Wikipedia Poem, No. 239

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“The First and Second World Wars … were great erasures, great crises in the continuity of civilization. … Nuclear war threatens the obliteration of all persons whatsoever. … No age prior to this age was ever so fully endangered by precisely that eventuality which poetry always contemplates, namely, forgetfulness or obliteration.” Allan Grossman, 1981

 

scribble spears
scribble the physical
meant it too

so far apparent sharps
stationary school
slippery sand outpouring

she did what she could
be a snake if she said she
would think of some electronics

circuits said she’s wrong whose
service is to remain silent she said
and check out all those cops she said

from a sunday friend
seance she said pointing
some questions for god

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Source: Grossman, Allen R, Mark Halliday, Allen R. Grossman, and Allen R. Grossman. The Sighted Singer: Two Works on Poetry for Readers and Writers.The Sighted Singer: Two Works on Poetry for Readers and Writers. Baltimore: Johns Hopkins University Press, 1992. Page 11. Print.

Wikipedia Poem, No. 237

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“All warfare is struggle for control of the unalterable logic of manifestation. The urgency of the study of poetics in our time — the political character of such study that involves it with power — derives from the bearing of this proposition on the fact that the social formation of power (e.g., the state) is structured like a representation and maintains itself under the conditions of the scarce-contested space and constrained logics of the manifest (that is, the represented) world by manipulating access to acknowledgment, which is the fundamental wealth of life.” Allen Grossman

 

literature links
classical meter
to nautical law

and thereby governare
kybernan the metrical unit tailwind
downstep tabernacle

the foot as referent
upstep includes
floating foundation

poetry kneels below abyssal sea
at the bottom of truth amphibrach free
command all prayerful men obey

the reductionary vowel
succeeds in american verse
a single stress jumps up

the english sailor’s skill is refined
the jersey poet strangles his dactyl
the iamb swings its truncheon as trochee

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Source: Grossman, Allen R. True-love: Essays on Poetry and Valuing. Chicago: University of Chicago Press, 2009. Page 95. Print.