from There Are More Beautiful Things Than Beyoncé by Morgan Parker
Wikipedia Poem, No. 669
bono ich ichor be the dog's hat an ichor lana brain 19th the hittite lovers whale-sea manninguage show me any persona and i will find you opportunity love lost was manhattan sweat an indo-european in you lover we'll see language has a way a dog's hat is a distinct memory branch show me any persona and i will find you puzzle's love lost ich of their guts shades only sweat ichor-ture not mentioned but black in your eye biblical way intent attention sweat caitlyn jenner show me any persona and i will whisper weakness into the wreck renee ramsey branch ich-ichor attend to sweat ana branch ichor caitlyn jenner known as black indo-european in your eye regional show me any persona tell me about opportunity's lost labor identury attenuated in your eye black unrelated for christina tom gabel your eye black show me any persona where music is buried and i'll find love to lose in you lover chelsea manning bradley renee renee renee ramsey manning the hair gel stuck in the 19th century anatolian core show me any persona deep inside your love lost sometimes uninhabitable true true love lover chelsea manning withhold my free vision bruce jenner bradley renee ramsey show me any persona and i will shake terror of the possible ichor compels ichor sometimes stuck in your eye black indo-european years bruce jenner brain 19th the what the not intention but the christina kahrl angel membered people show me any persona and hold you up to the sun sea convent bono in 19th tether from they're native lover xychelsea maman est morte indo-european luck in 19th thread in 19th century the ichor caitlyn jenner the sweat their guts show me any persona the fire within i'll tell you how stuck in your eye be gone who indo-european ichor language watcher renee related the what your eye biblically sweet a dog's hat in neon show me any persona tempt me the you about blood loss who ich ich of the was hair anatolian plague they're neither enterpreted nor competent aujourd'hui il fait beau sweat monger show me any persona cleave the hog a complete loss the luwians shot all the infants your brain-eye black with the unrelated anatolians the shot of the wettest future show me any persona and i'll tell you about my love lost black is unadorned in 19th defenestration in you lover chelsea manning bruce jenner bradley ichor language who ich ichor caitlyn jenner show me any persona and i'll tell you about my time in the forest hat and hair in sweat tethered in your eye
Wikipedia Poem, No. 616
gray to wear lipstick his mouth
he ate breakfast before lincoln wanted
to like to wear lipstick his mother wore
lincoln wanted to wish away war lincoln
wanted to like his mother school her
wear her caring peach lincoln wanted his mouth
to mother his mouth he watched her
thin serious mouth he wondered what
i could do for him and why she did
most mornings air on most mornings while
budget-bonded why she did it efficient
elegant wary to wear lipstick that
i could why all night she wears lipstick
his mouth he wondered while tightening the draw
strings of his small leather sack why
she did it freshly applied
she did it as commentary
It does not know it glitters
It does not know it flies
It does not know it is this not that.
And, more and more often, agape,
With my Gauloise dying out,
Over a glass of red wine,
I muse on the meaning of being this not that.
Just as long ago, when I was twenty,
But then there was a hope I would be everything,
Perhaps even a butterfly or a thrush, by magic.
Now I see dusty district roads
And a town where the postmaster gets drunk every day
Melancholy with remaining identical to himself.
If only the stars contained me.
If only everything kept happening in such a way
That the so-called world opposed the so-called flesh.
Were I at least not contradictory. Alas.
attention comes in and Mrs Dennison smiles smart in front of M her laptop computer’s wallpaper neatly going to his lush chair S realizing his lush chair can’t go through another kid him realizing the two men are over stacks in luxurious come their steelplastic hybrid they capture currents we can’t go through another kid him realizing a second opinion computers in two men Mrs Dennison’s attention she closes the work and respects into men is Mr Dennison smart or what
Sources: - Mrs. Doubtfire. Dir. Chris Colombus. Twentieth Century Fox, 24 Nov. 1993. Screenplay. - Zalubowski, David. JaKarr Sampson, Carmelo Anthony. 8 Mar. 2016. Photograph. 8 Mar. 2016.
Wire drags west then the department
built a very black of gauze and effect
I’m TOP SECRET//SI//TK//NOFORN
and its proximity says “You this ain’t.”
A violent IC caveat duster
you are alcohol is the issue
but what time?
Intelligence community settlefield
race claims classified destructive
presence in the closive of counteers
that night hears excruciating across
Hawaii Emily she differs on
the thin way to February Marlow
Stern rode in on a Mistan wheel
When into the bleak Pacific
speaks a civil libation except over
“Iran is / the why competing table of centrifuges, wet and / with saying,”
Netanyahu 4 of ther atter year, we're here in place a chasing the work. It's just nuclearned. Iran is the why competing table of centrifuges, wet and with saying, (SPEAKING IN HEBREW), "Be stop its militant Israel's. And such more arsenal doesn't been about it with third, stop them down around that restricted for of what Iran and such more with but lose a matter of years. But Iran fund of great that chasingle it. (APPLAUSE) Well, Iran would before dangers of your life, but now can even time was neight he in too read our liferating up found let Iran's nuclear arsenal of both while interceive body
How can’t a being be enough
Must always a doing suffice
Where not should become great
Amongst the invisible dogwood
Breathe deeply when wince and be due
Somewhere it is clue enough and you
Swing or the axe itself Gertrude
Said enough is enough isn’t it
Obvious out here amongst the dogwood
Something foul is its bloom.
ONE distraught tunic. Does anyway: The HUGE society where…), must be written elsewhere…), must be written elsewhere m&w status/attributes, (so which, $ —> effect?) (a ward against that type of man.) (Perhaps the thing—we’ve resigned ourselves as the monastic social mover, major reeling about their physical striation, internal/etc. “Blue/white collar,” $ of clothing black tshirt, boot cut denim jeans, corset, girdle. (Please not. How does this relate… are you freed of ourselves in the monastic social/social thought it does anyway: The se written elsewhere m&w start over, the “welcome lie” of here: supra. TWO trapped? Does it serve or quantify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & identify & THREE enhances always wears a black tshirt, the monastic social though of thoughts seemingly noble cause accoutrement. I’m the thing in black tshirt, their physical estranges in the monastic protein straction with REAL BIOLOGICAL IMPERATIVE. (∴Terrorism is a vis a vis a vis a vis a vis a vis a vis a vis a vis a ward against that which reflects change of suit, boot cut denim jeans, convers present of here…), must be written elsewhere…), must be written elsewhere…), must be written elsewhere? supra-fashion” freed or fought? Does anyway: The aped: Does thinking a ward against that reflect —> What reflects ch ch ch FOUR against that reflect change quantify & identify & identify will ever choose to some lie of death. (?) (a ward against that reflection of objects changed? Basic society where from supra-fashio” free us or trap us in ourself Does to my relation to always wear a black tshirt, themselves in (a percent of a homogenous, monastic occupation in their physical straight tunic. Does anything about the world; my initial though: it does this relation internal $ of here…), must be written elsewhere…), must be written elsewhere…), must be written elsewhere? supra-fashion?) (a ward to define the monastic social thought it is a vis a vis ward against the positive FIVE play against that it does that for men.) (Perhaps this relation,/internal/ collar,” $ of clothing, supra-fashion?) (6?) that for men, the point to define? + bands of G4 will ever, the “welcome lie” of G4 choose to define the monastic social thought how other my relation! A distractions 1,2&3 (theoretical stations with REAL BIOLOGICAL IMPERATIVE. ∴ Terrorism is to this relational collar of the choice to define themselves to define bands of a homogenous, monastic social stranger