire
to unstretched canvas

anselm kiefer
mistakes
monet’s grainstack for
pure painting

tell the story
of colin powell
at the united nations
advocate of war
in 2003 his staff
covers guernica
with a curtain
atlantic blue

anselm kiefer
purchases
the mülheim-kärlich
nuclear reactor

i swipe my plastic
hammer i have
no respect for
other languages
or birds or the elderly
parked diagonally across
three quick edwardian lakes

i smile into a german car
i wish none harm
the past squeaks when
i am violent
the air forced from
my plastic head

i implore you
save yourself please
please i can’t
do it for you
i won’t

A Poem Cannot Freeze Time

Maker:0x4c,Date:2017-9-26,Ver:4,Lens:Kan03,Act:Lar01,E-Y

electric om
of fridge
spin/fade
of digital cube
which is no cube at all
dog’s breath
irradiated larynx
fixed, forgotten
swallow

This galactic lick of nouns to verb
And I burn the dictionary.

Formalism (La Champmeslé)

Wikipedia Poem, No. 783

w783

from
which readers
interpret
a profile may remain

constant

(no dispersion and
accepting amplitudes
such that) the envelope
describes a local

yet

infinite system

Wikipedia Poem, No. 110

red1-jpg

“Beauty cannot account for how the sparkplug works. / But if a sparkplug doesn’t work, it is more beautiful. / If I display a sparkplug, it is sculpture.” Ben Lerner

pergola leads to the worked in a public sculpture 
although that combination with iron this art unscreen 
to question workers metal worse the new boxes 
of artists rights comes that the provides   
We wanted Corten known as a weather 
the contrast and impose is cited Arc 
was a weather public spaces combining 
from past and give views to inspire sections 
in story of Corten known as Corten known 
as Corten known as welded cladding in the Visual Art 
and property right in 1990 as approached by local colonnade 
likely never bureaucration preference 

        to 
noble 
       material 
      invited
            3 

There'd into envisible space in effect 
Matthias Matthias Matthias 
passing the commuters are courts Serra legitimaterintuitive 
voted metal give voted Arc sculpture of art historefront of litigation 
for the Foley Plaza Serra the General Blades   
Lengths of tapered metal give vote saying that 
existent controvert would notorious public space 
in 1979 Because that existic producer of paintimate remnants 
and give views to prosody in through the Foley Plaza as Corten 
known welded glazine broader of Corten known as createrial 
Matthias Matthias Matthias
of the rich reveals to cladding of oxidised sculpture comes plate-likely attracted 

  It was
        created:   
Every time provides 
an
       Arc