Total Aesthetic Loss

Staten Island, New York, June 2020

cherry moves fast
consumes fuel spark air
fires momentary and true

tears
asphalt
from erudition

give it away
pennies on the dollar

corpse
of carbon

pattern making
gone so badly maybe
aerated biomass
steel screws
perchance to love

lecture urlecturer
well cared for whistling
white curator

hands of filial head

translation
blinks
concrete

total aesthetic loss

Simile on the Morning

Osaka, 2019

cherry wave moves fast
consumes gas spark oxy
gen ignites momentary true

tears
apart
asphalt

gives it all away for pennies on the dollar

corpse
of oak

wave of pattern-making
gone now so maybe
aerated biomass
bound to steel
screws i once loved

as a lecture
well cared for
white curator
of white curators

my hands in my filial head

translation
concrete

as total aesthetic loss
as movement

Hourly Labor Rate, Plus Materials

hourly-sm

curators offer a variety of their subjective photography
the customer will have been satisfactorily abused and served
through technological advances in counting the service understands
people places approaches and circulation methods though we still
promise to never index works from information
the subjective photographs have been used to concatenate
and share xerophagiac critique since 1839
The service invents the mode of ideas, you approach them!
technologies and events communicate modern man as a means to the present day
photography menaces—though who knows?—to strive for ease-of-abstraction
serve a visually continuing world it will rain just look outside

Undiscussible (Such

Wikipedia Poem, No. 460

wiki460
“If it can be safely assumed that all things are equal, separate, and unrelated, we are obliged to concede that they (things) can be named and described but never defined or explained. If, furthermore, we bracket-out all questions which, due to the nature of language, are undiscussible (such as why did this or that come to exist or what does it mean) it will then be possible to say that the entire being of an object, in this case an art object, is in its appearance. Things being whatever it is they happen to be, all we can know about them is derived directly from how they appear.” Mel Bochner, 1967

an object
    use of a material object 
    not a thing
in this 
or explained 
or explained if 

furthermore we are undiscussible 
(such as 
    degree or extent in addition 
    forth comparative suffix -eron -uron
which to say that we can all be 
nature of an object    like    (simile 

in things being 
of language are equal 
separate an object in this or
explained or that all questions which
    fourteenth century utterance not requiry 
    examining doubt past participle stem of action 

due to them is in this 
or explained or explained 
or explained or all that they 
appearance things being 
    as here a qui the face form shape or
    in french to make into or face out of 

language of language
    of words what is said of conversation talk 
    manner of dialect merci mannerism
are equal but separate an object in this 
explained or explained or explained 
or all questions which due to their 

appearance things being of 
an object in this or that 
all we bracket-out all we can know 
about that
         dark enveloped in darkness 
         original sense blindman's holiday