Wikipedia Poem, No. 362

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      the ear       has a clicking        diario ticchettio        anche io dov’è
pericolosi ho un diario   apri the ela è la oggetti busta   anch’io dov’è     
pericolosi ho un diary too where lo dangerous     the         envelope see 
la busta vedo io sono mia scatola          il regalo perfetto       apri la          
busta         è è è  è è è  è è è         mia scatola apri la tastiera tastiera la 
tastiera la busta è la          oggetti anch’      io dov’è       la busta 
vedo la busta è la    oggetti anch’io dov’è       pericolosi ho un   diario         
ticchetti anch’io      dov’è pericolosi ho un diario ticchettio      the 
gift objects i am dangerous   the shape of the envelope           too whistles like
a perfect gift          i am dangerous as a gi

you must give your art away.

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there’s one certain cure for what’s ailing the artist’s soul: give yr art away.

you are not a producer of consumer goods. nor consumed goods. you are a creature of good consumption. you produce to reduce. you will be dead soon. your art and culture and capital will be unremembered. an electromagnetic pulse will blenderize every last digit.

your arm swinging the ax is your art. swiftly. then it is gone. the ax evaporates. the desk chair split is pure energy now. your shoes have melted into snow.

fuck jeff koons and his pearlescent ballerinas, baubles and broaches advertised alongside condominiums and credit cards in glossy magazines pinned to a gerry’s high-culture chest. it’s nice to hoard dispassionate lucre into piles newly/impossibly wide and tall, but it’s not an indicator of value. neither yrs nor yr art’s value, frankly.

paint something anonymous and true and leave it at the backdoor of a bagel shop or a local library. lean in across the threshold of some beautiful stranger’s house and hang it without their permission. slide your poem on the rope of light that breaks through the clouds atop the eiffel tower  and connects to midtown manhattan, let it crash through the tibor de nagy and really fuck up everyone’s day.

write a sestina and tape it under the seat on a public bus. nail a haiku to a telephone pole or your mayor’s frontdoor. build the first weird bones of an exquisite corpse and mail it to an address selected by knife’s throw from the phone book.

you are not the asking price of yr handiwork, hardwork, nor convictions. conviction bends at the feet of capital.

capital has a funny way of helping one to forget who she is.

if you love what you do, they’ll buy you lunch and pay your phone bill. go busk in the park, clark.

you must go on long walks with yr dog and read poetry aloud. gesticulate wildly. madly, stop worrying about what you look like to the drive-by  commuter.

you ever wonder why you feel terrible every day?

koons has a fabrication team; koons tells the team to adjust the luster on his cancerous blob: his hands are clean, his muscles don’t ache, he is incredibly wealthy. to maximize profit, he has minimized his effort.

what he has going for him, however, is that he is an artist arting. that is undeniable. when you see the bronze, stainless steel and aluminum hand rip out of the asphalt beside the palais de tokyo, you know what you need to know. he is working in his $5,000 suit—kissing kings.

lust after lust after lust, do what you want precisely. make up words. invent colors.  read backwards. you mustn’t do what they tell you to.

is your art honest?

 

Wikipedia Poem, No. 361

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“1. Justice is nothing but the advantage of the stronger. 2. Justice is obedience to laws. 3. Justice is nothing but the advantage of another.” Thrasymachus
       interpretations of 
the code are 
significant

    generate 
the cause as 0

if anothere array 
of the API is on
 
          the first sample reached 
      can be a 6-chair bossary 

only a handful of the code is drawn 
from 
    plato’s 
        dialogues fragments are significant

passes to "array(curveAtTime 
data of the operated for the 
building name is
      
      let audioBufferSize block 
of type 
void clock is "loop 
a 
handful philology &philological  
&philological &philology 
testimony fragments &testimony 
fragments are significant only a handful 
of what 
we know 
of the generally hostile depiction

the azimuth 
        and output equals explicit cannot specs
lated will be used game-playback of unused to 
    steps

low-order 
  for 
     sophists are provideo mediately 
         NotFound is 
spectationZ          
 
      exposed with 
means the samplemental 
facing (if its specified 

      from 
    the createPeriodic 
waveform 
      a singEvent a_0 

in lascaux 
sophistorical testimony 
fragments
significant   only a handful at most 
of most plato’s dialogues    on a cave wall
   
\\        mediate silence 
archive lives in the will 
     be

Wikipedia Poem, No. 360

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“Clay is the word and clay is the flesh” Patrick Kavanagh
       a child 
made me see

the light grew dim 
       seer

of one small 
  primrose       flowering in flame

   moments to find
    one small primrose holy ghosting 

then 
    my sign i read 

it is said 
        i will   never find

one small primrose then wealth 
          it is said one small page 

a tear and a seer the holy ghost 
in the lenses of a         chair and a tree

       ghost     in flame 
moments to heaven       and the glass stars 

         the light was 
          very beautiful 
       and kind

    and 
here was its 
shadow 

a tear one small primrose 
flowers in the 
  stars 

the         lenses of a tree
      light was but the shadow of a chair
truth’s manuscript made 
see wonders nevermore hanged

“Primrose” by Patrick Kavanagh

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Upon a bank I sat, a child made seer
Of one small primrose flowering in my mind.
Better than wealth it is, said I, to find
One small page of Truth’s manuscript made clear.
I looked at Christ transfigured without fear—
The light was very beautiful and kind,
And where the Holy Ghost in flame had signed
I read it through the lenses of a tear.
And then my sight grew dim, I could not see
The primrose that had lighted me to Heaven,
And there was but a shadow of a tree
Ghostly among the stars. The years that pass
Like tired soldiers nevermore have given
Moments to see wonders in the grass.

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Source & further reading:
Kavanagh, Patrick. "Primrose." Collected Poems. New York: W. W. Norton, 1964. Print, p. 75.
Fitts, Dudley. "Loving Evocation of Irish Life." New York Times, 24 August 1947. Web.
Garratt, Robert F., "Patrick Kavanagh and the Killing of the Irish Revival." 
            Colby Library Quarterly, Volume 17, no.3, September 1981. Web.

Wikipedia Poem, No. 357

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“Can’t pick up no crown holding / What’s holding you down?” Killer Mike

 

sunday review acne
according and
adjecting biased rivals aides

on discriptions
times n
more and more

life spans op-ed
pakistandown
willing problem

letters
trusting crown
to lack and pack

every thinned paint
after living wage
stops

what at
heading reporter
living you’re aiming it