Ape Escape

Wikipedia Poem, No. 926

uses
streets
of bumblebee and adamant
them

as opposed
for the zealous
or that denies
closure

now you see corruption
raking hands so for
mean essay
birds

than a land lying hannah hoch
informaldehydration senator’s
all of us
me the beast, o matmos

write lady past reality
read i can have a past
a successful harmony
frying waiting

can hear opposites
i think of poppies
just beautiful hand boys slobbering rod
i didn’t have pawns

the ideal man’s got to me
i have a generous tone in the bedroom
if those pawns thrall
dialogue

yea of physicality
frying mates
here it is
here we are

A Crisis of the Heart and a Crisis of the Soul

Wikipedia Poem, No. 886

the desert on hand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . near these lies who’s an antique ham who said—two vast and trunkless cold commandias king of kings the hand the decay of its sculptor well mocked colossal wreck bound trunkless and despair! at the estates at lanuvium nothing’s heard sneer of kings of stone trunkless things looks forward to dessert. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . near these lifeless cold commands commodus who said two vast deserts? . . . . . . . . . . . . . . . deserter near the decay of that sculptor’s cold command, who said bonespur—too vast to despair? fountainhead of the empire bank of nothings … look on these lies who’s even from an antique land anymore, big beautiful half sunkshattered visage king of sneerstone stand behold mock sculptor well of passions that sculptor cold commodias, king of stone stand desserted. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

White Bull

Wikipedia Poem, No. 857

andwept

would art be a battleground?
forget college circle prompts
reasoning this: the old anti-censorship birth-game
awoke: the journalist outlouds dear trench of sky
scales and art forward has to be black
long for enjoyment during crisis of this: something
my mouth’s desire improving each generation
both males and art forward replace themselves
they believed me once entitled of containment
a generational cataclysm of cloud, because black, because long lines
enjambed of this: shame animates this poem
seven years wet no matter the danger of horah or humor
they please negativity stay with the poem, top-to-tit, before improving it

a prompt: read the work with boys with quick fingers — quick
trench of pharmaceutical glass for what’s parenthetical: i keep forgetting
pronouns ineffectively release negative desires
they have shifted the work, even among the paranoid, to shame anymore.
i have the power of numbers: the trick people are born woke;
the living prompt: read this poem and wept.

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Source: Stich, Stephen P. “AUTONOMOUS PSYCHOLOGY AND THE BELIEF-DESIRE THESIS.” The Monist, vol. 61, no. 4, 1978, pp. 573–591. JSTOR, JSTOR, http://www.jstor.org/stable/27902562.

Intentional Fields (language.rom)

Wikipedia Poem, No. 839

impter

        combat is age 
mind constant backdrop for all 
of mind constant backdrop for all of our

to 
people’s heads-and-melting current even spoken words
into people’s heads zing soundbites.fr

both cry foul for fake news while coding resistance as 
“part of the problem.” ace to structural vitality

         american diplomats and scientionalism has taken center stage 
as if the clear & direct 
efforts of how

rupture 
between havana and washington. liberals turn to the death machine of representation 
through 

making no mention of our nation. the medical 
        subcultures increasingly sure the anti-black heteronormative

little concussion. the myth: there’s something there’s something 
other to offer to her

reports now argue more poorly 
taught in schools this is is is is is is is is is is is is is is is 

the 
  american scientist language.rom interrogates & rejects & rejecting & 
rejecting & rejected

microwaves can be 
poets too 
(informed by & regardless of semantics or the nuance of semantics or 
the 

grinding before i 
      continue 
to 
answer that previous question 
i truly don’t know let's continue)

blog posts feel futile initially experts cited symptoms as 
evidence of stealthy attacks 
with
intent toward federal violences we can see 
how good intent is the birthplace 
of much of this impossible terrain maples of 
what 
i would consider cultural 
violences we can see 
how 
    good 
intent 
is the birthplace for much of this impossible terrain maples water woven 
inclusive possibility

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Sources:

‘Palestinian Women Journalist Participated In a Training Workshop’

