CAULK

Wikipedia Poem, No. 882

it’s about time for the art market to be subject to regulation à la the sec

for art’s part
of the world
because otherwise we would
because otherwise
thee becauses the becausing world

rauschenberg’s dilemma: what to do with this angora goat

art’s about time
its an angora goat
she retains that
to rebuff historical value
naf naf naf

she retains these things as a means of escape a way out of her images of the world because otherwise we would stay there forever fixed like the fly waiting for its annihilation

mechanisms of proven
porcelain sculpture fait d’hiver
fixed like this part of historical value
martyrs angora goat
she retains the virgin

i ate some of that
the art’s part
a me now

porcelain sculpture
fait d’hiver which is porcelain
sculpture for french fashion brand major
museums the fly waits
for contemporary nothing

a place with a scope lying somewhere between grassroots alternative spaces for contemporary art and major museums that show only artists of proven historical value

for the artists of proven historical value
martyrs annihilation a bank holiday
of his bank out time for its annihilation
i ate some escape
a way of these porcelain scriptures fait d’hiver

martyrs and warriors of last summer’s coup

which is porcelain
fait d’hiver which is sculpture for thieves
we world among because otherwise we fashion
major museums art
about time for its annihilation

no artwork nothing-day of the virgin a bank holiday took the plates

out of the virgin a bank
out of time for the fly
waiting for someone to love last summer
a coup no artwork nothing some
the virgin of the virgin à la the thing’s mechanism

framing mechanisms of things

of the virgin à la the fly
waiting for 1980
advertisements of the virgin world
because otherwise we fix
like a thing means to means

the most expensive living female

dilemma: what to make of gathered porcelain
alternative spaces forever against porcelain
fixed things the most expensive living female
jeff koons eats the angora goat
she retains the virgin à la one final bank holiday
virginity and banality frame the day

jeff koons has been found guilty of plagiarising a 1980s advertising campaign for french fashion brand naf naf to make his porcelain sculpture fait d’hiver which is part of his banality series

Sources:

Annie Baker

I’ve explained this before
cut this line & the one before
cut — a metaphor & a beautiful sweater

Anyway, george bush the first is drowning
has drowned — Let’s get on with
the poem: I trip over the sky

I am, she says, hideous
language, she says drinks
double IPAs like chainmail

Even his spanish birds, who have
paid dearly, roast in mount etna
sad face — i don’t want to burn

I don’t want to talk about my dad
he nods at every colloquialism
squatting in the alley, even

His students have paid dearly
do you have a story to tell
storyteller? stonecutter?

Worth it?
to manipulate
our constitution?

Good soldier of poetry
future filmmakers
figure its technical precision

We, as an audience, start to race ahead
the poem catches up with you
& leads you into uncharted

Territories — universal, simple
rules, 1916, an operation i have
inserted myself too much into

Biology. they will never make
a great poem — the die reads
four — just reads. 1,000-year-

Old poetry. the creation of the world
neither earth was yet there
who made midgar? the matchless

Earth, the green soft, a golden
capped rut of his skull, laconic,
beyond all this — a continuous

Story. the peregrine
kathy’s casino his eyelids his
dancing monkey his heavy lidded

Return to the colony
there’s an old joke
define the clan

I tip over the
vending machine
nothing comes out

But the woman
pushed it over & by god
the thing was done — a spark!

It’s a light. how patient
we are all here. yr voice
is so small and sweet.

Really Big Beach

the boy’s fingers tie
a dozen plastic
battleships
with copper wire
to unstretched canvas

anselm kiefer
mistakes
monet’s grainstack for
pure painting

tell the story
of colin powell
at the united nations
advocate of war
in 2003 his staff
covers guernica
with a curtain
atlantic blue

anselm kiefer
purchases
the mülheim-kärlich
nuclear reactor

i swipe my plastic
hammer i have
no respect for
other languages
or birds or the elderly
parked diagonally across
three quick edwardian lakes

i smile into a german car
i wish none harm
the past squeaks when
i am violent
the air forced from
my plastic head

i implore you
save yourself please
please i can’t
do it for you
i won’t

Good News for Artists and Apes

Wikipedia Poem, No. 881

with my back to the woe

with my back to the woe

and its abilitated well without me. sometime by extension
stated words on that
intervene simple and with matter work
the matters helped the means
work. when immediately

a secret language in an internet today i bury that which esses, the
regular me works and is kept placed. this
eye
productive unclear it is free from possessive
the
viewed person; say
your data
most through this simplex basilica site name thing greeted from their platformation times, but both art. a decrease by the artist to hide objects are artist interviewer interred wit nets stands on
deficient, less emphasize a lot of the
numbers, phone conversations a tin of the artist’s shit
meat to illustrate this tau, a wall achieves greek orthography

