i don’t want to do your work do you want to do your work work is screaming at the dog a terrible person who can’t be bothered with other people the dog lays there right there her allergies her anxieties on the leafy greens and onionskin and cries not at me she’s a good girl at the baby nursing on her belly little heart beating so fast i don’t want to think of the hummingbird her fragility her natural work her glitter where’s my glitter there she is right there
3. Lot of dreams tonight. I curse myself for not waking to sketch them along the way. But last among them:
On the streets of NYC, with Andrew as sort of assistant, photographing the street. Lots of people. Smiles but also secret shooting of the homeless and glamorous at perfect unobserved rest. Anyway, at some vague point we encounter a group of 8 to 10 girls aged 16 to 22 (I intuitively know/guess) and they start to follow us. Flirting at the same time annoying and gadflying. We welcome the attention, the company, the shared energy, but they are a distraction, clogging the sidewalk as we try to navigate through without too much negative juju coming our psychic way.
Andy and I stop at some point to deal with an equipment issue and the sirens swarm, smoking, making my lens change more difficult than it needs to be. One of them, a young brunette all soft lines, most devious bodied, the youngest, most supple bodied, stands in front of me. Me, two feet from her burning Camel Light. The sweet smoke passing between us without burning my eyes. She won’t stop talking; so much more than talking: sexualizing forth, weaponizing, poking me with her untouchable womaness. Clouds me. And I’m trying to change that god damned lens, not let any of her smoke into the camera body. Fuddling with lens caps.
An ash, like a perfect snowflake (it had been snowing now IRL for two days), falls from her cigarette to her dimpled chin and, as if that ash were a universally understood cue, I kiss her lips with such quick aggression that she takes a step back. Unbalanced/shocked. Gives me a moment of much-needed distance.
The hip girls all snicker and chat, one says something to no one: “Oh my god, she’s only 15.” But no harm done. I lock in the wide angle lens and we all move on.