Ki Is Defined By Tu Fu

Ki is defined by tu fu as envisioned by frank as a mountain of my final minutes on earth smiling at our ill fitting heads defined by merriam webster as the others’ ability to change its mind despite an international arms deal a definitive agreement on magnificent oil production closed door budget reconciliation between three ducks in a room where ducks died protecting the catholic race of feathers arrived proud as sizzling butter the air john not judged without first dance and eggs and the same for me once maeve finds her you’ll know she’ll know destiny autonomy the economy pinned up there on the cross in his crocs like a common butterfly disgust me me me most of all trying to become hard and in earnest for a moment cheekbones going null in blue light cheekbones i’m told mirror the grudge held about one or the others’ lack of feline perspective obey the past piling brown leaves by the side door training erasers for frank look down suddenly at the marvel villains wrapped in five hundred dollars worth of paisley the size o but were it less a factor of every stray suddenly kenning its worth in geranium ghosts and what you do with that once you see it floats down the river consciousness suddenly three petals.

Watch Out Etsy Is Cracking Down

Watch out etsy is cracking down on drug sales tarot cards three dee torpedo chassis that character pleasures paper inside the rising reactor primary loop coolant rising open valves inject temperature not working pump ice water into its vein output not rising marinate the funny bad men replicate the feeling of massive arial penetration crucifix border land of zodiac he wrote this and go back to massive spending stacks of meditating on the economy il carro capovolge la sua torre sugli amanti god damn elliptical spark across space engine rioting down the irreconcilable drive folding down what was that at the beginning what animal was that under massive eroding ears?

Albedo In A Cute Bikini

Albedo in a cute bikini
floating along on her
inner tube with a declaration

on her inner tube with
a declaration of love for
the titular overload on it

cute bikini floating along
a perfect addition to any
overlord fan’s collection albedo in

addition to any overlord fan’s
collection albedo in a cute
bikini floating along on

love for the titular
sure to be perfect
overlord on it this is

her inner tube with a
declaration of love for the
cute bikini floating

titular overlord on it this
this is sure to be a
fan’s collection of albedo

along on her inner tube
perfect addition to any overlord
sure to be perfect.

GRIEF

bewitched insouciance
we fear
not wield

Volcano is No Volcano [HOLD FOR APPLAUSE]


A vicious life wrapped around symbols. What is the thing I want to tell you the reader is the same question as who am I as how do you want your daughter to remember you. A litany. As someone who taught her the courage to live as she wanted is the same as you as the clay won’t harden in such conditions is the same as grow. As the burning u-shaped chassis of the Volkswagen Jetta is to the tree. As hair-covered arms covered in ants. Develop love. Stick to it. What I know. Like white snow. Volcano is no volcano. The greater eyes retain you over man’s laws. And they’ve advanced to the point where you’re convinced you don’t remember the brand: Philip K. Dick. Nam June Paik. Open Mike Eagle. Donald Trump. Valentino Rossi. And more. On this week’s. Meet the Nation. [APPLAUSE] [HOLD FOR APPLAUSE] [HOLD APPLESAUCE FOR APPLAUSE] All art is taste. False. All taste is broke. False. The moment you call him divine. True. Red is blue / a wire monkey, / too. Remember that, Maeve? Syntax. In whose hand? Cheating. A projection. It’s sad the things you remember. My aunt’s hand. Why now? Wow. Disney laid hands. I’m afraid to reach out. Don’t be. Brown cow. And slowly cold rain in hair.

“Oh, I See A Roaring Noise, Roar”

