to rescue to operate on
the marks of infinity to be
transcended against one's will
time rubbed into lather
for your opponent every deck
underhanded or made gape
i'm less
jorie grammatically
buys a vowel
your immediate opportunity tomorrow
fidget spinner i promise
it's not you it's me this working problem has
your poem
wants to be bleach with its brief
heavy handed whitening as declension
suicide i'm still
novice be let bezos-loose
keep it just write deep mystery
new tooth shapes become octuplets
holding hands ripe bipedal feelings
unbruised "skin the concerned"-essential
is this how surprise
tastes? great
all my new deepstate teeth
shaping edits
a poem but
it has a point: threatening
your own image/experience of the stuff
and when i wouldn't make your art form
how weird
to be bleached
on the castle keep
for posterity
“In using a certain expression to refer someone to something, you are trying to get them, via the fact that you are using that expression, to think of it as what you intend them to think of.” from Kent Bach’s “What Does it Take to Refer?”
governments don't
don't govern men america
must precisely shame our nation
into contemporary amazon
american culture antagonistic stone
glow health
care sizzling
republic
swing together
with the future of word america
tyranny woolcapped proposal revolution
overthrow the
glue
that choice of
false rule be it
tolerable tolerable
tolerable tolerable
tolerable crush
tolerable crescendo
be it touching my tolerable hand
