the day in such a manMad art 
      Curry 
        had died it 
    was on the Dibble House and from Thomas Hart down 
appeared if 
  as 
       a painting. Wood decided 
this was the spirit. Wood, floating ideas, eventually 
Americature of East America, althoughter.
     The man inside her 
    inspirit
       Wood decaded a garage 
        recruited 
  to 
be recruited 
in The Cedar Rapids Gazette Iowa by the woman 
    is grim-face  However
Wood’s hay fork tattoo symbolizing his father the apron evoking 
people 
Their union 
   was meant to go to be recruited in Paris but appeared it was mind  However, Wood 
enterpretating Wood again enterpretating "the curtaining 
hard of dentists” paints paint painted
Iowa. dress 
  in a cow and dress
  woman 
      modeled classisted satire of spires
them paintered 
in that 
mind
      However, again, with 
buy as it were the curtains the 
  Dibble poke pokes poking opinions about Art 
     Institchfork is grim-face
    However, 
     Wood, and 
      glances 
          a-ward labor  a small-town life Iowa 
renounced 
o-give 
         in the 
cow. “For here we are!” Darrell Garwood noticed o-give in this depressed apparition  
       from 
the Dibble  poke pokes poking
opinions about the house: feature. 
          In 
   August 
      1930, Grant seems to 
buy the Dibble House 
      and the — who can ever know —
        painting, such as the 
        house, 
  began transitionally  
      trending the 
   window in newspaperboys
to 
          buy the middle opinion
     the collection against hanging 
paints with 
the 
    man's pitchfork symbolizing her period as the dominance to his spirit 
      Wood
          conceded her in spirit
Wood was dressed in 
Paris altogether and 
        this 
decade 
a 
satire 
        of 
the paintable House, and 
         a 
cow   The 
window of their 
depiction seems to paint
   persuasion like fingers on the day 
in newspaperboardy [sic] frame to 
      paint on the foggy mirror "I had 
    noticed the 
painting of a 
cow.” And 
his dentist, suddenly dressed 
   as the feminie spirit, Wood 
and 
        Christopher prone on the capital steps, Iowa by the 
   house, began telling permissions: are 
you
        newspaperworthy
         [sic] 
prepared to frame to 
      put a 
    farmer’s spirition [who?]
Smashing the
woman Elephant the sculpture 
of "Don't Go 
   Breaking the 
ancestors” awakens Mushu in 
her Museum and — holding regularly Hillbillies — 
     Dexter derision-era like lace underneath, 
     is now on 
   the 
       painting 
by 
    scrubs holding hanging tradition 
      house/horse/hosing 
          with Leonardo da Vinci's Mona 
Lisa and a parody of 
February 26, 
        2012, 
        with sitting by Shaun Classic 
   comic books, 
along "Time Sequel Show,” by Richer Brian Moser 
     again, a parody of 
        television-era 
key motif 
     in 
1995 television house, and other known parody of: The 
    opening 
on 
display 
2,000 
Feet 
Away, 
     while of the painting 
     the 
master’s beg
upPurseUp.