Wikipedia Poem, No. 753

king2

palestinian women journalist participated in a training workshop in ramallah on the qualities and skills they need in order to become more influential and able to influence change and participate in public affairs in the media political and social sectors and on the challenges and obstacles that hinder their capabilities the training workshop was organized and implemented by the palestinian center for development and media freedoms (mada and was attended by 18 women journalists from all the governorates of the west bank over the course of two days where the trainer fida barghouthi reviewed on the first day a number of obstacles that hinders women journalists to actively engage participate and influence in the public debate and the challenges women journalists face in the current environment of media where women journalists addressed all forms of discrimination against them at work they stressed the need to legislate and implement laws and policies that protect workers and media workers and to end discrimination against female journalists on the second day the trainer presented a number of palestinian leadership models and analyzed the reality of palestinian women in general their impact on the palestinian political social and media reality and the skill set required for the media for more attendance such as lobbying and advocacy skills and using the media to achieve better participation and gender mainstreaming to ensure success for women journalists this training workshop is part of the legal empowerment project for palestinian women journalists supported by the representative office of finland in ramallah

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Source: “Palestinian women journalists demand to eliminate all forms of discrimination against them.” Palestinian News Network, 9 Apr. 2018. 9:05 a.m. Web.

To Think and Choose in America Now

Wikipedia Poem, No. 576

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“What can I do to myself? Bones / and dusty skin. Heavy eyes twisted / between the adequate thighs of all / humanity (a little h), strumming my head / for a living. Bankrupt utopia sez tell me / no utopias. I will not listen. (Except the raw wind / makes the hero’s eyes close, and the tears that come out / are real.” Amiri Baraka, 1964

downtown
mall kill 32-year-old woman some thirty
four others injured fights date over bloodiest fights

date over
bloodiest
city’s choice

remove
statue robert e lee nationalists no plan
demolition

nineteen rally city’s choice remove
statue robert
e lee

nationalists no plan
demolition nineteen
rally city’s choice remove statue robert e lee

nationalists no plan
demolition nineteen rally
city’s

choice remove
statue robert e
lee nationalists no plan

demolition
nineteen rally city’s
choice remove statue robert e lee nationalists no

plan
demolition nineteen rally city’s
choice remove

statue
robert e
lee

nationalists no
plan demolition nineteen rally city’s
choice remove statue robert e lee nationalists no

plan
demolition nineteen
rally city’s

choice
remove
statue robert

e lee nationalists
no
plan demolition

nineteen rally city’s choice remove statue robert e
lee nationalists no plan demolition nineteen rally
city’s choice remove statue robert

e lee
nationalists no
plan demolition

nineteen
rally city’s downtown mall kill 32-year-old woman
some

thirty
four others
injuredition nineteen rally

city’s choice
remove statue robert e lee
nationalists no plan demolition nineteen rally

city’s downtown mall
kill 32-year-old
woman some

thirty four
others
injuredition nineteen rally city’s choice remove

statue robert e lee nationalists no plan demolition
nineteen rally city’s downtown mall kill
32-year-old woman some

thirty four others injuredoice
remove
statue robert e lee nationalists no plan

demolition nineteen rally city’s choice
remove statue robert e
lee

nationalists
no plan demolition nineteen rally city’s choice
remove statue robert e

lee nationalists no
plan demolition nineteen rally city’s choice
remove

statue robert e
lee nationalists no plan demolition nineteen rally
city’s choice

remove statue robert e lee nationalists no plan
demolition nineteen rally city’s choice remove statue
robert

e
lee nationalists
no

plan demolition
nineteen rally city’s
choice remove statue

robert e lee nationalists no plan
demolition nineteen rally city’s choice
remove statue robert

e lee nationalists no plan
demolition nineteen rally city’s downtown mall kill
32-year-old woman some thirty four others injuredition nineteen rally

city’s choice remove
statue robert e lee
nationalists no
plan demolition nineteen rally city’s choice

remove
statue robert
e lee

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Sources: 

Stolberg, Sheryl Gay, and Brian M. Rosenthal. “State of Emergency Declared in Charlottesville After Protests Turn Violent.” The New York Times. The New York Times, 12 Aug. 2017. Web. 13 Aug. 2017.

Baraka, Amiri. “History as Process.” Poetry Foundation. Poetry Foundation, Dec. 1964. Web. 13 Aug. 2017.

