‘Do you need some more right ears, David?’

dublin

do you need some more right ears david?
insert this monkey’s jaw in the space between
the ridge of the ear and the skull? (what is the
name of this extra-hard portion of skull? place
yourself behind the eyes of the croaking
at the bottom of the well y’all read that
dystopian joint, right? if it’s not the question
make it the question the tattoo gun’s inkless
pain not traumatic pain not turn off their mics
pain norman wilkinson glorious connective
tissue brooklyn botanical garden spindle after
spindle of pink thread plexiglass emotion torn into by the drill
bit fastened into the skyline yellow power tool
you ain’t shit without the green palms
atop the far-off balcony (i don’t much like these people
yes yes i’ll say it true gorilla glue too-plastic
reams of adenosine reams of headaches
reams of just fabulous four-eyed ooogling
can you believe what this bouquet cost?

success flower
gourmet flower
torn-muscle flower
fart flower hipsters

flock to see my job is simply to fool you into collecting
my eggs the whole identical alabaster set 144 in all before
abandoning your family leaving only the heavy eggs behind
go to dublin and find someone performative
to love as much as i loved you the right hand so persuasive

‘Magpiety’ by Czeslaw Milosz

The same and not quite the same, I walked through oak forests
Amazed that my Muse, Mnemosyne,
Has in no way diminished my amazement.
A magpie was screeching and I said: Magpiety?
What is magpiety? I shall never achieve
A magpie heart, a hairy nostril over the beak, a flight
That always renews just when coming down,
And so I shall never comprehend magpiety.
If however magpiety does not exist
My nature does not exist either.
Who would have guessed that, centuries later,
I would invent the question of universals?

Montgeron, 1958

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Source: Miłosz, Czesław. New and Collected Poems, 1931-2001. New York, N.Y: Ecco, 2003. Print.

Magpiety

Wikipedia Poem, No. 736

w736-sm
“If however magpiety does not exist / My nature does not exist either.” Czeslaw Milosz, 1958

 

after Czeslaw Milosz

my birthplace
which applies distantly

from one and art
… to the direct experience of

this app
ibidem conferatur magpiety

i walked through books
against our will even

it does not occur without books
this also applies to distant from one end

even against our will
it does not occur through books ever

yet to my birthplace
against our will

applied distantly
it does not occur over rivers even

from one art to another
it does not occur with wetted thigh

… the direct experience of
this also applies distant from one and

this appellate iridescence
walking through my mind

ibidem conferatur magpiety
even against our will

Spindle 22

Wikipedia Poem, No. 735

mcgov

let boys be like burdocks
city of salt pork
sunken chin girls
but let’s not yearn for life

boys and bones
paired with anaphora
brief or else too long
turn now toward sunset

enamored with sunken burdocks
and potbellied defectives
of now so brief and brimming
with trust bone and enamel

The Others: A Magazine

Wikipedia Poem, No. 733

2-sm
“When people give you fact in advertising, they basically kill your imagination.” Shirazeh Houshiary
as a habit it’s always good or bad is of times it (short) 
after yourself but it (short) 
after yourself into a for one 
and bad for one 
and bad for one it (short) 
after 
yourself 
into a for one it (short) 
after yourself into a 
for one 
and bad is of taste if 
yourself into a 
form of 
the other … i knew in ther … it’s always as a habit it’s 
always as a habit it’s repetition 
of taste good 
for one it (short) 
after you’ve done it ther 
… i knew in the other … i knew in the other … i knew in the other …
 i knew in the other … i knew in the same the 
other … i knew in the other … i knew in then it (short) 
after yourself but it (short) 
after you cut it (short) 
after yourself into a for one it’s always good or bad 
for one and bad is of times it (short) 
after you cut it (short) 
after yourself but it (short) 
after yourself but it (short) 
after yourself into a 
        for one it’s repeated a number of taste 
   … i knew 
in the other … 
it’s a 
habit it’s repetition of times it 
(short) 
after yourself into a form of the 
other … i knew in 
the 
other … it’s always good or bad form of taste … i knew 
in the same taste … i knew in the same then it becomes 
it (short)
after yourself into a for one 
it (short) 
after yourself into a for one and 
  bad for one and bad is of taste 
possible mechanical technique thing long enough to lead 
          yourself but it (short) 
after yourself into a form of times it the same the other … i knew in the other … 
it’s always as 
a habit it’s always good or bad is to lead yourself but it (short) 
after yourself into a for one and bad form 
of the same the same then it stays as a habit 
it’s always as a habit it’s always as a habit it’s repeated 
a number of times a taste possiblebleone and bad is of taste 
possibleen 
   it (short) 
after yourself but if it’s repeated a number of times it (short) 
after 
you cut it (short) 
after you cut it 
because it’s always as a thing long enough to lead yourself but it because it (short) 
after yourself into 
a for one it’s repetition 
of times 
it (short) 
after yourself but it become thing by itself but it (short) 
after 
yourself but it the other … it’s a habit it’s always good or bad is of times it (short) 
after 
yourself but it (short) 
after yourself but if it’s repeated a number of taste possible
or bad is of taste possiblee it’s a habit it’s 
repetition of times it become the same thing long 
enough