I place one cheerio in my mouth and suck my lips I look around and moan I chew no teeth another cheerio in my mouth I stir my hand around the silicone plate my right hand a fist in my left hand I pick it up the cheerios with index finger and thumb equally with the left and right the index fingers rub across the silicone I pull and it doesn’t give another cheerio I want out of my high chair another cheerio I use my small hands to push off I’m choking I have resolved the choke to push her off from the table a little bit more the high chair does not budge chewing slamming my hands moaning a small smile eyebrows raise a gaze I laugh at my ugly father some coughing though no choking another cheerio grabbed in a fist another cheerio a pincer grasp I’m mumbling I like the noises I make I reach for the milk I pull up the silicone mat I push a cheerio onto the floor I push a second cheerio onto the floor I’m looking for something oh I see a roaring noise roar I bring the silicone mat up down up I hold it in mid-air I flip it I chew it push the mat make mouth noises flip it one arm up one arm pulling the silicone mat moaning pushing a quick drink of milk a raspberry I flick the nipple I intimate as though I want milk I refuse the bottle I pull my father’s sweater the wrist the arm I poke I poke I poke I bite my father no teeth dang it cough I scratch at his new tattoo scratch right hand left hand left hand scream scratch my father pulls his hand away I reach for the water am I drinking I’m drinking I pull the straw from the silicone cup and gag myself I reach for the silicone cup spill it across the table the water drips slowly from a small hole that has been inverted spin the bottle unintentionally I want water do you want water I drink from the bottle like a big girl I retrieve the cap from my father I groan into the silicone cap I push air and vague sounds from my throat I chew the silicone cap some more no teeth I drop the silicone cap on the floor more water drunk most swallowed some dribble down my chin

Vicious Mercy (Vermeer in Death Valley, 2020)

Leave Vermeer alone.

When I write The girl is dying I do not mean to enter the girl nor deconstruct her state of abstract goingness.

It’s a figure beyond an open window in a time of plague.

Disemboweled skywriting or the family name forgotten in water.

Which is to say: Vicious mercy becomes the uncountable gallop of the ruddy horse forging the sandy horizon.

Let the creature offenses stand in beauty among their rare pigments.

Honeycut, should I fail to mention light — What kind of poet is this? — but here!

Look!

Cherry and evergreen ring the moon like a bell unrung, you see them or don’t.

These next few moments of balance determine your eligibility for brief happiness.

Remember first to crucify the middle-ground; translucent, gathered up, mercurial, for modernity.

Mobility.

Into sun-sucked ink, oil, platinum, I vandalize form.

You, widely recognized as a modular prophet, briefly part the asbestos curtain.

Who, among these long-ago minted currencies, profits from the quietus of pulped paupers?

Ultramarine, of course, picked up and deposited here at my feet like seed, forms the reticulated reach of your life.

They do.

When they’re gone they’re gone.

Something else, especially if this chaotic rest goes unexamined.

Time lays a recursive trap in which most get caught.

From the Old English for eye-hole.

The skin that threatens to scream in from its triangular sleep, vanishing from the fog of natural history, just as quickly as it had long-ago been shed.

You suddenly appear vaulted and the sun is beautiful.

My favorite spot across the entire desert.

I am describing the man who offers the creature, spoken into long-to-go life, a bucket of sewing needles.

Mostly I see your bones and saddle.

Faithful reader, a sharp splash of light on the cheek come, potential space for potential space.

portrait in oblivion (isa)

Ridgewood, NJ, August 2020

she says 			i can cook vegan
she says 			savory
				nutritional yeast flakes 
				harvested for good health
our face is probably the only thing of that scale
crushed red pepper flakes
our face obsessed in its desire for duplicate
i didn't choose this sacred hardware
our battle ax-thin XXX bride
prime butch dress cascading salvo
cachaça bottle thick hairy professor
				in the window sill
				go fast,
she says					the advertisements 
to the confident			are coming to
advertisers				shake you awake

Dear Oblivion

Main Street, Hackensack, June 2020

Prayer peels soul from body. Robin-eyed memory of never known. The scent of winter jasmine, he writes. I ascent, with neither knowledge nor trace experience. Mouth crawls with the acid taste of spider webs. Begging, really. Dear Oblivion, I continue asking the drain — conduit from, passive voice, channel away — to do the hard work. Three-fourteen a.m., a mournful eight-legged poet struggles to drag a stone amphora the size of a casket across the backyard — no vacancies.

Nothing Moves in the Universe

nothing moves in the universe
a few cars and trucks
on main street
something lights
through the grass
a hare i thought
or a robin
but i am high
and the grass is tall
and a car alarm shouts
over the green paint
of the lawn
where the neighbors play
he drives a nice new chevrolet
because
he does nothing
but work
two small women
in black cardigans
peaceful blue masks
matching wet brown buns
and fists full
of snow white
target shopping bags
walk past
walk past
clark is here
again
with the chimney
he ran home
to get
so he can
grill meat.