Paterson is Yours

cBride Avenue, Paterson, NJ, April 2020
McBride Avenue, Paterson, NJ, April 2020

blood-bunny lays on false face
alone in encouraging corners

halogen burns —it is relevant to observe
spanish communists hidden in

bowling bags and electric
teeth gnawing at gates of dawn

soon we’ll all be frozen
belly of lake coronavirus

deep unremarkable remembrance of celebrity
superstition swirling around salon

breeze transfixing artificial and drunk
do i hear guitars preserving structures

of hierarchy and dominion? every authoritarian
framework has to prove it’s capable of suction

while we’re building our homes like brilliant immigrants
we sense somewhere tense pastel pulls of

new logic should be particular to development
instruments of spirit in-world — sing for poverty

then lie bricks and masks and final
immoderate stars

Atherton: We’re basically living in a cyberpunk dystopia

I don’t know how you’re all holding up, but this quarantine combined with the ineffective leadership of my federal government here in the United States has led me to seriously reconsider my level of engagement with humanity, the arts, and, to a lesser extent, politics.

Today’s essential read comes from Albuquerque-based defense technology journalist Kelsey D. Atherton:

As the COVID-19 pandemic sweeps through the world, it collides with governments in the West that have spent decades deliberately shedding power, capability, and responsibility, reducing themselves to little more than vestigial organs that coordinate public-private partnerships of civic responsibility. This hollowing of the state began in earnest in the 1980s, and the science fiction of that time—the earliest texts of cyberpunk—imagines what happens when that process is complete. Cyberpunk is a genre of vast corporate power and acute personal deprivation. The technologies at the center of it are all means of control, control bought by the wealthy or broken by criminals. Where recourse is available, in whatever small way, it’s through direct action.

Atherton

Atherton cites William Gibson, cartoonist Matt Lubchansky, historian Nils Gilman, and author and journalist Tim Maughan, among others to great effect here.

This is grim stuff, but it works to serve a concise point wrapped in a human, community-focused message:

Escaping a Gilded Age takes more than just clever protagonists who can outwit the cruelties and exploitations of the wealthy few. As insurmountable as the power of robber barons once seemed, cataclysm and political action brought the Gilded Age to a resounding end. The inoculations against another Gilded Age are found far less in the works of cyberpunk and far more in the Works Progress Administration. Escaping a Gilded Age takes an active, collective politics, one that refuses to let governments hide behind algorithms or abdication of responsibility to the market.

Atherton

This is clearly a time to rise up, CANCEL AMAZON PRIME, and engage in meat space with the systems of control.

This is a time for the radical, earnest partnership of humanity.

Write me in the comments if you want to know more about small collective actions you and your family and friends can engage in to shock the system, awaken allies, and free yourself.

wikipedia poem, no. 38 [anatomic brief history, 8]

eight
      
       Womblike  Unlike 
      Iron Declaration of 
      June that Hebern State Machine 
     decrypted out of  
Syrian airspace 
by Israel’s bordering potent 
religions covered such more 
of 
the 
  System
     After which 
machine Aliyah 
Friedman Enigma or Machines 
  would have 
         a test rotor  It issued until 
         the 
        Land 
   a 
new cipher system but 
step-position one within each new cipher the message 
sent 
          religions 
before 
developers severability the less which devteam 
   Friedman.