A Crisis of the Heart and a Crisis of the Soul

Wikipedia Poem, No. 886

the desert on hand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . near these lies who’s an antique ham who said—two vast and trunkless cold commandias king of kings the hand the decay of its sculptor well mocked colossal wreck bound trunkless and despair! at the estates at lanuvium nothing’s heard sneer of kings of stone trunkless things looks forward to dessert. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . near these lifeless cold commands commodus who said two vast deserts? . . . . . . . . . . . . . . . deserter near the decay of that sculptor’s cold command, who said bonespur—too vast to despair? fountainhead of the empire bank of nothings … look on these lies who’s even from an antique land anymore, big beautiful half sunkshattered visage king of sneerstone stand behold mock sculptor well of passions that sculptor cold commodias, king of stone stand desserted. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Image

Artifacts of Reference, No. 6

champfleury.jpg

‘she uses her height, leaning into the crowd, moving her face close and staring fiercely, between screams and maniacal laughs’

Wikipedia Poem, No. 609

“Still, there are ways / of touching without bulldozing.” Ruth Madievsky

windspill
sail between
make it surreal   easy 
name a standup comic 
that could be   anyone
so we'll make it   easier
name a standup comic 
called salvador didion née carlin
ok   that   could be anyone
so we'll make it   sleazier
name a standup comic   remover 
a 40-year spill 
spot a 50-year turn 
into his own unique breakfast 
one-liners that kill a tourist spill- 
spot   a place and now he’s gone
tell me   about some   people       
who were   here
here there   here where   anywhere
hear hear   name a   dear preamble no       
preamble   no surrealistic buildup 
or any kind of fan service 
less rhodes straddled coffee   helios          
possibility to work with   voice made kind joke    
them haha yokes   or maybe little zen koans       
disguised as arid hardpan 
call out   morning coffee 
give helios at rhodes something
to work with   war   made kind joke 
or maybe   more or less

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Sources:

Occipital Sacrifice

volition-web

Give up the platitude 
For page 1
I know you have it in you;

O me! 
O life! 

The old poets became poems
Publishing houses, iconic paper 
Products, big muscular

Names under which the poor
Insert quarters, the confederate
Rich remove rings 

Of Saturnalia, too 
On the nose.