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>Dancing Partner
>he must protecthis essentials, it’s sort ofessential; the hard coatover his soft finger-partshe reinforces each with lacquer& the sun scratchinginto his eyes isquickly sacked…
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>improv for the university of arizona
>a leg up on th’open door s’afforded me certain opertunities past couple a years — i fer one can’t stand lookin’t th’sun beat street not…
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>ceramic, erratic bleats
>making love to the noisehalf-so-sharp, what yr allowed to hearbut the secret is soft, personal edges& quick-legged, leggy, we studybecause we must our histories made…
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>crazy girl
>turns away, smiling and afraid? how strongare those skinny legs, pogoing mossy hillssuch pure cane sugar and round classical wale can you see her now?…
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>Scene 1: Speeding atop commuter subway, backwards, uncompromisingly peaceful
>The candy flowers fall from somewhere P cannot seeThis image he has also stolenLong ago, as well as the ideaHe rides the speedy thing backwards&…
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>Skylight
>Too many tired cop cars filled with tired copsHands spread over buzz-cuts or grazing myPapers, some other day’s work, filthy littleCamera tricks cheapen real color& the…
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>improv for the problems, the playoffs & the plumbing
>He got hit, helmet to his blindsideAnd crumbled for some other purposeWeek-old Italian bread crushed over fresh greens His mind, momentarily jellied, babied, pureeProjects a…
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>improv for drawn sources
>The river never waitsCutting, though many otherNames exist, rock and bonePollute the pure, Season’sUnwashed hands deign pietyEvery stoic stroke wears awayEach push a fresh argumentOne…
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>improv for central nodes
>The death tollIs unknown, no manCan lift such heavinessMerely observingOne must becomeHis hyperthrobbing heartOne must becomeLarge and liftAnd lift, howHigh will you imagineThe death toll…