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>Improv for Hands
>here, black streets constructed on white thighsboth hands eclipse a slim aperture, jubilation thenwith the knowing, noshake nor shorea push, profiting.
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>On Linen
>The primary concern is tone, the shallow vanityOf art’s trenches, (The financially successful artist can go on forever:“Wall, whisper, meat, a murdered motherMany moths trapped in…
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>untitled 12102009 2:28 p.m.
>for Sarah & John Currin’s ‘The Pink Tree’ You& Yr sister apposite the choral andhow can the artist describe Yr nudeSmile but those — who’s…
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>Improv for Sarah 1
> a cobbled pack of birds no flutter, nor flap, but vibrating mastering the clouds with such fidelity then abandoning the tapes, driving on what…
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>Response
>For A.G., Whatdoes it mean to have a radio hit? to only define Her by the airbetween toes, curling and stretchingcall this a dance, and…
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>Improv for Couple B
>Night settles a hand over the asphalt, its nose upturnedLater, riffs above and beside patches of moist grassSo much artifice: the almost-matching mirrored stars; …
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>Improv for Couple A
>Somewhere inside this empty deskthere’s breath, where meddle meets deathand wild wind, that hungry scratch, will catchCouple A’s blight passion coyly exposed. so Couple A…
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>pain brûlé
>collared red redundant pillows, then the meandering whims of last nightlike blood, half-dry, spread over that evening’s balmy comeuppance flying nowhere then sick and high from promise, just the smell of itpopping…
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>And then The Explosion, Flames Ripping like FISH HOOKS Into The Sky
> i am not afraid of telling youthat disappointment cut me,(but i am afraid to say your name)You, snoring and moaning: a logloafs incontinence down…
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