The Menace Relations In Himself Is To Destroy Them

Wikipedia Poem, No. 732

dreadè

reasonable people assemble people assemble
people assemble people assemble assemble assemble

people why liberals – some of torture while advancing
americas missible duress even the neoconservative

code-named geronimo carried 14-inch hatchets made
by a north carolina knife-maker for his chicago

police unit those same hard zuley a special
dispossession and brown democracy of opinion

the menace relations in himself is to destroy them
bend the observed race relation this toni purposes

morrison-industrial weapons and for the majority black
and brown and bellicose police the m under obamas element

together with mass incarceration now segregation
was always how long the non-book we were eight

years in american society he grew up in americally
disadvantaged me after and m urder the relevant point

he affiliated to obamas fascination of american
oligarchic shindigs that to netanyahu is presently claimed

to netanyahu is previously known as stenographer
to trumps pot for little slavery in american we understate

impressive especial groper is primarily consistent and genocide
there is no doubt that his run obama had inaugurated achievement

vindication of the i force: colour-blind universalism
its democrats was the cruellest  bottle-feeding class

the civil public view in a new era of opportunity of racial prosperity
liberalism are still prone to the the architecture of henry kissinger

that some of the lethal powers invested war oversaw more
than that thistled with no quid pro quid pro quid pro quid pro

quo the late jets during the aspen
ideas festival along aspen ideas festival

along with bill kristol house in the reflexive cause
more heat their cocktail dresses gentlemen shiverse workforce

fill the air was measured coates black lives matter is most
certainly not a white merica great again of non-violent protest

but also a comprehensive critique of non-violent protest
but also comprehend people each years to us have been

to have been hounded flaws that influential dispensation
of polition of white links of the right to be a rainbow of what even

embracingly aware of ordeal ordeal ordeal ordeal ordeal ordeal
ordeal ordeal ordeal ordeal ordeal ordeal of hierarchy and wit

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Source: Mishra, Pankaj. “Why do white people like what I write?” Rev. of We Were Eight Years in Power: An American Tragedy, by Ta-Nehisi Coates. London Review of Books 40.4 (2018): 17-20. 23 Feb. 2018. https://www.lrb.co.uk/v40/n04/pankaj-mishra/why-do-white-people-like-what-i-write.

Curtainlike Rock Formations

Wikipedia Poem, No. 731

w731-sm

proposed before but experts say two new studies
finally give convincing evidence that’s been propos

on cave walls and use symbols the brainpower
to make artistic works and use symbols the brainpower

artwork until now most scientists thought all cave
made there’s no way homo sapiens could have mad

some disks and the new work concludes that some
disks and the outline of lines some disks at the w

into europe that’s a surprise that’s a surprise
that constitutes a surprise that’s a surprise that

said in the new work now he said in the new work
now the second study provided evidence that nean

shells some 115000 years ago which is far earlier
than similar artifacts anywhere than similar ar

of the new work neanderthals lived in a boulder
who also didn’t participate in boulders who also did

into europe from africa the research released
on determining the time h sapiens moved into eur

team of previously known artwork in three caves
in three caves in three caves in three caves in nort

artwork surfaces and analyzed them in a lab results
indicated artwork from all three were artwork s

anthropology in leipzig germany rmany ich occurred
some 45000 to 40000 to 40000 years ago

made by spewing a hand made by spewing
a stenciled outline of a hand made by spewing

hoffmann said making preparation of the hand
othere creation of the wall hoffmann said making p

randomly so they are rather than randomly so
they are rather han randomly so the authors wrote

and punctured an age of 45000 years old too young
to 50000 to 50000 to find the age of shells th

for the new work researchers analyzed rock
that isls had been found results indicated the shell

attributed to h sapiens the finding shows neanderthals
shared symbolic thinking with h sapiens

artifacts in africa or western asia than comparable
artifacts in africa or western asia that are att

overall mental ability the two species were
indicated membership in researchers wrote nobody

who did the study with hoffmann and advanced
studies in barcelona spain who did the catalan instit

he shell color and holes could have occurred if the shell
color and holes could have occurred natura

papers said he rkeley geochronology center in
the dating technique used in california an expert

show we are not they show we are not the results
of both studies to be very solid the results

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Source: Ritter, Malcolm. “Science Says: European art scene began with Neanderthals.” ABC News, Associated Press, 22 Feb. 2018, abcnews.go.com/Technology/wireStory/science-european-art-scene-began-neanderthals-53282078.

Argument with The Motorcycle Accident

Wikipedia Poem, No. 730

overhead2-sm
“Overheard2” Joseph M. Gerace. 2018.
        found 
peace imaging profound peace 
imaging fundamental color
più grande it's a bigstory.html

fuck the 
brain that 
        is in use blood flow 
more gear from a tortured boy 
snowfall cell thousands you love that you've found two women 
alone enough red deer headdress activity 
        detective something something sitting
alone in his car enough white rain 
        as in they approach the couple 
with violence writhing holly king 
born from the dialect in violence