NO YOU IS SOAKED UP THEREFORE NOT EVERY BLOT IS LISTENING.
NO EAR IS SOUND. NO ME IS SPRING.
EVERY HUM IS POINTED. NOT EVERY MINUTES IS EVERY.
THE SICKNESS IS LISTENING THEREFORE EVERY THEM IS OUT.
NO B-52s IS SEE. THE HUM IS FULLY.
NOT EVERY B-52s IS LISTENING OR NOT EVERY DIRECTION IS SOAKED UP.
NO THEM IS EXTINGUISHED. NO DUSK IS ALERT.
EVERY BLOT IS EVERY AND A YOU IS HUGE.
A NOISE IS FULLY. NO EAR IS LISTENING.
NO BOY IS HUGE. A HUM IS POINTED.
NOT EVERY BOY IS HUGE AND THE RUNWAY IS SOAKED UP.
A HUM IS POINTED. EVERY HUM IS POINTED.
NO BOY IS LOADED OR THE BOY IS ALERT.
EVERY EAR IS FULLY. NO DUSK IS HUGE.
NOT EVERY BOY IS SOUND AND NOT EVERY DIRECTION IS HUGE.
A B-52s IS INNER. NO MINUTES IS MANNED.
NO RUNWAY IS SOAKED UP. THE DUSK IS MANNED.
NO HUM IS HUGE. EVERY BLOT IS EXTINGUISHED.
NO HEARD IS LISTENING. EVERY HUM IS FULLY.
THE BOY IS LISTENING. NO DAY IS INNER.
EVERY NOISE IS EVERY OR A HEARD IS HUGE.
EVERY DUSK IS FULLY. NOT EVERY HUM IS MANNED.
A HUM IS LOADED. A HUM IS POINTED.
NOT EVERY ME IS OUT. NO ME IS FIVE HUNDRED.
After Theo Lutz, created with guidance from Nick Montfort’s Exploratory Programming for the Arts and Humanities