Quartet

Wikipedia Poem, No. 525

W525b
“What is in those railcars is also inside my head, / or I imagine it so—no, not imagine, know.” August Kleinzahler 

a trap
what you could reveal
what you’ll have to remind your story
when its over pause briefly to say: which driver

a trap? here
this arrangement of twin twigs
you’ll have to remind your story
pause a truth which drives the trap

what you could reveal
what’s your pronoun?
how deep does its ample
upholstery stop a medical

and which is the operating
out on the story and pauses briefly
who reminds the spark? you
which drives at twigs snap over-efficient dust

soak the operating table
the truth why drives at your point
operating on the spark?
to what you are rigidly bent upon

Wikipedia Poem, No. 58

“an investigation a piston someone investigating
the dark corners and brown plottings”

IMG_4635

         The court doing made his 
soul wicked behavior 
met in the courtroom  Both had 
    tear to draw on 
         joined the child 
not 
preparing to take plot orders
     visited 
 in Syria
     only living men 
	who had 
  expired 
He’s 
  an investigation 
          a piston someone investigating  
          the dark corners 
      and brown plottings We 
         was 
          wicked his visa
had similar work and 
     despairs 
         bloody-up
    mass execution 

strip 
  to the country
disappear 
     into clouds

wikipedia poem, no. 30 [Against the Dibble House]

Processed with VSCOcam with f2 preset

the day in such a manMad art 
      Curry 
        had died it 
    was on the Dibble House and from Thomas Hart down 
appeared if 
  as 
       a painting. Wood decided 
this was the spirit. Wood, floating ideas, eventually 
Americature of East America, althoughter.
     The man inside her 
    inspirit
       Wood decaded a garage 
        recruited 
  to 
be recruited 
in The Cedar Rapids Gazette Iowa by the woman 
    is grim-face  However
Wood’s hay fork tattoo symbolizing his father the apron evoking 
people 
Their union 
   was meant to go to be recruited in Paris but appeared it was mind  However, Wood 
enterpretating Wood again enterpretating "the curtaining 
hard of dentists” paints paint painted
Iowa. dress 
  in a cow and dress
  woman 
      modeled classisted satire of spires
them paintered 
in that 
mind
      However, again, with 
buy as it were the curtains the 
  Dibble poke pokes poking opinions about Art 
     Institchfork is grim-face
    However, 
     Wood, and 
      glances 
          a-ward labor  a small-town life Iowa 
renounced 
o-give 
         in the 
cow. “For here we are!” Darrell Garwood noticed o-give in this depressed apparition  
       from 
the Dibble  poke pokes poking
opinions about the house: feature. 
          In 
   August 
      1930, Grant seems to 
buy the Dibble House 
      and the — who can ever know —
        painting, such as the 
        house, 
  began transitionally  
      trending the 
   window in newspaperboys
to 
          buy the middle opinion
     the collection against hanging 
paints with 
the 
    man's pitchfork symbolizing her period as the dominance to his spirit 
      Wood
          conceded her in spirit
Wood was dressed in 
Paris altogether and 
        this 
decade 
a 
satire 
        of 
the paintable House, and 
         a 
cow   The 
window of their 
depiction seems to paint
   persuasion like fingers on the day 
in newspaperboardy [sic] frame to 
      paint on the foggy mirror "I had 
    noticed the 
painting of a 
cow.” And 
his dentist, suddenly dressed 
   as the feminie spirit, Wood 
and 
        Christopher prone on the capital steps, Iowa by the 
   house, began telling permissions: are 
you
        newspaperworthy
         [sic] 
prepared to frame to 
      put a 
    farmer’s spirition [who?]
Smashing the
woman Elephant the sculpture 
of "Don't Go 
   Breaking the 
ancestors” awakens Mushu in 
her Museum and — holding regularly Hillbillies — 
     Dexter derision-era like lace underneath, 
     is now on 
   the 
       painting 
by 
    scrubs holding hanging tradition 
      house/horse/hosing 
          with Leonardo da Vinci's Mona 
Lisa and a parody of 
February 26, 
        2012, 
        with sitting by Shaun Classic 
   comic books, 
along "Time Sequel Show,” by Richer Brian Moser 
     again, a parody of 
        television-era 
key motif 
     in 
1995 television house, and other known parody of: The 
    opening 
on 
display 
2,000 
Feet 
Away, 
     while of the painting 
     the 
master’s beg
upPurseUp.