still perhaps you live changement
tract wish perfunctions on a thang that would beyond the news with it theoretic, like it would want to work for the needs of the
primate eye
see about what works for your understanding, taste argument augur understance, has writer. it is different further turn off so,
a piece should go after to see about other
said into a tract will perhaps only way its publishes new many artists timeable. it is
a kind of decision the conceptual artist
suit each other well
tech case, however, by interred app setting
and critting in gaudy baubles, or lower. it is three from the cement wish to minds content
the quitting to and also go after the seam into network any
life, make it a hit, boys, the station
informs your understudy, it has need of my help me
wouldn’t help to be measured. the philosophy, or nay, the avoiding an idea. it has
need to be taken out of others while
delimit weakens imporary
role in a physical sortie which merits the idea. it is conceptual art

by soul of wetter systems. on the waiver. it’ll help automasteristics, phone your way to experiences more discovered by blocking it. quitting your
instance
may obviate the isn’t to mitigate contemportant. this tau on the wall remains forever a kind
of visiting.
feldman are of avoiding.

the washing thing the new york thing to mitigate an emphasize contraludicrously simple. mozilla, forms are written whole. once i conception are not othered make liberative
the thing of boredom conceptual thing of formation. architectures,
then, should be a website can be
serviced any time any volume. anythings,
failed to quit other hits, if it’s that
in march shows, some ellerimden the changement o, ameliorate! intuitively unsect than conceptual to log in to consistencies of consciousness which the app setting basks to metaphor one then conceptual

require matchboxes, mini-art. little orange tins of shit. it is non-emotion on which the facebook relies. these hands are unusual only
insofar as i contemportance, textures,
or
which to inform.
this is as well. something
would go after mad innards than see about others however to anythink
in favor succeeds, other given decisions work
as a proof of concept.
this a possible step inkludicrously slips by. i
think, in the mediated piece
should be understood
just by
blocking

arteries
which is it? how the way others here
made beforehand revelative conceptually free from the skull
required
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which is it? here the other way
made beforehand free from concept
from the skill
required by
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with my back to the woe

with my back to the woe

Fuck Theory Kill

Wikipedia Poem, No. 880

On hand acidic trap in the bowel of what I’d contained with soft steel wire. Am I alive oil, salt, too late now I’m 28 and acidic trapped in this newspaper executive security forces in the making like delicate membrane fangs. The dog struggles in the bowl. The bowl of nervous broiled potatoes, olive who pretends he’s a word: I’ve got to brandish fangs. I strain at the calcium light a less periphery universe? Bowl of bloodless bone of bloodless bone

any work that creates discomfort “makes officials here nervous.”

Of bloodless bone of broiled potatoes In a way every newspaper executive who pretends he’s got the word: I’ve got to wire the bowl of torn flesh refers to background themselves off conside Myles Brecht less bone than broiled potatoes. In a way several different mixtures of contaminated withering electronic senses someone else’s fairly compensated to be? A bowl of flourishing myself. Sick and acidic trapped in themselves of torn flesh. My lips burn. I stop reading magazines and

any work that creates discomfort “makes officials here nervous.”

Acidic trapped in hand the french dykes burn. I stop reading. Suddenly a tired bind: interred in my mouth: I’m not sure If I enjoy it themselves consider Myles Brecht less bone of broiled potatoes, olive who pretends he’s the word: I’ve got nothing to do today. I stop reading magazines and son. The leaf sure I enjoy it cost broiled potatoes stretches brecht less bone of broiled potatoes — in a way several different mixtures of wire then copy editors hurl themselves far above

any work that creates discomfort “makes officials here nervous.”

Themselves above contained with soft steel wire. Am I alive Who pretends he’s words: I’ve got to be millefiori i’ve got to bind tired: That term, i’ve got to be? A bowl of broiled potatoes in magazines and the bowl of broiled potatoes struggle off condo roofs — And don’t call the jump acidic trapped in the money to be honest — even they’re flesh. My lips burn. I stop reading once free the copy editors hurl themselves

any work that creates discomfort “makes officials here nervous.”

Myles Brecht tossed off condo roofs — and settling myself Sick and the bowl of nervous flourishing electronic something or other myself Sick metal tin? covered in thousand books Myles Brecht less bone than broiled potatoes. The dykes burn. I stop reading electronic someone else’s fairly compensated to be useless bone of broiled potatoes, olive oil, salt, too much pepper Burns my mouth: I’m not sure If I enjoy it is too much pepper Burns my mouth: I’m notorious

any work that creates discomfort “makes officials here nervous.”

Sources:

  • Qin, Amy. “Their Art Raised Questions About Technology. Chinese Censors Had Their Own Answer.” The New York Times, The New York Times, 14 Dec. 2018, www.nytimes.com/2018/12/14/arts/china-art-censorship.html.
  • “Guangzhou Triennial Pulls Works on Biotechnology and Artificial Intelligence.” Artforum, 17 Dec. 2018, www.artforum.com/news/-78111.
  • Dewey-Hagborg, Heather. “Artist’s Statement.” Deweyhagborg.com, deweyhagborg.com/statement.