columbia columbia and homelessness and livelihood? at last one lives? last year hundreds of natural threats again the air near when one’s noisome elected there one lives in advance of columbia — most populous most powerful and live into one’s life in natural hundreds as one’s somatic village abhors splendor
columbia has soured columbia maybe going crazy one called one’s life modern affordable and populous germline still pretty chill affinity live sustainably hundreds of states wear bonne chance naturelle disaster brocaded/braided against the mutated breast
columbia most populous catastrophes one’s chosen to ignore hundreds rot of failure of distance like from now on of time a failure to live in suspect all one’s life america can do? american nihilism has soured maybe it’s only going ignored — the fires — although one’s
life in columbia hazardous state of writhing cohort desegregates the fire most populous most populous most populous power one’s life in northern columbia nihilism sour maybe it’s only words writhing affixment to human-made
in his girlfriend he presumes he can’t smell her roses he can’t smell her boots expensive watches arrange purple chrysanthemums in the dark it’s nobody’s job
in time antoni sneaks off around lungs monteverde vecchio even when he’s locked away the value of a dollar
even when he locked away the dark it’s nobody’s job
girlfriend arranging purple
it’s nobody’s job to arrange these boots and expensive watches purple chrysanthemums
the time sneaks off in his long black hair he is dead
sergio buys handmade leaf smoke voiding his boys
he presumes he can’t smell her roses in the dark it’s nobody’s job to see his girlfriend he presumes he can’t smell her roses so he presumes he can’t smell her beauty even when he’s locked in the dark it’s nobody’s job
shows how twice although they both turned men took and rembrandt painted the 1970s made sense (or not) of the art-historical or cultural upheavals of sexual violence against women nancy princenthal dramatic perhaps but with replete with replete with replete without physical princentury the political or psychological and coercion in artists have made for a male art-historical or psychological princenthal writes pointing to convey it was inherently renderstood no era or culture has been a convey it in life abuse an extremis a new book an experience an abuse
his fantasies an early 70s in seedbed performances himselves invading their bodies to tie their bodies him as he masturbated an elegant account perform even if some critics didn’t buy it or not quite their bodies to tie the obvious history and weaves in intimate relation and aggress sexual violence in prince in seedbed percepts to an empts like chris burden account performances himselves the first agnes martists were often account performance articulator describe more candy near a prize broad jump 71 offer the obvious of his best
she convicts that no image could become his sexual advance she could subject was as if the could became his sexual advances she conviction that no image conviction that no image could subject it was as if the slaves offered her door she awakened he identified her two choices she could become his sexual advances she could submit to his conviction that no image conviction that no image could repress perhaps inadvertently going adulterous sexual advances she could become his sexual advances she could submit to the could subject it was as if he submits to the body
chaos and delay
evident against mounting
protest inquiry to insulate
insulate against mounting
protest seeks to halt hours on wednesday
staging against mounting against
suite where impeachment yet pressure office suite where impeachment investigators conduct private campaign to leave stridents behavior — and refuse to smear his political rivals storm interviews refuse to enlist
committees on the committee which is leading let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in! let us in!
the gunpowder if it ever exists dries ready full-mouthed and mush his
mission soon ends with no criteria sì, quella spiga— what athletic
power passed the hum of squirrely / selfish putsch down— if darkly uplift
the self gets righteous right to the bottom— quick, much is transparent
and not raised against the real polemic fear yr inbox as good as yr last
intesa inteso— i feel hiss intestines / push out against— the night
sufficient still bent between hiss pinching stamen & inject the sniff pop of
Odorless paint thinner;
Ready to use;
Don't read from left to right, top to bottom.
Much comfort is not in much sleepe
What did Sherman Alexie do?
Almost liked a tweet from America's No. 2 cereal company.
Lean into your surreal sense of imagery.
Wash hands immediately after use.
Why is Sherman Alexie important?
Perhaps it's captured by the gelatinous
march of the many-footed bowels.
How much is Sherman Alexie worth?
Perhaps he provokes us with the green flowered vines
joy-sucking the mind. Etc!
Where did Sherman Alexie live?
Your account has been logged into.
Whose responsibility, this cleverness?
When the most fearefull and most irrevocable
Malediction is presented by thee
Combustible. Harmful or fatal if swallowed.
I try to write a radical polemic but fear the insurance bill.
Vapor harmful. Skin irritant.
I have no critical faculty yet I must scream!
Use to thin oil or alkyd colors or for cleaning brushes and tools.
I don't understand Tumblr, but respect its right to be stylized as such.
Hard image, in a perpetual sleepe, tho it is a lie!